Actress Katie Holmes to spearhead second phase of AlUla Creates film program 

Hollywood actress Katie Holmes during an intimate discussion at the 76th Cannes Film Festival. (AFP)
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Updated 21 May 2023
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Actress Katie Holmes to spearhead second phase of AlUla Creates film program 

CANNES: Film AlUla has announced the second phase of the AlUla Creates program, featuring mentorship from renowned Hollywood actress Katie Holmes during an intimate discussion at the 76th Cannes Film Festival. 

A panel on May 18 brought together the actress, Film AlUla’s Charlene Deleon-Jones, program ambassador and model Eva Herzigova, and acclaimed Saudi actress and ambassador Mila Al-Zahrani to dig deeper into the nuances of the program in promoting and nurturing rising female talent in the Kingdom. 

Deleon-Jones told Arab News: “I think Katie Holmes was a good choice because she’s an actor, but also someone who is directing and producing. 




(L to R) Lebanese media personality Raya Abi Rached, Saudi actress Mila Al-Zahrani, American actress Katie Holmes, Czech model and actress Eva Herzigova and Film AlUla Executive Director Charlene Deleon-Jones, pose for a picture during the 76th Cannes Film Festival. (Ammar Abd Rabbo/Arab News)

“She’s bringing in a range of skill sets and also had expressed interest in working with young women from Saudi, and it was important for us to have someone who’s really established and understood the screen sector of the film community and she was perfect for that.”

AlUla Creates is a platform designed to create an ecosystem around film, arts and fashion by nurturing creativity and empowering Saudi’s future generations. 

Following the second phase of the program, which championed the fashion aspect of the film industry, the filmmaking mentor program will aim to elevate and support rising female Saudi talent by equipping them with the right tools and guidance. 




Raya Abi Rached and Mila al-Zahrani. (Ammar Abd Rabbo/Arab News)

Three filmmakers will be identified and mentored by Holmes and the AlUla Creates team, working to scout locations across AlUla’s desert landscape and develop a short film concept. The selected idea will continue to production early next year. 

Holmes said during the panel: “I feel inspired because 70 percent of the population is under 30, so to hear the ideas that are coming from these women and to help in any way that I can to shape and give my thoughts — but it’s really about listening. I’m sure there’s so many stories that need to be told. I’m really excited, as an outsider, to really understand the experience.”

Launched in March earlier this year, the program’s first phase included a partnership with the British Fashion Council, Saudi actor Mila Al-Zahrani, Kloss Films founder Alec Maxwell, and fashion icons Helena Christensen and Eva Herzigova as ambassadors to support the long-term mission of the platform.

The initiative comes under Film AlUla’s strategy to further the film sector in Saudi through homegrown talent, while also supporting the AlUla region’s socio-economic development.

Al-Zahrani told Arab News: “AlUla is an artistic and inspiring region that’s truly influencing us as actors, artists, writers, fashion designers. 

“Film AlUla has presented us with the AlUla Creates program to bring together all these crafts. As an actress, I need fashion designers. When they’re inspired, they’ll design for the characters themselves in a different way that represents us and our identity.”


Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

Updated 19 January 2026
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Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

DUBAI: At a time when the sprawling saga of “Game of Thrones” and its prequel “House of the Dragon” have come to define modern fantasy television, “A Knight of the Seven Kingdoms” emerges as an unexpected offering.

Based on George R.R. Martin’s “Tales of Dunk and Egg” novellas, the six-episode HBO series — created and spearheaded by showrunner Ira Parker alongside Martin — gives viewers a story that is not about dragons or imperial politics, but about two unlikely companions navigating a treacherous and unforgiving world from its humbler margins.

From the opening moments of the premiere, where the familiar “Game of Thrones” theme music is undercut in a moment of shocking levity, the show makes clear that we are far away from the grand halls of Casterly Rock, the Red Keep or even Winterfell. Grounded and whimsical, this is Westeros viewed from muddy inns, dusty roads and makeshift jousting camps.

Peter Claffey as Ser Duncan “Dunk” the Tall is the beating heart of the series. Claffey imbues Dunk with an endearing earnestness — a towering, awkward figure, constantly walking into doors, whose moral compass is as unwavering as his endless appetite.

His chemistry with Dexter Sol Ansell’s young squire, Egg, who has deep secrets of his own, is warm and organic, creating a duo that is as compelling as any knight and squire of fantasy lore. Their dynamic gives the story a cozy, almost heartfelt buddy-adventure quality.

What makes “A Knight of the Seven Kingdoms” so captivating isn’t its lack of spectacle. It has plenty of Westerosi trappings and there’s a sizeable helping of Targaryens and Baratheons and who have you. But its choice to focus on everyday courage, loyalty and the messy, funny, sometimes mundane reality of being a hedge knight truly makes this a worthy addition to the “Game of Thrones” screen universe. We hope there’s more where that came from.