Palestinian journalists reel from attacks by Israeli forces

An Israeli soldier covers the lens of a video camera during an argument with journalists filming clashes in the village of Deir Sharaf in Nablus in the occupied West Bank on October 20, 2022. (AFP)
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Updated 14 December 2022
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Palestinian journalists reel from attacks by Israeli forces

  • Journalists told Arab News Israel had effectively declared war against them with the death of Al Jazeera correspondent Shireen Abu Akleh in May

RAMALLAH: Palestinian journalists have told Arab News how they regularly come under attack from the Israeli army, police and Israeli settlers.

Under pressure, well-known international media organizations remove content from their sites, making it very difficult for them to objectively cover violence from the Israeli authorities in the region.

Journalists told Arab News Israel had effectively declared war against them with the death of Al Jazeera correspondent Shireen Abu Akleh in May.

Members of the press are regularly injured, arrested and harassed by Israeli forces who prevent them from traveling outside the West Bank to Jordan, Israel or even the Gaza Strip, they claimed, adding that foreign media outlets for whom they work are forced to expel them.

Around 1,200 Palestinian journalists in the West Bank believe that regular atrocities against them — offline and online — are part of an Israeli campaign to keep them from exposing the crimes of the Israeli army and police.

BACKGROUND

Although international media outlets conducted extensive investigations into the killing of Abu Akleh, the Israeli media did not conduct any investigation. The Palestinians accused it of siding with the IDF narrative over who was responsible.

On May 11, Israeli soldiers killed Abu Akleh on the outskirts of Jenin while she was covering a raid. Despite wearing a “press” jacket, she was shot dead while her producer, Ali Samoudi, was wounded. The Israel Defense Force initially blamed Palestinian gunmen for the incident, but under international pressure, admitted its troops may have fired the bullets that hit her.

Ghaida Abu Farha, responsible for documenting Israeli violations against journalists at the Palestinian Ministry of Information, told Arab News these included detaining journalists at event venues until the events ended, confiscating or destroying Palestinian press equipment and preventing Jerusalem-based journalists from entering Al-Aqsa Mosque.

She said security forces did not recognize the IDs of local and international Palestinian journalists. In May, 44 incidents were recorded in which Palestinian journalists were beaten. In June, 17 incidents of blocking Palestinian journalists from social media under Israeli pressure were recorded. In October, 12 incidents were recorded in which they were prevented from covering events. In November, two incidents of racist insults from settlers against journalists were recorded.

In the same month, the IDF seized the car key and press card of journalist Saif Al-Qawasmi near the Qalandia military checkpoint, north of Jerusalem.

On Nov. 23, Israeli settlers attacked a France 24 TV news crew in West Jerusalem during coverage of a bomb explosion. The Israeli youths disrupted a live broadcast by the channel’s correspondent, Laila Odeh, and the channel’s cameraman, Nader Baybars, using racist slurs and chanting “death to the Arabs” and “go to Gaza.”

Following that, the channel’s camera was destroyed. The Israeli police did not intervene, despite Odeh’s appeals for help.

On Sept. 3, the Israeli police arrested journalist Lama Ghosheh from East Jerusalem for writing a post on her Facebook page, praising a Palestinian killed by the Israeli police. She was released after a week and subjected to house arrest.

Mamoun Wazwaz, a photographer for the Chinese Xinhua news agency and the Turkish Anadolu agency in Hebron, told Arab News that an Israeli soldier deliberately shot him with two metal bullets on March 11 while he was filming clashes between Palestinian youths and Israeli soldiers in the Bab Al-Zawiya area and Al-Shuhada Street in Hebron, even though he was standing far from the youths and wearing a “press” jacket.

Wazwaz filed a complaint with the Israeli military police against the soldier but no action was taken. This has left Wazwaz hesitant to go near clashes for fear of being targeted again.

“In many cases, the spot for taking a good picture is close to the firing range, so I prefer not to get close and settle for a less comprehensive and quality image,” Wazwaz said.

His Facebook page has also been banned.

Wazwaz said such incidents have forced news agencies to prevent them from covering important events and to limit their coverage to photographing activists and representatives of human rights institutions.

“When violent events occur, I enter into a state of self-conflict: Do I take a risk and go for photography or not? I have a family that needs me, so maybe I shouldn’t risk my life,” Wazwaz said.

“They target the Palestinian journalist, because he is the only party that documents their violations against the Palestinians.”

Veteran Palestinian journalist Mohammaed Daraghmeh told Arab News that targeting journalists with death and injury affected him as the office manager of a well-known Arab satellite channel, so he stopped sending his crew to cover important events.

“I am 100 times more careful than before regarding field coverage, for fear that one of my staff members might be killed or injured,” Daraghmeh said.

Ali Samoudi, a reporter for the local Al-Quds newspaper, and a producer for Al Jazeera in Jenin, West Bank, told Arab News that the killing of his colleague Abu Akleh, plus a bullet wound of his own in his back, was a message that Israeli forces would kill every Palestinian journalist who documents events in the Palestinian Territories.

“The presence of journalists disturbs the occupation and may limit its freedom to commit crimes, so it seeks to keep journalists away from its areas of operations,” Samoudi said.

The current year was the worst for the Palestinian media since he began his work as a journalist 32 years ago, Samoudi said. The IDF’s violence against Palestinian journalists increased to the point that many Arab and international media outlets became afraid to send crews to Jenin, he added.

Although international media outlets conducted extensive investigations into the killing of Abu Akleh, the Israeli media did not conduct any investigation. The Palestinians accused it of siding with the IDF narrative over who was responsible.

The Palestinian Journalists Syndicate denounced the systematic Israeli targeting of Palestinian journalists and said it stemmed from an official Israeli decision not to allow any reporting of the occupation’s crimes against the Palestinians.

However, the Israeli authorities have denied targeting journalists.

Lt. Col. Richard Hecht, the IDF spokesperson for international media, told Arab News: “There is no way the IDF intentionally fire at uninvolved civilians and journalists. If a mistake happens, it’s a tragic mistake; there is no way that these things could happen intentionally.”


Dark times under Syria’s Assad hit Arab screens for Ramadan

Updated 23 February 2026
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Dark times under Syria’s Assad hit Arab screens for Ramadan

  • Talking about Syria’s prisons and the torture, enforced disappearances and executions that took place there was taboo during half a century of the Assad family’s iron-fisted rule

 

BEIRUT: A Syrian prison warden screams at a group of chained, crouching inmates in a harrowing scene from one of several Ramadan television series this year that tackle the era of former ruler Bashar Assad.
Talking about Syria’s prisons and the torture, enforced disappearances and executions that took place there was taboo during half a century of the Assad family’s iron-fisted rule, but the topics are now fertile ground for creative productions, though not without controversy.
An abandoned soap factory north of the Lebanese capital Beirut has been transformed into a replica of the basements and corridors of Syria’s Saydnaya prison, a facility synonymous with horror under Assad, for the series “Going Out to the Well.”
Crews were filming the last episodes this week as the Muslim holy month kicked off — primetime viewing in the Arab world, with channels and outlets furiously competing for eager audiences’ attention.
Director Mohammed Lutfi told AFP that “for Syrians, Saydnaya prison is a dark place, full of stories and tales.”
The series focuses on the 2008 prison riots in Saydnaya, “when inmates revolted against the soldiers and took control of the prison, and there were negotiations between them and Syrian intelligence services,” he said.
The military prison, one of Syria’s largest and which also held political prisoners, remains an open wound for thousands of families still looking for traces of their loved ones.

Tragedy into drama

The Association of Detainees and Missing Persons of Saydnaya Prison estimates that some 30,000 people were thrown into the facility after the 2011 uprising against Assad began, but only 6,000 came out after he was toppled.
Amnesty International has described the prison outside Damascus, which was notorious for torture and enforced disappearances, as a “human slaughterhouse.”
In the opening scene of the series, the main character is seen in a tense exchange with his family before jumping into a deep well.

A local guides journalists visiting the Palmyra Prison Complex formerly used by the ousted Assad government in Syria's central city of Palmyra on February 7, 2025. (AFP)

The symbolic scene in part captures the struggles of the detainees’ relatives. Many spent years going from one Assad-era security facility to another in search of their missing family members.
Syrian writer Samer Radwan said on Facebook that he finished writing the series several months before Assad’s fall.
Director Lutfi had previously told AFP that challenges including actors’ fears of the Assad authorities’ reaction had prevented filming until after his ouster.
Since then, productions have jumped on the chance to finally tackle issues related to his family’s brutal rule.
Another series titled “Caesar, no time, no place” presents testimonies and experiences based on true stories from inside Syria’s prisons during the civil war, which erupted in 2011.
But in a statement this week, the Caesar Families Association strongly rejected “transforming our tragedy into dramatic material to be shown on screen.”
“Justice is sought in court, not in film studios,” said the association, whose name refers to thousands of images smuggled out of Syria more than a decade ago showing bodies of people tortured and starved to death in the country’s prisons.

Refugees
Another series, “Governorate 15,” sees two Saydnaya inmates, one Lebanese and one Syrian, leave the facility after Assad’s fall and return to their families.
Producer Marwan Haddad said that the series tackles the period of “the Syrian presence in Lebanon” through the Lebanese character.
The show also addresses the Syria refugee crisis through the story of the Syrian character’s family, who fled to the struggling neighboring country to escape the civil war.
“For years we said we didn’t want Lebanon to be (Syria’s) 15th province” and each person fought it in their own way, said Lebanese screenwriter Carine Rizkallah.
Under Assad’s father Hafez, Syria’s army entered Lebanon in 1976 during the country’s civil war and only left in 2005 after dominating all aspects of Lebanese life for almost three decades.
It was also accused of numerous political assassinations.
Lebanese director Samir Habchy said that the actors represent their “own community’s problems” in the “Lebanese-Syrian series.”
The show could prove controversial because it includes real people who “are still alive and will see themselves” in the episodes, he added.