Saudi filmmakers’ DH’BAB Production aims to bridge culture gap between Hollywood and Saudi Arabia

Hisham Fageeh's goal is to ensure their movies are as entertaining for ardent film fans as for those with little theatre-going experience. (Getty Images)
Short Url
Updated 26 February 2023
Follow

Saudi filmmakers’ DH’BAB Production aims to bridge culture gap between Hollywood and Saudi Arabia

LOS ANGELES: Saudi filmmakers Hisham Fageeh and Sultan Tamer have decided to take a step toward bridging the culture gap between Hollywood and post-cinema ban Saudi Arabia’s burgeoning film industry.  

The pair recently launched their company DH’BAB Production, which provides a platform for Saudi creators to tell stories uniquely rooted in their culture. 

“America has a deep history of representing Arabs in a specific way, and other minorities,” Fageeh said in an interview with Arab News. “I don’t necessarily need to change all of Hollywood. I just want to make a tiny, tiny enclave where people are telling authentic stories that are not racist or Orientalist.” 

The goal of Fageeh, the comedian and star of “Barakah Meets Barakah,” and his partner – fellow producer Tamer – is to ensure their movies are as entertaining for ardent film fans as for those with little theatre-going experience. 

“We’re going to focus on genre stuff. So, a lot of horror, a lot of comedy,” said Fageeh. “The prestige stuff is important. We love it and we know we have friends that are doing it, but we want to make movie going a tradition back home, especially with the cinemas opening up.” 

The founders believe that streaming cinema is not enough, and hope that the movies they make can become blockbusters in their home country and popularize theaters as a place for community members to come together. 

“Because it’s the only visceral space that exists that is accessible to everyone where you can go and collectively laugh at a film or you can hold your breath at the suspense of a horror or a thriller,” Fageeh explained.  

“I really want that to be part of the social and cultural tradition of people in Saudi Arabia,” he added.  

According to the website, the company is now working on two productions — “Grave Sin” and “The Tribe” — that are in the development stage.  

“Grave Sin” is a horror feature film set in Saudi Arabia that revolves around Aziz, who begrudgingly leaves Japan to console his grieving mother by building her a new house. Paranormal activity will blur the lines between emotional and actual demons haunting him.  

“The Tribe” is a Saudi Arabia-set television series centered on a group of Jeddah high schoolers who survived a bus crash in the world’s largest uninterrupted desert, Rub Al-Khali, The Empty Quarter, and must uncover the dark supernatural secrets of an ancient, buried city if they ever hope to go home.   


Mohamed Abdo rings in New Year with landmark Saudi celebration in London

Updated 02 January 2026
Follow

Mohamed Abdo rings in New Year with landmark Saudi celebration in London

  • Abdo performs 16 of his most beloved songs over 4 hours
  • He lauds ‘genius choice’ of first Saudi-led New Year show

LONDON: Saudi Arabia’s music icon Mohamed Abdo welcomed the New Year with a historic sold-out concert in London, marking what organizers described as the first Kingdom-led celebration in the UK capital.

Organized by Global Gala, the event drew more than 1,400 people, with Saudis traveling from the Kingdom and across Europe to attend.

There were also local fans, underscoring the wide appeal of the evening and the growing international presence of Saudi Arabia’s cultural events.

The concert was held at the Great Room at Grosvenor House, a venue of particular significance for Abdo because it was the same location where he first performed in London.

Tickets sold out rapidly following the show’s announcement. The organizers said the strong response reflected both Abdo’s enduring popularity and the anticipation surrounding a Saudi-led New Year’s event abroad.

When asked about the timing of the concert, Abdo praised the organizers’

decision to stage the event on New Year’s Eve, describing it as a “genius choice” that aligned naturally with the spirit of welcoming a new year.

Over the course of four hours, Abdo performed 16 songs, spanning decades of his career.

The audience responded warmly throughout the night, particularly during well-known tracks including “Al Amaken,” “Ashofak Kil Youm,” and “Majmouat Insan.”

The audience included prominent figures from the worlds of entertainment, media and public life.