Models Amira Al-Zuhair, Malika El-Maslouhi walk for Elie Saab at Paris Fashion Week

Saudi model Amira Al-Zuhair (left) and Moroccan Italian model Malika El-Maslouhi hit the catwalk for Elie Saab. (Getty Images)
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Updated 05 March 2023
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Models Amira Al-Zuhair, Malika El-Maslouhi walk for Elie Saab at Paris Fashion Week

DUBAI: Saudi model Amira Al-Zuhair and Moroccan Italian runway star Malika El-Maslouhi hit the catwalk for Lebanese label Elie Saab at Paris Fashion Week on Saturday.

Al-Zuhair, who has had a busy fashion week season so far, took to the runway in two looks for the celebrity-loved fashion house — an all-black gown covered in petal detailing and a sheer, ice blue number complete with shimmering embellishments across the length of the dress.




Amira Al-Zuhair walked the runway for Elie Saab. (Getty Images)

El-Maslouhi showcased a black shift mini dress that was elevated with a gem-encrusted bow across the one-shouldered neckline.




El-Maslouhi showcased a black shift mini dress. (Getty Images)

Before the event, US singers Ciara and Avril Lavigne negotiated crowds and slippery stone steps to get to the Palais de Tokyo, the venue for Elie Saab’s show. Inside, the Lebanese designer presented an ode to the bouquets of the Renaissance, with flowers blooming from every nook, cranny, seam and hem.

Tailored looks featured blossoming hydrangea embroidery above flared 1970s-style pants, as well as brooding dark prints in ruby and flashes of dazzling citrine, according to The Associated Press.

The collection reached a crescendo during the evening with Saab’s bread-and-butter va-va-voom silhouettes. Sheer mermaid gowns and dresses with sinuous three-dimensional florets glimmered with paillettes and tulle. The best looks were figurative, such as an Asiatic pleated cummerbund that fanned out dramatically like opening petals.

Al-Zuhair has had a packed schedule this season, including walking the runway for Italian luxury label Dolce & Gabbana at Milan Fashion Week in February.

The model showed off an all-black look for Dolce & Gabbana. She was dressed in an expertly cut blazer dress, complete with a black rosette on the lapel. The chic, masculine-inspired look boasted a black tie, black tights and pointed pumps with a thin strap at the ankle.

Fast forward to Paris and the up-and-coming model attended LVMH Prize’s cocktail party before her stint on the Elie Saab runway.

The star-studded gathering supported the 2023 LVMH Prize — an annual award that rewards young fashion designers, selected for their talent, with a large financial endowment and mentorship by the Louis Vuitton Moet Hennessy organization.

For the event, Al-Zuhair opted for a black set with cut-out detailing at the waist. The rising star accessorized her look with black fingerless gloves, matching heels, and a red purse for a pop of color.


Review: ‘Relay’

Updated 21 December 2025
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Review: ‘Relay’

RIYADH: “Relay” is a thriller that knows what its role is in an era of overly explained plots and predictable pacing, making it feel at once refreshing and strangely nostalgic. 

I went into the 2025 film with genuine curiosity after listening to Academy Award-winning British actor Riz Ahmed talk about it on Podcrushed, a podcast by “You” star Penn Badgley. Within the first half hour I was already texting my friends to add it to their watchlists.

There is something confident and restrained about “Relay” that pulls you in, and much of that assurance comes from the film’s lead actors. Ahmed gives a measured, deeply controlled performance as Ash, a man who operates in the shadows with precision and discipline. He excels at disappearing, slipping between identities, and staying one step ahead, yet the story is careful not to mythologize him as untouchable. 

Every pause, glance, and decision carries weight, making Ash feel intelligent and capable. It is one of those roles where presence does most of the work.

Lily James brings a vital counterbalance as Sarah, a woman caught at a moral and emotional crossroads, who is both vulnerable and resilient. The slow-burn connection between her and Ash is shaped by shared isolation and his growing desire to protect her.

The premise is deceptively simple. Ash acts as a middleman for people entangled in corporate crimes, using a relay system to communicate and extract them safely. 

The film’s most inventive choice is its use of the Telecommunications Relay Service — used by people who are deaf and hard of hearing to communicate over the phone — as a central plot device, thoughtfully integrating a vital accessibility tool into the heart of the story. 

As conversations between Ash and Sarah unfold through the relay system, the film builds a unique sense of intimacy and suspense, using its structure to shape tension in a way that feels cleverly crafted.

“Relay” plays like a retro crime thriller, echoing classic spy films in its mood and pacing while grounding itself in contemporary anxieties. 

Beneath the mechanics and thrills of the plot, it is about loneliness, the longing to be seen, and the murky ethics of survival in systems designed to crush individuals. 

If you are a life-long fan of thrillers, “Relay” might still manage to surprise you.