Theatre play on forced urbanization spotlights Pakistan’s climate woes 

The photo shows a scene from theatre play The River's Daughter performed at NAPA in Karachi, Pakistan on May 26, 2023. (Photo courtesy: ALL4ONE)
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Updated 27 May 2023
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Theatre play on forced urbanization spotlights Pakistan’s climate woes 

  • Titled ‘The River’s Daughter,’ the play is running from May 25 till May 31 at the National Academy of Performing Arts in Karachi
  • The play, featuring Sheema Kermani, Amna Ilyas, Fawad Khan and Arieb Azhar, highlights traditional methods of permaculture

KARACHI: ‘The River’s Daughter,’ a theater play written by Arieb Azhar, has been highlighting the issue of climate change in Pakistan, with the writer exploring a modern-day narrative of an indigenous community’s struggle for survival in the face of forced urbanization in the country’s south. 

Directed by Kulsoom Aftab, the play opened at the National Academy of Performing Arts (NAPA) in Karachi on May 25 and will run for a week. The River’s Daughter is an original script by Azhar.

The play, loosely based around the characters of Umar and Marui from Sindhi poet Shah Abdul Lateef Bhittai’s 18th century classic, highlights traditional methods of permaculture to counter demolition at the hands of those in power. 

Pakistan is among ten countries most affected by climate change. Last year, climate-induced floods wreaked havoc in the South Asian country, killing more than 1,700 people. The deluges affected around 33 million people and inundated a third of the country at one point. 

“The construction of housing societies on agricultural lands is rapidly increasing. As a result, the productivity of the land is reducing while its value is increasing. This isn’t even good for the country’s economy. It is important to highlight the economic exploitation,” Azhar told Arab News on Friday. 




The photo shows a scene from theatre play The River's Daughter performed at NAPA in Karachi, Pakistan on May 26, 2023. (Photo courtesy: ALL4ONE)

The writer said he took inspiration from a folktale for the names of his key characters, Umar and Marui, giving the narrative a modern perspective. 

“I wanted to write something about ecology, about the environment. But I wanted to write it in a way that it doesn’t sound preachy and that it has all those aspects that are pertinent to environment,” he said. 

The River’s Daughter is the first script written by Azhar, a Pakistani musician known for his renderings of traditional Sufi poetry and folk songs, while he has also acted in the play. 

Fawad Khan, who played the role of Umar in the play, said lamented the destruction of villages to build new urban communities in the country. 

“Seventy percent of our country’s population is living in villages that are destroyed for construction purposes. Did we ever wonder what the people residing in those villages want for themselves,” he asked. 




The photo taken on May 26, 2023, shows folk musicians Mai Nimani (with her troupe) and Teekam Das onstage during the performance of The River's Daughter at NAPA in Karachi, Pakistan. (Photo courtesy: ALL4ONE)

“We haven’t made any laws or land reforms to improve their livelihood. We are an agricultural society and we are letting our agriculture suffer the most,” Khan told Arab News. 

Sheema Kermani, a renowned artist and activist who played a key role in production, shared the play was not just about the impact of climate change on indigenous communities. 

“It is also about land mafia. It’s also about the construction business. It’s also about depriving people of their livelihoods and their homes,” Kermani told Arab News. 

“Development is not just about construction of buildings, development is also about people’s right that is mostly ignored in these cases.” 

A significant element in the play, according to Azhar, is the folk musicians featured in it, including Mai Nimani, who belongs to the Marwari-speaking Bhatt community and her troupe from Tando Adam in Sindh. In addition, Teekam Das from Rahim Yar Khan represents the culture of Pakistan’s Cholistan desert. 

“We need to educate urban youth about folk music and poetry. We need to add these things to our curriculum,” Azhar stressed. 

“Our folk culture is very diverse. It has message of humanity and inclusivity. This is the real culture of Pakistan that we’ve been ignoring.” 

In addition to Azhar, Kermani and Khan, the two-hour-long play is also featuring television and film actress Amna Ilyas, who is making her theater debut. 

“It was an honor to play a part that has so much responsibility as an actor,” Ilyas, who played the role of Marui, told Arab News. 

“Climate change is a very relevant issue. The play very well explains that capitalism, concrete stuff, land and agriculture need to go hand in hand in today’s day and age.” 


‘Look ahead or look up?’: Pakistan’s police face new challenge as militants take to drone warfare

Updated 14 January 2026
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‘Look ahead or look up?’: Pakistan’s police face new challenge as militants take to drone warfare

  • Officials say militants are using weapons and equipment left behind after allied forces withdrew from Afghanistan
  • Police in northwest Pakistan say electronic jammers have helped repel more than 300 drone attacks since mid-2025

BANNU, Pakistan: On a quiet morning last July, Constable Hazrat Ali had just finished his prayers at the Miryan police station in Pakistan’s volatile northwest when the shouting began.

His colleagues in Bannu district spotted a small speck in the sky. Before Ali could take cover, an explosion tore through the compound behind him. It was not a mortar or a suicide vest, but an improvised explosive dropped from a drone.

“Now should we look ahead or look up [to sky]?” said Ali, who was wounded again in a second drone strike during an operation against militants last month. He still carries shrapnel scars on his back, hand and foot, physical reminders of how the battlefield has shifted upward.

For police in the northwestern Khyber Pakhtunkhwa (KP) province, the fight against militancy has become a three-dimensional conflict. Pakistani officials say armed groups, including the Tehreek-e-Taliban Pakistan (TTP), are increasingly deploying commercial drones modified to drop explosives, alongside other weapons they say were acquired after the US military withdrawal from neighboring Afghanistan.

Security analysts say the trend mirrors a wider global pattern, where low-cost, commercially available drones are being repurposed by non-state actors from the Middle East to Eastern Europe, challenging traditional policing and counterinsurgency tactics.

The escalation comes as militant violence has surged across Pakistan. Islamabad-based Pakistan Institute for Conflict and Security Studies (PICSS) reported a 73 percent rise in combat-related deaths in 2025, with fatalities climbing to 3,387 from 1,950 a year earlier. Militants have increasingly shifted operations from northern tribal belts to southern KP districts such as Bannu, Lakki Marwat and Dera Ismail Khan.

“Bannu is an important town of southern KP, and we are feeling the heat,” said Sajjad Khan, the region’s police chief. “There has been an enormous increase in the number of incidents of terrorism… It is a mix of local militants and Afghan militants.”

In 2025 alone, Bannu police recorded 134 attacks on stations, checkpoints and personnel. At least 27 police officers were killed, while authorities say 53 militants died in the clashes. Many assaults involved coordinated, multi-pronged attacks using heavy weapons.

Drones have also added a new layer of danger. What began as reconnaissance tools have been weaponized with improvised devices that rely on gravity rather than guidance systems.

“Earlier, they used to drop [explosives] in bottles. After that, they started cutting pipes for this purpose,” said Jamshed Khan, head of the regional bomb disposal unit. “Now we have encountered a new type: a pistol hand grenade.”

When dropped from above, he explained, a metal pin ignites the charge on impact.

Deputy Superintendent of Police Raza Khan, who narrowly survived a drone strike during construction at a checkpoint, described devices packed with nails, bullets and metal fragments.

“They attach a shuttlecock-like piece on top. When they drop it from a height, its direction remains straight toward the ground,” he said.

TARGETING CIVILIANS

Officials say militants’ rapid adoption of drone technology has been fueled by access to equipment on informal markets, while police procurement remains slower.

“It is easy for militants to get such things,” Sajjad Khan said. “And for us, I mean, we have to go through certain process and procedures as per rules.”

That imbalance began to shift in mid-2025, when authorities deployed electronic anti-drone systems in the region. Before that, officers relied on snipers or improvised nets strung over police compounds.

“Initially, when we did not have that anti-drone system, their strikes were effective,” the police chief said, adding that more than 300 attempted drone attacks have since been repelled or electronically disrupted. “That was a decisive moment.”

Police say militants have also targeted civilians, killing nine people in drone attacks this year, often in communities accused of cooperating with authorities. Several police stations suffered structural damage.

Bannu’s location as a gateway between Pakistan and Afghanistan has made it a security flashpoint since colonial times. But officials say the aerial dimension of the conflict has placed unprecedented strain on local forces.

For constables like Hazrat Ali, new technology offers some protection, but resolve remains central.

“Nowadays, they have ammunition and all kinds of the most modern weapons. They also have large drones,” he said. “When we fight them, we fight with our courage and determination.”