Controversial Saudi painter aims to make her mark in modern art

Backed by her family and buoyed by Saudi government support for the arts, Jana Mousa remains determined to open her own modern art museum to showcase her work and that of other up-and-coming artists. (Supplied)
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Updated 23 July 2022
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Controversial Saudi painter aims to make her mark in modern art

  • Jana Mousa has been the subject of criticism for portraying womanly shapes
  • She's been backed by her family and buoyed by Saudi government support for the arts

RIYADH: A controversial Saudi painter is aiming to overturn traditional public perceptions of art with her modern abstract style.

Jana Mousa has been the subject of criticism for portraying nudity and womanly shapes in her vibrant artwork.

But backed by her family and buoyed by Saudi government support for the arts, she remains determined to open her own modern art museum to showcase her work and that of other up-and-coming artists. 




Backed by her family and buoyed by Saudi government support for the arts, Jana Mousa remains determined to open her own modern art museum to showcase her work and that of other up-and-coming artists. (Supplied)

She told Arab News: “My art isn’t traditional, but what makes me creative is that I don’t relate myself to an idea or a concept of one agenda, because I don’t want to be in a box. 

“I feel as though many people still hang on to traditional art, the art of horses, Arabic calligraphy, and such, but when they see modern art, it’s new to them, and the reaction varies. This is why I want to introduce modern art to the public and let it have its space.”

It was during the coronavirus pandemic lockdown when Mousa rediscovered her love of painting and with the help of her family, she set up a social media account and started posting her work online.

She said: “I was criticized for portraying nudity and, in general, for my modern style, and when I displayed my work in Al-Balad (historic area of Jeddah), I got comments that my paintings were just doodles that ruined the place. Because they did not show a horse or swords, then, to society, it was not considered art.” 




Backed by her family and buoyed by Saudi government support for the arts, Jana Mousa remains determined to open her own modern art museum to showcase her work and that of other up-and-coming artists. (Supplied)

Undaunted, she has since gone on to exhibit her pieces at Jeddah corniche, the port city’s Durrat Al-Arus, Culiart gallery — as part of a collaboration with chef Joud Badr — and in March, the Silence art gallery.

“Chaotic and full of life is how I would describe my artwork. I don’t have one direction, and I like to mix styles, but eventually, a pop of color needs to be included in my paintings.

“I like to feel the painting and touch it. Art doesn’t have rules or right or wrong; anything you do is art, and the possibilities are endless,” Mousa added.

She plans to open her own modern art museum to showcase her artistic style, support local artists, and provide a space for them to exhibit their work.

“I am noticing a lot of support from the government to empower art. The Jameel district in Jeddah is a good example of art encouragement, and many local artists are invited to display their artwork in Al-Balad,” she said.


Saudi hospitality boom sparks innovation beyond the plate

Chefs at Julien prepare meals to pair with Diageo drinks. (AN photo by Basmah Albasrawi)
Updated 4 sec ago
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Saudi hospitality boom sparks innovation beyond the plate

RIYADH: As restaurants and hotels in Saudi Arabia refine their culinary identities, beverages are increasingly being treated as crafted experiences in their own right, shaped by technique and intention.

At the Four Seasons Riyadh, Diageo hosted a private tasting at Tonic Bar followed by a 10-course dinner at Julien, offering a snapshot of how this evolution is beginning to take shape, as international players and local venues test new approaches to pairing and presentation. 

Speaking to Arab News, Nick Rees, marketing director of Diageo MENA, pointed to the rapid growth of the nonalcoholic segment globally and in the region: “There’s a far faster growing percentage of it (the industry) is non-alcohol … There (are) trends globally … A lot of it will be pointed to wellness, mindful drinking.”

Rees said that Saudi Arabia’s fast-developing culinary and hospitality scene calls for beverages that match the level of excellence seen in kitchens across the Kingdom.

“It’s kind of the lack of choices and that’s where we want to be able to provide people the option, and people here absolutely have the same kind of talent and desire as their counterparts behind the kitchen,” he said.

“That’s where our role is to give people the kind of core ingredients for them to be able to work with … we have many more brands that we would love to introduce to the Kingdom.”

The dinner at Julien paired dishes with drinks made using Tanqueray 0.0, Captain Morgan 0.0, and Guinness 0.0, offering a glimpse into the range of styles Diageo is bringing to the market.

Flavor profiles ranged from light and refreshing combinations with cucumber and capers brine to richer, malt-forward blends, each designed to complement the accompanying dishes, from ravioli to black cod. 

Rees emphasized that pairing food with thoughtfully crafted beverages is becoming an essential part of the hospitality experience. 

“In the Kingdom, we’re looking at giving people the experience that currently is not available to them because I know for sure that the kind of quality and expertise and craftsmanship that can go into creating some of these drinks is absolutely as exciting as the work that the chefs would do with their food,” he said.

Anthony Abou Haider, head of Gulf at Diageo, said the company sees long-term potential in Saudi Arabia’s hospitality sector. 

“It’s such an opportunity to be a part of this transformation journey,” he told Arab News. “We’re not looking for a short-term gain, we’re looking at a very long-term gain here because whatever we do now is building for the future.”