‘Wonderful day’ for Marianne Vos as she wins Stage 2 of women’s Tour de France

Team Jumbo Visma's Dutch rider Marianne Vos celebrates as she crosses the finish line to win the 2nd stage of the new edition of the Women's Tour de France cycling race on July 25, 2022. (AFP)
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Updated 26 July 2022
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‘Wonderful day’ for Marianne Vos as she wins Stage 2 of women’s Tour de France

  • For the 35-year-old Dutch rider, one of the great names of cycling with three world road championships and Olympic track gold among her many honors, this yellow jersey has a sense of unfinished business

PROVINS, France: Dutch rider Marianne Vos took over the yellow jersey in the women’s Tour de France with victory in a three-way sprint to win the second stage from Meaux to Provins on Monday.

Team Jumbo-Visma’s Vos edged out Silvia Persico and Katarzyna Niewiadoma to claim the jersey from compatriot Lorena Wiebes who finished 29 seconds behind in sixth place.

“It’s not revenge, it’s an absolutely wonderful day,” said Vos who finished second behind Wiebes in Sunday’s opening stage on the Champs-Elysees.

Trek-Segafredo’s Elisa Longo Borghini, winner of Paris-Roubaix and a definite contender for the yellow jersey in France, finished fourth in the stage, two seconds back.

Less fortunate was her Italian compatriot Marta Cavalli, winner of this year of the Amstel Gold and the Fleche-Wallonne and a potential winner of the overall title here.

The 24-year-old was taken to hospital after suffering a head injury in one of three nasty crashes in a last 30 kilometers where the crosswinds and gusts of up to 45 km/h made the riders jumpy about the prospect of a break in the peloton.

“We don’t have much news from Marta, she is suffering from a head injury,” said team manager Stephen Delcourt on arrival in Provins.

“We remain in contact with the doctor. She has been sent to the hospital to carry out a CT scan as a priority.”

The FDJ-Suez-Futuroscope rider was already on the ground when she was hit by Australian champion Nicole Frain who came flying through without braking.

Cavalli, who was runner-up on this year’s Giro d’Italia, climbed back on her bike but failed to finish the stage with the team pulling her out and sending her to hospital.

“She suffered a big shock. We didn’t want to take any risks,” said Delcourt.

“She wanted to carry on but the team said no. We don’t want to play with the lives of us runners.

“We are very worried. You saw the very spectacular crash and how dangerous our sport is. We really have to be careful. I am very worried for the safety of our riders.”

It was a bad day all round for FDJ as Danish rider Cecilie Uttrup Ludwig, their other potential challenger, got caught up in another crash and lost more than a minute to Vos, Longo Borghini and Niewiadoma.

In addition to Cavalli, another Italian Gaia Masetti also gave up as well as the German Laura Suessemilch, who is undergoing hospital tests for possible fractures, according to her Plantur-Pura team.

French rider Maeva Squiban finished the stage but “could not walk” on arrival, according to her team, Stade Rochelais, and “took an X-ray.”

For 35-year-old Vos, one of the great names of cycling with three world road championships and Olympic track gold among her many honors, this yellow jersey has a sense of unfinished business.

She won on the Champs-Elysees in 2014 in the first edition of La Course which took place on the last day of the men’s Tour de France, a race she helped to launch.

As a child she pressed her parents to take her to watch the Tour.

“We were going to Alpe d’Huez, to the sprint finishes, to Pau,” she said again at the start in Meaux on Monday. “That was how we spent our summer holidays, driving the course in our camping van.”

Vos now leads the general classification with a 10-second lead over Valcar rider Persico, with Niewiadoma of Canyon-SRAM two seconds further back.

Tuesday’s stage three should also suit the sprinters with a 133.6km ride through the Champagne region from Reims to Epernay. The race ends in Paris on Sunday.


‘Papaya’s not going anywhere’: How McLaren banished the wilderness years on and off the track

Updated 16 December 2025
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‘Papaya’s not going anywhere’: How McLaren banished the wilderness years on and off the track

  • On-track success of 2 constructors’ championships and Lando Norris’s title win matched by a rebrand attracting a new generation of fans to the British F1 team

ABU DHABI: It’s been just over a week since Lando Norris claimed his first Formula One championship title, but for McLaren’s growing army of supporters the party continues.

When the British driver crossed the finish line at Abu Dhabi’s Yas Marina Circuit in third place to confirm his title victory, you could be forgiven for thinking the post-race celebrations had a familiar look to others in recent years at the season-closing Grand Prix in the UAE’s capital.

This time however, the celebrating fans were sporting the orange of McLaren’s distinctive “papaya” livery, rather than the orange of Max Verstappen’s native Netherlands.

The resurgence of the British team in recent years has been nothing short of remarkable. On the track, their overwhelming supremacy has been secured by a superior car and two gifted drivers in Norris and Australia’s Oscar Piastri. Off it, they deployed one of motor sport’s most successful rebranding campaigns, as a result of which McLaren’s main color now rivals Ferrari’s red as the most iconic in F1.

“You know, it was the fans’ choice to bring papaya back,” Matt Dennington, co-chief commercial officer at McLaren, told Arab News.

“Back in, I think it was 2016, we went out to our fans and it was an overwhelming ‘yes’ that they wanted to see our heritage come back into the team. It’s a key brand asset for us.”

Speaking during a “Live Your Fandom” event at Yas Island in Abu Dhabi, co-hosted with Velo, a team sponsor since 2019, he said: “For us, the fans are the lifeblood of our sport. We don’t go racing without them, and to be able to celebrate our fans and our partners together has been awesome.”

Norris’s success in Abu Dhabi was a crowning moment for the team, but the development on the track has been clear and dramatic for several years.

In 2017, the team finished a lowly ninth out of 10 in the constructors’ championship. Improvements to the car, particularly after switching to a Mercedes engine, helped the team move up to become a fixture in the “mid-field” F1 grid. Then, in 2024, came the giant leap forward as McLaren won the team title and then retained it this year.

In tandem with those successes, the commercial work that has taken place off the track has helped McLaren, in large part thanks to return of its papaya colors, develop one of the strongest brand identities in all of sports.

“Obviously, the on-track performance has been a great boost for that,” Dennington said. “You know, the other areas that have helped progress our fandom, and the sport, is the work that Liberty Media have done in the schedule.”

Liberty, an American mass media company, acquired Formula One Group from CVC Partners in 2017 for $4.4 billion. The popularity of the sport has skyrocketed since then thanks to huge engagement across media channels — including a certain Netflix show.

“More races, more races in the US, ‘Drive to Survive’ (on Netflix, and) we had the F1 movie,” Dennington said. “So there’s some great media platforms really driving the audience growth and the diversity of the audience.

“As a team, we’ve been pushing ourselves to be more sophisticated in the way in which we engage and communicate with our teams, but also looking at the partners we work with to give our fans the access to the McLaren brand and access to racing culture.”

The team’s portfolio now boasts more than 50 sponsors, among them Google, Mastercard and British American Tobacco. Dennington highlighted a number of campaigns that caught the public’s imagination.

“Some good examples of that is the work that we’ve done with Reiss and Abercrombie & Fitch — we bought our first women’s line of fashion through those organizations; the work we’re doing with Lego in capturing those sort of youth consumers into the brand; and also the work we’ve done with Tumi over the last few years in the luggage category.

“So we’re trying to extend the brand, we’re trying to create more access.”

In August, McLaren and Velo launched the “Live Your Fandom” campaign, offering nine superfans from the UK, Romania, the Czech Republic, Mexico and other places a “golden ticket” F1 experience in the form of a full day at the McLaren Technology Centre in Woking, England.

The chosen fans enjoyed a behind-the-scenes tour, shared their memories of the team directly with McLaren Racing CEO Zak Brown, and took part in a surprise Q&A session with Norris.

One high-profile result of their special day was the graphical contributions they made to the team’s 2025 Abu Dhabi livery design, unveiled just days before Norris claimed the title, which featured art they helped create inspired by their most defining McLaren moments.

The livery features a series of bespoke images, including the “Papaya Family” representing the community spirit among McLaren F1 fans around the world; a “Forever Forward” friendship bracelet; and “Home Wins,” symbolizing the team’s victories this season in its home country at the British Grand Prix at Silverstone, and at the Bahrain Grand Prix, which is considered the team’s second home.

Other images celebrated the back-to-back constructors’ championship victories; 200 race wins; 50 top-two race finishes; and the fastest pitstop of the 2025 season (1.91 seconds).

Louise McEwen, McLaren Racing’s chief marketing officer, said: “Our fans are at the heart of everything we do, and this special livery is another way of showing our appreciation.

“Through the ‘Live Your Fandom’ campaign with Velo we’ve been able to celebrate their passion and creativity in a way that truly brings the Papaya Family together.”

Such efforts by McLaren to bring more fans even closer to the action will continue, Dennington said.

“Less than 1 percent of all fans in Formula One over their lifetime get to go to a race,” he added. “So I think it’s up to us as a sport, as teams, to be able to create more opportunities for them (and) to connect with our fans.”

As for the image and identity of the team moving forward, he had a reassuring message for fans: “Papaya’s not going anywhere and you’ll continue to see that into the future.”