Netflix launches ‘New Saudi Voices’ collection to celebrate Saudi filmmakers

In this file photo taken on September 14, 2022 The Netflix logo is seen at the Netflix Tudum Theater in Los Angeles, California. (AFP)
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Updated 29 September 2022
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Netflix launches ‘New Saudi Voices’ collection to celebrate Saudi filmmakers

  • 11 films will celebrate creativity and talent of emerging figures in the Kingdom

DUBAI: Netflix is releasing a collection titled “New Saudi Voices” consisting of 11 specially curated short films to celebrate the creativity of emerging Saudi filmmakers.

The collection comprises movies across genres including horror, fantasy and animation, in an attempt to capture the full scope of Saudi filmmakers’ creativity and talent.

The 11 films are part of the New Saudi/New Cinema Shorts showcased at the Red Sea Film Festival last year and encapsulate the work of some of the most promising new voices in the Kingdom.

The films include Mohamed Basalamah’s “Hallucinated,” which tells the story of a delivery worker who suffers from worsening insomnia until the line blurs between his reality and hallucinations; and Rami Alzayer’s “The Day I Lost Myself,” which explores how a young man with anxiety finds himself stuck in an elevator on his way to an interview.

Documentaries like “Arufea” by Abbas Alshuwayfie offer a peek into an old Saudi neighborhood, and Omar Al-Omirat’s “Covida the 19th” explores lifestyle changes post-pandemic.

The collection also includes an animated short called “Whisper Down the Lane” by Raghad Albarqi, “The Jakar” by Abdulaziz Saleh, “The Palm Witch” by Hala Alhaid, “Hide and Seek” by Mohammad Helal, “Red Circle” by Abdulaziz Sarhan and “Little Bird” by Khalid Fahad.

Nuha El-Tayeb, director of content acquisitions, Netflix, MENA and Turkey, said: “We’re very excited to amplify the voices of up-and-coming filmmakers in Saudi Arabia through this collection. There’s incredible talent in the Kingdom, and they have unique stories to tell. We hope that as people tune into the films, they learn more about these creators, and catch a glimpse of their passion, originality and creativity, as we have.”

It is not the first time that Netflix has shined the spotlight on Saudi cinema. Earlier this year, the company launched a specially curated collection of 21 Arab films, “Because She Created,” featuring movies from filmmakers across Saudi Arabia, Algeria, Egypt and more.

At the time, El-Tayeb told Arab News: “There’s incredible talent in Saudi Arabia. The entertainment landscape is rapidly evolving and Saudi women — like other women from the Arab world and globally — have beautiful, complex and layered stories to tell.”

The streaming giant has also worked with writer and director Hana Al-Omair on “Whispers,” an eight-part psychological thriller, as well as with Haifaa Al-Mansour on “Wadjda,” the first feature film made by a female Saudi director.

The “New Saudi Voices” collection will be available on Netflix on Sept. 29.


Saudi gaming industry has promising future, says Qiddiya executive

Updated 48 min 29 sec ago
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Saudi gaming industry has promising future, says Qiddiya executive

  • Mike Milanov said that the industry had surpassed the combined industries of film, television, music and sports worldwide
  • Milanov added that Saudi Arabia had talented teams with strong skills in esports and game development

RIYADH: Saudi Arabia is uniquely positioned for a highly promising future in the gaming sector, which is valued at $323 billion globally, according to the head of gaming at Saudi entertainment megaproject Qiddiya.

Mike Milanov, the company’s head of gaming and esports, spoke during the session “The Global Era of Gaming: How It Became the New Frontier for Media and Entertainment” at the Saudi Media Forum 2026 in Riyadh.

The industry, he said, had surpassed the combined industries of film, television, music and sports worldwide and was growing globally at an annual rate of 3 percent to 9 percent, expected to reach about $623 billion by 2035

He added that future generations held different perspectives and levels of engagement, as gaming represented a form of digital advancement and a powerful tool for connection.

Milanov also highlighted how Saudi Arabia had talented teams with strong skills in esports and game development, along with significant creative and innovative energy that supported building relationships both locally and globally.

He further noted that Qiddiya City spanned nearly 330 sq. km, and that more than 86 percent of Saudis identified themselves as gamers, reinforcing the Kingdom’s position as one of the world’s largest gaming and esports markets.

Karen Starr, vice president of marketing, branding and creative at Activision Publishing, also spoke during the panel and emphasized the major role gaming played across social media platforms.

She described this influence as positive for brand building, especially given the young audiences that followed gaming brands.

Starr added that the sustainability of major gaming brands depended on continuous engagement, community-building, and adapting content locally to maintain cultural relevance.

She explained that gaming had evolved into an ongoing media experience based on constant interaction and long-term audience connection.

She also said that gaming today had become a global media force that had surpassed traditional channels, shaping culture, content and audience engagement over time.

Meanwhile, Shelley Williams, executive vice president of sales at F1 Arcade Simulation, spoke about how gaming experiences were built on a sense of belonging and participation, which helped to create stronger infrastructure and extended media experiences.

She said that shared audience experiences opened the door to new ecosystems and further game development, supporting long-term content sustainability.