Christie’s launches the Art+Tech summit at Art Dubai 

All three panelists showed enthusiasm for the digitization of art. (Instagram)
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Updated 03 March 2023
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Christie’s launches the Art+Tech summit at Art Dubai 

DUBAI: On the second day of Art Dubai, renowned auction house Christie’s launched the Art+Tech summit, inviting international speakers to dive into a hot topic of the contemporary art world — the intersection of art and ever-evolving technology. The fair itself is running for the second time its Digital section, presenting non-fungible tokens and video art by artists from the US, the Middle East, Asia and Europe.

One of the discussions at the summit, entitled “The Role of Technology in the Lives of Creatives: Collecting, Curating and Creating,” invited three panelists to discuss the impact of technology on art: generative art collector AC; Lukas Amacher, the managing director of 1of1 Collection Gallery; and Turkish-American artist Refik Anadol, who is showcasing at the fair his artificial intelligence-generated immersive room video installation, “Glacier Dreams.”

Embracing the new, all three panelists showed enthusiasm for the digitization of art. 

“This is kind of a new era, where collecting and creating (have) evolved. I’ve never seen another better period,” said AC to the audience.

Amacher pointed out its controversial aspect, weighing it against traditional and physical art. “It feels that the art world – the world in general – is kind of divided,” he said. “There’s the fraction that doesn’t pay attention, and then there’s the fraction that is generally curious and generally interested in what could be.”




One of the discussions at the summit was entitled “The Role of Technology in the Lives of Creatives: Collecting, Curating and Creating.” (Supplied)

He made a point of how digitization has revolutionized access to art. “The fact that we all have mini computer screens in our pockets that we carry around — and that it has surface area and accessibility to all kinds of artwork everywhere — that is what excites me, that I have a museum in my pocket,” he added. 

Anadol wowed the audience with his video presentation, showing his digital art projected on the facade of the iconic Casa Batlló (designed by Antoni Gaudí) in Barcelona, watched by thousands of people in the city. He concluded the talk with his advice for digital artists, who might meet resistance along their journey.

“You will always find people who are skeptical,” he said. If artists face rejection, it is likely that they are “making something new…(and) opening doors for new people and new generations.”


Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

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Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

DUBAI: Here are three highlights from Saher Nassar’s ‘Chronicles from the Storm,’ which runs until March 18 at Zawyeh Gallery in Dubai.

‘Chronicles No. 1’

In his latest solo exhibition, the Palestinian artist “reimagines events that push past emotional capacity toward moral exhaustion, questioning the ethical certainty of the human spirit when faced with immense suffering,” according to the show catalogue, with works that “contemplate the devaluation of hope as a fundamental factor of human survival, sometimes revealed as currency for escape, sometimes seen in people resorting to their primal instincts to endure.”

‘Chronicles No. 8’

“Drawing from both personal and collective experiences, the exhibition unfolds as a layered reflection on how repeated trauma reshapes perception, belief, and the instinct to survive,” a press release for the show states. “Nasser translates lived realities into visual studies that move beyond immediate reaction. Rather than seeking resolution or catharsis, the works dwell in a state of moral exhaustion.”

‘Chronicles No. 3’

In “Chronicles from the Storm,” the UAE-based multidisciplinary artist is not attempting to offer answers, the press release suggests; rather, he is “bearing witness” and “inviting viewers to sit with unresolved questions and the uneasy persistence of the human spirit in the aftermath of the storm.” The works on show “carry a restrained intensity, resisting spectacle in favor of contemplation,” the release continues.