MOMBASA: A Kenyan court on Wednesday extended by 30 days the detention of cult leader Paul Mackenzie, who authorities accuse of ordering followers to starve their children and themselves to death.
The death toll has climbed to 133, and hundreds of people are still reported missing. Authorities continue to search for human remains in shallow graves scattered throughout a forest where Mackenzie’s followers were living.
Mackenzie, leader of the Good News International Church, has not yet been required to enter a plea after handing himself into police last month. A lawyer representing Mackenzie, George Kariuki, has said the self-styled pastor is cooperating with investigators.
Magistrate Yusuf Shikanda said at a hearing in the port city of Mombasa that Mackenzie and 17 other people detained in connection with the mass deaths would not be granted bail because of concerns that their release would jeopardize investigations.
“Being aware of the respondents’ right to be presumed innocent until the contrary is proved, I find that there is reasonable suspicion that the respondents may have committed the offenses under investigation,” Shikanda said.
Wycliffe Makasembo, a lawyer for Mackenzie and his wife, who is also detained, said he would appeal against the decision.
“The ruling was not within the law. It violates the constitutional rights of our clients,” Makasembo said.
Mackenzie was arrested earlier this year on suspicion of the murder of two children by starvation and suffocation, but was then released on bail.
Relatives of his adherents say that after he was freed, he returned to Shakahola forest and brought forward his predicted world’s end date — which had previously fallen in August — to April 15.
Mackenzie surrendered to police on April 14 after police first raided the forest where the Good News International Church was based, rescuing 15 people who had been starving themselves.
Kenya court denies bail for alleged death cult leader
https://arab.news/6hhta
Kenya court denies bail for alleged death cult leader
- Paul Mackenzie, leader of the Good News International Church, not yet required to enter a plea after handing himself into police last month
Reference to Trump’s impeachments is removed from the display of his Smithsonian photo portrait
- For now, references to Presidents Andrew Johnson and Bill Clinton being impeached in 1868 and 1998, respectively, remain as part of their portrait labels, as does President Richard Nixon’s 1974 resignation as a result of the Watergate scandal
WASHINGTON: President Donald Trump’s photo portrait display at the Smithsonian’s National Portrait Gallery has had references to his two impeachments removed, the latest apparent change at the collection of museums he has accused of bias as he asserts his influence over how official presentations document US history.
The wall text, which summarized Trump’s first presidency and noted his 2024 comeback victory, was part of the museum’s “American Presidents” exhibition. The description had been placed alongside a photograph of Trump taken during his first term. Now, a different photo appears without any accompanying text block, though the text was available online. Trump was the only president whose display in the gallery, as seen Sunday, did not include any extended text.
The White House did not say whether it sought any changes. Nor did a Smithsonian statement in response to Associated Press questions. But Trump ordered in August that Smithsonian officials review all exhibits before the nation celebrates the 250th anniversary of the Declaration of Independence on July 4. The Republican administration said the effort would “ensure alignment with the president’s directive to celebrate American exceptionalism, remove divisive or partisan narratives, and restore confidence in our shared cultural institutions.”
Trump’s original “portrait label,” as the Smithsonian calls it, notes Trump’s Supreme Court nominations and his administration’s development of COVID-19 vaccines. That section concludes: “Impeached twice, on charges of abuse of power and incitement of insurrection after supporters attacked the US Capitol on January 6, 2021, he was acquitted by the Senate in both trials.”
Then the text continues: “After losing to Joe Biden in 2020, Trump mounted a historic comeback in the 2024 election. He is the only president aside from Grover Cleveland (1837– 1908) to have won a nonconsecutive second term.”
Asked about the display, White House spokesman Davis Ingle celebrated the new photograph, which shows Trump, brow furrowed, leaning over his Oval Office desk. Ingle said it ensures Trump’s “unmatched aura ... will be felt throughout the halls of the National Portrait Gallery.”
The portrait was taken by White House photographer Daniel Torok, who is credited in the display that includes medallions noting Trump is the 45th and 47th president. Similar numerical medallions appear alongside other presidents’ painted portraits that also include the more extended biographical summaries such as what had been part of Trump’s display.
Sitting presidents are represented by photographs until their official paintings are commissioned and completed.
Ingle did not answer questions about whether Trump or a White House aide, on his behalf, asked for anything related to the portrait label.
The gallery said in a statement that it had previously rotated two photographs of Trump from its collection before putting up Torok’s work.
“The museum is beginning its planned update of the America’s Presidents gallery which will undergo a larger refresh this Spring,” the gallery statement said. “For some new exhibitions and displays, the museum has been exploring quotes or tombstone labels, which provide only general information, such as the artist’s name.”
For now, references to Presidents Andrew Johnson and Bill Clinton being impeached in 1868 and 1998, respectively, remain as part of their portrait labels, as does President Richard Nixon’s 1974 resignation as a result of the Watergate scandal.
And, the gallery statement noted, “The history of Presidential impeachments continues to be represented in our museums, including the National Museum of American History.”
Trump has made clear his intentions to shape how the federal government documents US history and culture. He has offered an especially harsh assessment of how the Smithsonian and other museums have featured chattel slavery as a seminal variable in the nation’s development but also taken steps to reshape how he and his contemporary rivals are depicted.
In the months before his order for a Smithsonian review, he fired the head archivist of the National Archives and said he was firing the National Portrait Gallery’s director, Kim Sajet, as part of his overhaul. Sajet maintained the backing of the Smithsonian’s governing board, but she ultimately resigned.
At the White House, Trump has designed a notably partisan and subjective “Presidential Walk of Fame” featuring gilded photographs of himself and his predecessors — with the exception of Biden, who is represented by an autopen — along with plaques describing their presidencies.
The White House said at the time that Trump himself was a primary author of the plaques. Notably, Trump’s two plaques praise the 45th and 47th president as a historically successful figure while those under Biden’s autopen stand-in describe the 46th executive as “by far, the worst President in American History” who “brought our Nation to the brink of destruction.”










