Historical attire, British fashion reign supreme at King Charles III’s coronation as Arab royals shine

King Charles III and Queen Consort Camilla (far left), Princess of Wales Kate Middleton (center) and Queen Rania of Jordan showed off a mix of historic and modern attire at the coronation. (Getty Images/ composite)
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Updated 11 May 2023
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Historical attire, British fashion reign supreme at King Charles III’s coronation as Arab royals shine

  • Queen Camilla wore white, floor-length ensemble with gold embroidery by Bruce Oldfield
  • Jordan’s Queen Rania attended coronation in yellow pencil dress by Tamara Ralph
  • Qatar's Sheikha Jawaher bint Hamad bin Suhaim Al-Thani wore Dior

DUBAI: As the coronation of King Charles III got underway in the UK,  viewers around the world were firmly focused on the pageantry as well as the fashion.

As historic coronation attire — such as crimson robes, ermine capes, and fur-trimmed red-velvet cornets — filled Westminster Abbey in London, the UK’s royal family championed British designers while Arab royals also put on a show.

King Charles arrived at Westminster Abbey in royal ermine over George VI’s crimson Robe of State - conserved by royal restorers  Ede & Ravenscroft and the Royal School of Needlework - and changed into George VI’s purple Robe of Estate to leave the Abbey.




During the crowning ceremony, King Charles was given a shimmering gold-sleeved coat to wear called the Supertunica that was created for George V in 1911 and has been worn at coronations, including by the Queen Elizabeth II. (Getty Images)

During the crowning ceremony, he was given a shimmering gold-sleeved coat to wear called the Supertunica that was created for George V in 1911 and has been worn at coronations, including by the Queen Elizabeth II. The 2kg garment is made of cloth of gold — silk thread wrapped in thin pieces of gold or silver gilt metal — with Arabesque and floral motifs.

On top of the Supertunica, the king wore a floor-length cloak called the Imperial Mantle, which was made in 1821.

Made of cloth of gold, it is embellished with fleur-de-lis, imperial eagles, and national floral emblems of red-pink roses, blue thistles and green shamrocks. It is designed to symbolise the divine nature of kingship.

The king reused a sword belt from 1937 worn by his grandfather, also known as the Coronation Girdle. It is made of embroidered cloth of gold and boasts a gold buckle stamped with national emblems. The single coronation glove, also known as the Coronation Gauntlet, was placed on the king’s right hand in which he held the Sovereign’s Sceptre with Cross during the crowning.

The garments are usually kept in the Tower of London.

The historic St Edward’s Crown was then placed on King Charles III’s head — it was worn for less than one hour before being stored away again in the Tower of London.

Made of 22-carat gold, the 360-year-old crown is more than 30cm tall and weighs just over 2kg. The crown features a gold frame with double arches and is set with rubies, topaz, sapphires, and garnets.




The Imperial State Crown, made in 1937, was worn by the king after the ceremony as he made his way to Buckingham Palace. (Getty Images)

The Imperial State Crown, made in 1937, was worn by the king after the ceremony as he made his way to Buckingham Palace. It has gold framing instead of a fur trim and is mounted with three large stones, including the Cullinan II diamond, while the complementary stones include 2,868 diamonds that appear in silver mounts and colored stones that appear in gold mounts. In addition, 17 sapphires, 11 emeralds, and 269 pearls also feature on the crown.

For her part, Queen Consort Camilla was crowned with Queen Mary’s crown, which was worn by Queen Mary at the coronation of her husband, George V, in 1911 and consists of 2,200 diamonds and the Cullinan III, IV and V diamonds.




Queen Consort Camilla is wearing the coronation necklace made by Garrard for Queen Victoria and given to her in 1858. (Getty Images)

She also wore the coronation necklace made by Garrard for Queen Victoria and given to her in 1858.

It features 25 graduated brilliant diamonds with a 22.48 carat diamond pendant, known as the Lahore Diamond. The necklace was worn by several queen consorts: Queen Alexandra in 1902, Queen Mary in 1911 and Queen Elizabeth, later the Queen Mother, in 1937.




Queen Camilla is wearing a white, floor-length ensemble with gold embroidery designed by Bruce Oldfield, OBE, a British fashion designer best known for his couture occasionwear. (Getty Images)

The royal wore a white, floor-length ensemble with gold embroidery designed by Bruce Oldfield, OBE, a British fashion designer best known for his couture occasionwear. Not only has Oldfield maintained a close working relationship with Queen Camilla, but he also designed looks for the late Princess Diana while she was married to then-Prince Charles.




Princess of Wales Kate Middleton arrived at Westminster Abbey wearing a formal robe and mantel – reportedly at the request of King Charles and Queen Camilla – worn over an Alexander McQueen dress in ivory silk crepe with silver bullion and thread work embroidery, featuring rose, thistle, daffodil and shamrock motifs. (AFP)

Meanwhile, Princess of Wales Kate Middleton arrived at Westminster Abbey wearing a formal robe and mantel – reportedly at the request of King Charles and Queen Camilla – worn over an Alexander McQueen dress in ivory silk crepe with silver bullion and thread work embroidery, featuring rose, thistle, daffodil and shamrock motifs. The fashion label’s creative director Sarah Burton also designed her wedding gown in 2011. 

The Princess of Wales was also wearing a glittering floral headpiece, not a tiara. 

The head topper is a Jess Collet x Alexander McQueen creation and consisted of shimmering silver bullion, crystal, and silver thread leaf embroidery. 

Adding to the stunning jewellery were pearl and diamond earrings that belonged to her late mother-in-law, Princess Diana. She also wore the George VI Festoon Necklace, a piece made in 1950 at the request of King George VI for his daughter Princess Elizabeth (later Queen Elizabeth II).




Prince William, seen beside Princess Kate, wore formal robes and mantels over the ceremonial dress uniform of the Welsh Guards, again at the request of King Charles and Queen Camilla. (AFP)

Prince William, seen beside Princess Kate, wore formal robes and mantels over the ceremonial dress uniform of the Welsh Guards, again at the request of King Charles and Queen Camilla. 




Prince Harry, the Duke of Sussex, on the other hand, wore a black three-piece set of tails and military medals on his chest. (AFP)

Prince Harry, the Duke of Sussex, on the other hand, wore a black three-piece set of tails and military medals on his chest, and had no formal role at the event. 




Queen Rania attended the coronation in a cream-colored pencil dress. (Getty Images)

Jordan’s Queen Rania attended the coronation in a custom-made pastel lemon yellow silk crepe pencil dress by Australian designer Tamara Ralph with a bow-like design around her shoulders and sheer sleeves. She wore a matching hat, in line with the day’s eschewing of tiaras, the Knot Intrecciato Leather Clutch by Italian luxury label Bottega Veneta and Jimmy Choo Romy Pumps in white. 




Princess Lalla Meryem of Morocco arrived wearing a lilac-colored traditional dress with a white cape wrapped around her shoulders. (Getty Images)

Princess Lalla Meryem of Morocco — the daughter of the late King Hassan II  — arrived wearing a lilac-colored traditional dress with a white cape wrapped around her shoulders. She accessorized her look with glitzy pear-shaped earrings. 




Qatari royal Sheikha Jawaher bint Hamad bin Suhaim Al-Thani wore a grey heavily embroidered long-sleeved gown. (Getty Images)

Qatari royal Sheikha Jawaher bint Hamad bin Suhaim Al-Thani, the wife and consort of the Emir of Qatar Tamim bin Hamad Al-Thani, was also in attendance. She wore a grey heavily embroidered long-sleeved gown from Dior’s Fall/Winter 2022 Couture collection and an off-white floor-length cape.




US singer Katy Perry, who will perform at the coronation concert in Windsor on Sunday, was dressed in a fitted lilac short-sleeved skirt suit by British label Vivienne Westwood with matching opera gloves and statement hat. (AFP)

Among the celebrity guests were actress Emma Thompson in an Emilia Wickstead red coat adorned with rose designs and US singer Katy Perry, who will perform at the coronation concert in Windsor on Sunday, dressed in a fitted lilac short-sleeved skirt suit by British label Vivienne Westwood with matching opera gloves and statement hat.

Veteran actresses Maggie Smith and Judi Dench, who has portrayed both Queen Elizabeth I and Queen Victoria on screen, chose different shades of blue, while US singer Lionel Richie opted for Esclot London attire.


Day 2 highlights of Red Sea Fashion Week: A historic swimwear show and elegant lace

Updated 18 May 2024
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Day 2 highlights of Red Sea Fashion Week: A historic swimwear show and elegant lace

RED SEA: Moroccan label EAU made history when it kicked off the second set of Red Sea Fashion Week shows on Friday, marking the first time swimwear has featured on a Saudi runway.

With the glistening St. Regis pool and swaying palm trees as a backdrop, the second RSFW began by highlighting one of summer’s essential pieces.

EAU. (Supplied)

The collection featured simple swimwear that ranged from one-pieces with deep V-cuts and off-shoulder motifs to bandeau tops and various sarongs. Royal blues, mustard yellows, hunter greens and maroon reds dominated the collection, setting a rather curious, but not unwelcome, fall palette for the upcoming summer season.

Some of the sleek looks were coupled with silky headwear and sophisticated handbags, including woven baskets dotted with rhinestones, straw beach bags, and fringe clutches.

Sarah Altwaim. (Supplied)

More fashion flowed as the Red Sea glowed. Sara Altwaim brought her silhouettes to the poolside runway. The collection kicked off with a number of white flowing lace and chiffon dresses, each catching the eye with individual flair, subtle beaded pearls, layered cuts or mix of fabrics.

Altwaim introduced an underwater-inspired chiffon fabric featuring sketches of seabed creatures, such as fish, shrimp, and crab, that made its way into a variety of ensembles.

Yasmina Q. (Supplied)

Heavily-layered pearl neck pieces, sarong-like skirts, bejeweled fishnets, metallic fabrics, and flowing garments also drew their inspiration from marine life.

Saudi designer Yasmina Q introduced loungewear to the mix, ending the shows with a collection of knitted rib dresses in mint greens, seafoam blues, bright yellows, corals, and more.

The signature silhouette featured flared sleeves and a fitted waist that flowed into an A-line shape, while some of the pieces were also sleeveless for a more daytime summer look. Her collection, styled with summery bucket hats and sunglasses, also showcased an array of loungewear, from ribbed bottoms to simple fitted tops, fitted ribbed button-downs, kimono tops, and loose sweaters.


Tina Kunakey fronts Amina Muaddi’s latest campaign

Updated 18 May 2024
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Tina Kunakey fronts Amina Muaddi’s latest campaign

DUBAI: French model Tina Kunakey this week starred in Romanian Jordanian footwear designer Amina Muaddi’s latest summer-inspired campaign.

Kunakey, who has Moroccan origins, showcased Muaddi’s new BRITO slipper, a single block of plexiglass carved into the designer’s signature flared heel.

The handcrafted square-toed heels, made in Italy, come in hues of orange, purple, blue, pink, black and transparent.

The model shared pictures of the campaign on Instagram. (Instagram)

This marks Kunakey’s third collaboration with Muaddi. The model shared her thoughts on Instagram about working with the part-Arab designer once again.

“My admiration for you only deepens,” Kunakey wrote, sharing a picture of herself in the pool for the shoot.

“Season after season, each new campaign your talent shines brighter. You continuously push boundaries, and your commitment to excellence is as inspiring as it is contagious,” she added. “I couldn’t be prouder to be part of this journey and am so grateful to share this path with you, not just as your model, but as your friend.

“Thank you for trusting me since the very beginning. I love you. I am so proud of you and I am excited, and so full of love for what you’ve built and what’s to come.”

In addition to her collection of shoes, Muaddi’s jewelry and bag lines are also gaining acclaim among her celebrity clientele. The shoemaker’s label has garnered a loyal list of famous fans, including Dua Lipa, Gigi Hadid, Kylie Jenner and Hailey Bieber Baldwin.

Muaddi launched her eponymous footwear line in August 2018, about one year after departing from her role as co-founder and creative director of luxury footwear label Oscar Tiye.

The creator also helped design the shoes for Rihanna’s Fenty collection. The collaboration received the Collaborator of the Year award at the 34th edition of the FN Achievement Awards in 2020.

A year later, she landed a spot on Women’s Wear Daily and Footwear News’ 50 Most Powerful Women list.

Her jewelry collection encompasses rings, earrings and bangles, while her handbag range includes a variety of styles, from sleek clutches with striking embellishments to bold totes and crossbody bags.

Some of the bags are embellished with sparkling crystals or intricate sequins, while others are made from satin or leather and feature metallic finishes. The color palette includes classic cream, brown, black, red and silver.


Hoor Al-Qasimi appointed artistic director of the Biennale of Sydney

Updated 18 May 2024
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Hoor Al-Qasimi appointed artistic director of the Biennale of Sydney

DUBAI: The Biennale of Sydney announced this week that Emirati creative Hoor Al-Qasimi will become its artistic director for 2026.

The 25th edition of the biennale will run from March 7 to June 8.

Since its inception in 1973, the biennale has grown to become one of the longest-running exhibitions of its kind and was the first biennale established in the Asia-Pacific region.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by IBA (@biennialassociation)

Al-Qasimi created the Sharjah Art Foundation in 2009 and is currently its president and director. Throughout her career, she acquired extensive experience in curating international biennials, including the second Lahore Biennale in 2020 and the UAE Pavilion at the 56th Venice Biennale in 2015.

In 2003, she co-curated the sixth edition of Sharjah Biennial and has remained the director of the event since.

Al-Qasimi has been president of the International Biennial Association since 2017 and is also president of the Africa Institute. She has previously served as a board member for MoMA PS1 in New York and the UCCA Center for Contemporary Art in Beijing, among other roles.

She is also the artistic director of the sixth Aichi Triennale, scheduled to take place in Japan in 2025.


Muhammad second most popular name for baby boys in England, Wales

Updated 17 May 2024
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Muhammad second most popular name for baby boys in England, Wales

  • Name ‘has soared in popularity in recent times’: Daily Mail
  • Layla, Maryam, Yusuf, Fatima, Musa, Ibrahim among popular Arabic names

LONDON: Muhammad was the second most popular name for baby boys in England and Wales in 2022, according to the Office of National Statistics.
The Daily Mail reported on Friday that the Arabic name “has soared in popularity in recent times,” having ranked 20th in 2012.
Variations of the name’s spelling, Mohammed and Mohammad, were also among the top 100 most popular baby boys’ names in 2022, ranked 27th and 67th respectively.
Other popular Arabic names for baby boys were Yusuf (93rd), Musa (99th) and Ibrahim (100th).
In the girls’ list, Layla ranked 56th, Maryam 75th and Fatima 99th.


India’s butter chicken battle heats up with new court evidence

Updated 17 May 2024
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India’s butter chicken battle heats up with new court evidence

  • Two Indian restaurant chains have been sparring since Jan. at Delhi High Court, both claiming credit for inventing the dish
  • The lawsuit that has grabbed the attention of social media users, food critics, editorials and TV channels across the globe

NEW DELHI: With new photographic and video evidence, an Indian court battle over the origins of the world famous butter chicken is set to get spicier.
Two Indian restaurant chains have been sparring since January at the Delhi High Court, both claiming credit for inventing the dish in a lawsuit that has grabbed the attention of social media users, food critics, editorials and TV channels across the globe.
The popular Moti Mahal restaurant chain said it had the sole right to be recognized as the inventor of the curry and demanded its rival, the Daryaganj chain, to stop claiming credit and pay $240,000 in damages. Moti Mahal said founder Kundan Lal Gujral created the cream-loaded dish in the 1930s at an eatery in Peshawar, now in Pakistan, before relocating to Delhi.
That “story of invention of butter chicken does not ring true” and is aimed at misleading the court, Daryaganj said in a new, 642-page counter-filing reviewed by Reuters.
Daryaganj says a late member of its founding family, Kundan Lal Jaggi, created the disputed dish when he helmed the kitchen at the relocated Delhi eatery, where Gujral, his friend-cum-partner from Peshawar only handled marketing.
Both men are dead, Gujral in 1997 and Jaggi in 2018.
Evidence in the non-public filing includes a black-and-white photograph from 1930s showing the two friends in Peshawar; a 1949 partnership agreement; Jaggi’s business card after relocating to Delhi and his 2017 video talking about the dish’s origin.
By virtue of the friends’ partnership, “both parties can claim that their respective ancestors created the dishes,” Daryaganj says in the filing, calling the dispute a “business rivalry.”
Moti Mahal declined to comment. The judge will next hear the case on May 29.
A key point of contention, which the court will have to rule on, is where, when and by whom the dish was first made — by Gujral in Peshawar, Jaggi in New Delhi, or if both should be credited.
Butter chicken is ranked 43rd in a list of world’s “best dishes” by TasteAtlas, and bragging rights about who invented it can matter, brand experts said.
“Being an inventor has a huge advantage globally and in terms of consumer appeal. You are also entitled to charge more,” said Dilip Cherian, an image guru and co-founder of Indian PR firm Perfect Relations.
Moti Mahal operates a franchisee model with over 100 outlets globally. Its butter chicken dishes start at $8 in New Delhi, and are priced at $23 in New York.
Late US President Richard Nixon and India’s first Prime Minister Jawaharlal Nehru are among the famous clients to have visited its primary outlet in Delhi.
Daryaganj started in 2019 and its butter chicken costs $7.50. It has 10 outlets, mostly in New Delhi, with plans to expand to other Indian cities and Bangkok.
In its 2,752-page Indian lawsuit, Moti Mahal had also accused Daryaganj of copying “the look and feel” of the interiors of its outlets.
Daryaganj has retorted with photographs of restaurant interiors which the judge will review, claiming it is Moti Mahal that has copied its “design of floor tiles.”