Jury announced for Qur’an recitation, adhan contest 

A jury of five members specialized in the Qur’an, maqams and vocal pitches will evaluate contestants and help with their performances during the competition, which is the largest of its kind in the world. (SPA/File)
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Updated 18 January 2023
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Jury announced for Qur’an recitation, adhan contest 

RIYADH: The international Qur’an recitation and adhan (call to prayer) competition has announced the names of jury members for its final qualifiers to be aired on the “Otr Elkalam” TV show.

A jury of five members specialized in the Qur’an, maqams and vocal pitches will evaluate contestants and help with their performances during the competition, which is the largest of its kind in the world.

The jury consists of Sheikh Ahmed Nahas, the muezzin of the Grand Mosque in Makkah; Sheikh Mishari bin Rashed Al-Afasy, a well-known reciter and imam of the Grand Mosque in Kuwait; Abdul Rahim Nabulsi, secretary-general of Reciters and Teaching Recitation in Morocco; Bahloul Saeed Abu Arqoub, an expert in maqamat and a judge in international Qur’anic competitions from Libya; and Sheikh Ahmed Mansour, leading reciter of the Al-Azhar Mosque in Egypt.

The competition, which combines adhan and recitation in one platform, has looked to diversify its evaluation committee to improve transparency and impartiality.

In addition to the main jury, Sheikh Adil Al-Kalbani, former imam of the Grand Mosque in Makkah, will serve as general supervisor of the competition, and Fahad Al-Andas, an imam and preacher at the King Faisal Air Academy for 27 years, will be the secretary-general of the competition.

The competition, which is being supervised by the General Entertainment Authority, will be broadcast during the month of Ramadan on the MBC TV channel and the Shahid digital platform, with prizes amounting to more than SR12 million ($3.2 million).

The contest is designed to highlight the rich diversity of cultures in the Islamic world and showcase the vocal methods of Qur’an recital as well as adhan.
 


Northern Borders rock art reveals ancient life

Updated 07 March 2026
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Northern Borders rock art reveals ancient life

  • Among the most notable remains are stone structures scattered northwest of Arar
  • Evidence ranges from the Neolithic era to Islamic times, forming a chronological record

JEDDAH: Saudi Arabia’s Northern Borders region contains numerous archaeological sites, reflecting a long history of human settlement dating back to early periods, the Saudi Press Agency reported.
Among the most notable remains are stone structures scattered northwest of Arar.
Varying in shape, size and design, specialists believe these structures date to the end of the Neolithic period and the beginning of subsequent eras. They are thought to have been used as stone tombs to preserve the remains of the dead.
Evidence ranges from the Neolithic era to Islamic times, forming a chronological record that highlights the diversity of communities that once lived in the region and how they interacted with their natural environment over centuries.
Ajab Al-Otaibi, director general of antiquities at the Heritage Commission, said the stone structures and rock art sites in the Northern Borders region represent an integral part of Saudi Arabia’s national cultural heritage and serve as an important resource for archaeological studies and scientific research.
He highlighted the importance of surveys, documentation and protection efforts to preserve these cultural landmarks as a historical legacy for future generations.
The region is also home to several important rock art sites, such as Shu’ayb Hamer, which features a wide and diverse collection of drawings carved on natural rock surfaces, marking it as a key site that documented early human activity in the area.
The artworks depict scenes of hunting, horsemanship, dancing, daily life and social rituals. They were created using a variety of artistic styles, most notably framed and abstract forms, and produced through different techniques including incizing and pecking, both direct and indirect.
The carvings portray human figures and a range of animals, including camels, horses and gazelles, as well as some wild and predatory species that have long since disappeared.
These images provide insight into the richness of the natural environment in earlier periods and help researchers understand the evolving relationship between humans and their surroundings.