DUBAI: The Louvre Abu Dhabi has partnered with Paris’ Musée d’Orsay on what is billed as one of the most significant Impressionist exhibitions ever to be held outside France — the upcoming “Impressionism: Pathways to Modernity” show.

Set to run from Oct. 12, 2022, to Feb. 5, 2023, the exhibition will bring together more than 150 works alongside etchings, costumes, film and photography to explore why Impressionism was considered so shocking in the 19th century.

Art enthusiasts will be able to enjoy works from Impressionist masters such as Edouard Manet, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Paul Cézanne.

Widely seen as a rebellious artistic movement, Impressionism is marked by its shift away from the academic convention and traditions of 19th century European painting, with pioneers known to have regularly caused a stir. In fact, Manet’s “Olympia” is regarded as one of the most scandalous paintings of the time and caused controversy when it was first displayed at the 1865 Paris Salon, while Monet achieved fame for his relaxed style, which was a far cry from the hyper-realistic paintings of the previous era.

The artistic movement “saw some of history’s bravest and most visionary painters embrace and extoll new ways of seeing, making art, and living. They celebrated this thrilling new reality, representing truthful observations of nature and modern life,” the museum’s website reads.

The upcoming exhibition on Impressionism comes as the Louvre Abu Dhabi expands its international collection with the recent announcement of two loans from the Philippines’ Ayala Museum.

Set to be on show until June 2023, the museum’s first-ever showcase of artifacts from the Philippines features two items that date back to the 10th-13th century. The first loan is a gold cup that was recovered from Nabua in the Camarines Sur province of the Philippines. It highlights the striking similarity of Filipino works to the Chinese gold and silverware acquired by Louvre Abu Dhabi in 2019.

The second artifact is a funerary mask from the city of Butuan in the Philippines. It places emphasis on immortality being the universal hope of mankind when faced with death, according to a released statement. This artifact is currently showcased alongside other historical items from the Levant and South America that exemplify this shared tradition.