Saudi poet, literary editor Ahmed Al-Ali discusses career ahead of Emirates Literature Fest 2023

Saudi poet, translator and literary editor Ahmed Al-Ali. (Supplied)
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Updated 01 February 2023
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Saudi poet, literary editor Ahmed Al-Ali discusses career ahead of Emirates Literature Fest 2023

  • Former software engineer gave up his job to pursue his dream in 2012, moving to New York City

DUBAI: Saudi poet, translator and literary editor Ahmed Al-Ali has worn many hats over the course of his career, but the Dubai-based writer — set to speak at a panel at the upcoming Emirates Airline Festival of Literature — started out as a software engineer.

“I wasn’t satisfied being a software engineer who has no time to read books except before sleeping. ‘There are people who read all day and get money for doing that,’ I told myself. By that time, I was aware of the literary scene in the Arab world, had written two poetry collections, translated three titles into Arabic, and had my articles published in newspapers and edited many books. I taught myself everything I needed,” he told Arab News. 

“Then, in 2012, I resigned from my job, applied for a scholarship, and flew to New York City with no clue that I will study publishing. I just went there to be in the center of the world and to have my chance to do something with my life.”

Al-Ali — along with children’s publisher and writer Amal Farah and poet and writer Qasim Saudi — will speak on the panel “How to Market Your Book” at the Emirates Airline Festival of Literature on Feb. 3 at 4 p.m. If there were a debate on the topic, it would be fair to assume that Al-Ali would advocate for authors sticking to writing and writing well, and nothing else.

When asked if authors should really be worrying about the marketing side of the publishing business, Al-Ali said: “Marketing books is the tool book sellers and book outlets use to sell the ‘products’ they offer, which is the job of neither the publishing house nor the author. Publishing houses should market their authors and brand them. Why do you think a planner that features quotes by Margaret Atwood would sell more than some of her titles? Authors need to know that writing good books and caring for their public image are all that they can do and ought to do.”

Currently working as the managing editor at Sharjah’s Kalimat Group and its fiction imprint, Al-Ali is responsible for introducing the Arab world to international authors like James Baldwin, Raymond Carver, Julian Barnes, Ian McEwan, Margaret Atwood, John Ashbery, Ali Smith, Michael Ondaatje, John Banville and Claire Messud.

He has also personally translated several English novels. “Paul Auster’s ‘The Invention of Solitude’ is so close to my heart because I was discovering NYC in real life and also discovering it through the literature of this author,” he said when asked to pick a favorite.

But what Al-Ali is probably most known for are his poetry collections. Poetry, to Al-Ali, is the medium best suited to “seeking the truth” about the world.

“I tried in each of my books to illuminate one topic. My ‘Facing Skype’ book discovers having an avatar in social media versus your real persona in real social life. ‘The Drifter’s Guide to NYC’ is about the known and hidden gems of the city written in prose poetry. ‘Lavender, Hotel California’ claims that this life is a ‘hotel’ and tests this claim via various poems,” said Al-Ali.  

The author’s current work-in-progress, a project about oil-hunting in the region, is “a work of poetry, research, translation and editing; it embodies everything I can do.”

But, unsurprisingly, the poet inside Al-Ali is jaded by the current state of the literary world.

“My generation and the younger ones are caught in the web of competitions and awards; they are not seeking anything real. If you don’t realize that there are huge efforts to program people, and that we are in a matrix and you must break through, then what do you know as a poet?” he said.


Saja Kilani shines at BAFTAs 2026

Updated 23 February 2026
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Saja Kilani shines at BAFTAs 2026

DUBAI: Palestinian-Jordanian-Canadian actress Saja Kilani, one of the stars of “The Voice of Hind Rajab,” stepped onto the BAFTA Film Awards 2026 red carpet in a sculptural look from Bottega Veneta’s Spring 2026 collection.

Nominated for Best Film Not in the English Language, Kaouther Ben Hania’s “Voice of Hind Rajab” tells the story of Hind Rajab Hamada, who was fleeing the Israeli military in Gaza City with six relatives last year when their car came under fire.

The sole survivor of the Israeli attack, who was then shot and killed, her desperate calls recorded with the Red Crescent rescue service caused international outrage.

Kilani plays Rana Faqih, the real-life Palestine Red Crescent Society volunteer who spoke to Hamada in the final hours of her life as she waited, surrounded by the bodies of her family, for help to come. 

Meanwhile, politically charged thriller “One Battle After Another” won six prizes, including Best Picture, at the British Academy Film Awards on Sunday, building momentum ahead of Hollywood’s Academy Awards next month.

Blues-steeped vampire epic “Sinners” and gothic horror story “Frankenstein” won three awards each, while Shakespearean family tragedy “Hamnet” won two, including Best British Film.

“One Battle After Another,” Paul Thomas Anderson’s explosive film about a group of revolutionaries in chaotic conflict with the state, won awards for directing, adapted screenplay, cinematography and editing, as well as for Sean Penn’s supporting performance as an obsessed military officer.

“This is very overwhelming and wonderful,” Anderson said as he accepted the directing prize. He paid tribute to his longstanding assistant director, Adam Somner, who died of cancer in November 2024, a few weeks into production.

“We have a line from Nina Simone that we used in our film, ‘I know what freedom is: It’s no fear,’” the director said. “Let’s keep making things without fear. It’s a good idea.”

Bookies’ favorite Jessie Buckley won the Best Actress prize for her portrayal of grieving mother Agnes Hathaway, wife of William Shakespeare, in “Hamnet.” Buckley, 36, is the first Irish performer to win the Best Actress prize at the awards.

She dedicated her award “to the women past, present and future who taught me and continue to teach me how to do it differently.”

Horror film “Sinners” took home trophies for director Ryan Coogler’s original screenplay, the film’s musical score and for Wunmi Mosaku’s supporting actress performance as herbalist and healer Annie.

The British-Nigerian actor said that in the role she found “a part of my hopes, my ancestral power and my connection, parts I thought I had lost or tried to dim as an immigrant trying to fit in.”