Princess Nourah Al-Faisal reveals design inspiration for her label NUUN Jewels

With a boutique in Paris’ luxurious Rue du Faubourg Saint Honoré, NUUN boasts an array of resplendent, one-of-a-kind pieces. (Instagram)
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Updated 15 October 2022
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Princess Nourah Al-Faisal reveals design inspiration for her label NUUN Jewels

  • Saudi Arabia’s ancient history is a main source of ideas
  • With a boutique in Paris, NUUN boasts an array of resplendent, one-of-a-kind pieces

DUBAI: There is no denying that the design scene in Saudi Arabia is buzzing. Designers from the Kingdom have been making headlines regionally and internationally, and one of the pioneering creatives was Princess Nourah Al-Faisal with her label NUUN Jewels.

With a boutique in Paris’ luxurious Rue du Faubourg Saint Honoré, NUUN boasts an array of resplendent, one-of-a-kind pieces.

After completing an apprenticeship in Paris, Al-Faisal started by designing pieces for her family and friends. “I’ve always loved designs in all their forms — jewelry being my favorite because of the precious metals and the emotional connection,” said Al-Faisal.

As her creations gained popularity, opening her own boutique was a natural next step. And given her experience with fine Parisian craftsmen, the city made for an ideal choice. “The business is based in France because that’s where I did my apprenticeship and where my network was. There were obstacles on the business side, but once I found my NUUN family, it worked out.”

Al-Faisal said that 80 percent of what she creates is bespoke, so it comes as no surprise that each piece boasts not only meticulous craftsmanship but also a unique aesthetic. Case in point: A bracelet from her most recent “Jewels of Arabia” collection inspired by a face mask found in the tomb of a princess in Saudi Arabia. Featuring a brushed gold finish and encrusted with diamonds, the oval shape in the middle of the bracelet is complete with eyes, a nose and a mouth to represent what the princess would have looked like.




For Al-Faisal, a true artist at heart, beginning a new collection does not necessarily start with a specific idea. (Supplied)

“The nice thing about the ‘Jewels of Arabia’ collection was that I was given a point of inspiration — the ancient civilizations that pre-existed in Saudi Arabia — I worked directly from that history,” explained Al-Faisal. Another standout creation from this collection includes a ring inspired by ancient tablets — made from half-moon diamonds and baguettes, it features oxidized copper with a patina effect to give it an antique finish.

For Al-Faisal, a true artist at heart, beginning a new collection does not necessarily start with a specific idea. “I work very organically — I create and eventually the pieces will tell me what they want to do. I am currently working on a few pieces that will hopefully become a new collection, which I’ll tell you about in a few months,” she said.




Bo Caree Ti & Quartz. (Supplied)

And perhaps it is exactly this romantic approach to design that leads her to create the conceptual pieces she is known for. It is not every day you come across a bracelet reminiscent of a goat’s horn crafted out of amethyst, gold, and reversed diamonds; or the geometric rings from her extremely successful “Thahab” line, which are almost otherworldly and unlike anything out there in the market.

Jewelry design aside, Al-Faisal takes her role in the Saudi Cup, alongside supporting regional creatives, very seriously. For the Saudi Cup, the country’s premiere racing event, Al-Faisal worked closely with the Fashion Commission to co-create a dress code, and she is also a consultant for The Jockey Club. Juggling all this while running a successful brand is not easy, and yet she does it effortlessly. “I think it is all about being inspired by the different elements and the people around you. I draw my energy and inspiration from the young people I come across every day.”


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”