‘Story of friends’: Creators of College Gate address concerns series elitist, against Pakistani culture

In this picture, posted on April 20, 2023, the star cast of the upcoming Pakistani series "College Gate" poses for a group photo in Islamabad. (Photo courtesy: Facebook/Asad Chaudhry)
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Updated 02 May 2023
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‘Story of friends’: Creators of College Gate address concerns series elitist, against Pakistani culture

  • The teen drama is scheduled to release on newly launched Pakistani TV channel Green Entertainment this month
  • Director and producer reassure viewers the show will promote family values, tackle issues of young Pakistanis

 KARACHI: When the trailer of upcoming Pakistani teen drama College Gate was released on Instagram last month, many social media users had similar concerns: was this a copy of the Netflix series Elite about an exclusive private school in Spain? How would Pakistani audiences relate to content that seemed to only depict a tiny “upper class”? And why would the producers make a show that looked like it “belonged to another culture”?

 In interviews with Arab News, the director and producer of College Gate, scheduled to release on the newly launched Pakistani TV channel Green Entertainment this month, have reassured readers that the show will appeal to Pakistani audiences, particularly young people, and promote family values as well as provide entertainment.

 As of 2022, Pakistan is currently the sixth most populous country globally, with two-thirds of its over 220 population below the age of 30, making it among the world’s youngest nations.

 “Seventy percent of our population is under 30, you cannot leave this much of the audience to be influenced by foreign content,” producer Imran Raza, who is also the brains behind Green Entertainment, told Arab News on Monday, commenting on the need to make content for young Pakistanis.

“If you don’t give them [local] content, they will watch something anyway because they need entertainment … Nobody is ready to talk about issues of the youth.”

But College Gate, which features a young and emerging cast, would tackle a number of issues important to young Pakistanis, Raza said, including not being allowed by parents to pursue careers of their choice, growing up in a single-parent home, and juggling one’s passions and dreams with the need to chart a path that would lead to financial success and independence.

“The drama also talks about puberty issues and hormonal changes that parents are usually shy to talk to their kids about,” Raza added.

Responding to comments that the series would be against Pakistani culture, director Fahim Burney clarified that College Gate was “just a story of friends.”




In this picture, posted on April 20, 2023, the star cast of the upcoming Pakistani series "College Gate" poses for a group photo in Islamabad. (Photo courtesy: Facebook/Asad Chaudhry)

 “If a girl and a guy are going to college, the purpose is not just to have a romantic relationship, they can be just friends,” Burney told Arab News on Monday.

And the friendships were “encouraging good values among each other,” Burney said, whether in its depiction of a girl supporting her father in his business, doing social work, or praying five times a day.

The teens were shown to be respectful to their parents, Burney added, saying the show gave out a “positive messages to young viewers to take inspiration from.”

Talking about his own influences, Burney said he was influenced by the popular British sitcom Mind Your Language and Pakistan’s Kollege Jeans, which revolved around campus life at an art school,

“So, I have revamped that into our Pakistani style, that there should be a uniform and a school [located] somewhere out of the city where the kids go to study,” Burney said.

TV critic and founder of Fuchsia Magazine, Rabia Mughni, said she expected College Gate “to be a fun, young program that will highlight the issues today's youth are facing.”

“I can see a glimpse of issues such as drugs, peer pressure, relationships, and communication gap with parents,” she said, commenting on the trailer.

Speaking about the drama’s comparison to foreign productions, Mughni added:

 “As you watch the trailer of the show, the content looks Pakistani, it's not unrealistic. It may not represent the masses or the lifestyle of the majority of the schools in Pakistan but if you take the upper-middle class or upper class, you will see this kind of environment in those institutions.”


BMW Art Cars mark 50 years at inaugural Art Basel Qatar

Updated 09 February 2026
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BMW Art Cars mark 50 years at inaugural Art Basel Qatar

DOHA: BMW’s long-running Art Car initiative took center stage at the inaugural Art Basel Qatar, with Thomas Girst, BMW Group’s head of cultural engagement, reflecting on five decades of collaboration between artists, engineers and the automobile.

Speaking at the fair, Girst situated the Art Car program within BMW’s broader cultural engagement, which he said spanned “over 50 years and hundreds of initiatives,” ranging from museums and orchestras to long-term partnerships with major art platforms.

“Every time Art Basel moves — from Miami to Hong Kong to Qatar — we move along with them,” he said. “That’s why we’re here.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The occasion also marked the 50th anniversary of the BMW Art Car series, which began in 1975 with Alexander Calder’s painted BMW 3.0 CSL. Since then, the project has grown into a global collection that brings together motorsport, engineering, design and contemporary art. “Those Art Cars speak to a lot of people at the intersection of motorsports, technology, racing engineering, arts, lifestyle and design,” Girst said.

For Girst, the relationship between art and the automobile has deep historical roots. He pointed to early modernist fascination with cars, noting that “since the inception of the automobile,” artists have seen it as both a subject and a symbol of modernity. “There’s a reason for arts and culture and cars to mix and mingle,” he said.

At Art Basel Qatar, visitors were invited to view David Hockney’s BMW Art Car — Art Car No. 14 — displayed nearby. Girst described the work as emblematic of the program’s ethos, highlighting how Hockney painted not just the exterior of the vehicle but also visualized its inner life. The result, he suggested, is a car that reflects both movement and perception, turning the act of driving into an artistic experience.

Central to BMW’s approach, Girst stressed, is the principle of absolute artistic freedom. “Whenever we work with artists, it’s so important that they have absolute creative freedom to do whatever it is they want to do,” he said. That freedom, he added, mirrors the conditions BMW’s own engineers and designers need “to come up with the greatest answers of mobility for today and tomorrow.”

The Art Car World Tour, which accompanies the anniversary celebrations, has already traveled to 40 countries, underscoring the project’s global reach. For Girst, however, the enduring value of the initiative lies less in scale than in its spirit of collaboration. Art, design and technology, he said, offer a way to connect across disciplines and borders.

“That’s what makes us human. We can do better things than just bash our heads in — we can create great things together,” he said.