Review: ‘Love & Gelato’ is a sweet, endearing romp through Rome 

The rom-com is now streaming on Netflix. (Supplied)
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Updated 30 June 2022
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Review: ‘Love & Gelato’ is a sweet, endearing romp through Rome 

CHENNAI: In many ways Rome plays second fiddle to Paris, a city that is often lauded as the most romantic and picturesque in the world. But if one were to watch Brandon Camp’s “Love & Gelato” — and read the novel by Gina Evans Welch upon which the movie is based — the Italian capital could soon replace Paris as the internationally recognized city of love. 

Indeed, Rome is a principal character in the film, with its aura of twinkling magic, imposing structures and grand Colosseum, as well as the haunting ruins of the world’s first shopping mall, Trajan’s Market (built between 100 and 110 AD). Wide-eyed Lina Emerson (Susanna Skagga) is so overwhelmed by these magnificent sights that it eases the pain of the recent loss of her mother, whose last wish was to see her daughter visit Rome where the older woman found her first love — Lina’s father.




The movie is based on the novel by Gina Evans Welch. (Supplied)

When a paranoid Lina, whose list of fears is seemingly endless, meets Lorenzo Ferrazza (Tobia De Angelis), she finds the pull of adventure so hard to resist that she jumps on his scooter as he races across a magically lit city, brought alluringly to life by cinematographer Thomas Scott Stanton. The initially hesitant Lina is also given a journal that her mother had kept when she lived in Italy, leading our protagonist to uncover a magical world of secret romances, art, and hidden bakeries chock full of traditional Roman sweet buns called maritozzi.

“Love & Gelato,” now streaming on Netflix, may seem like a silly portrait of a young woman’s first flirtation, but Camp and author Welch transformed it into a story that will resonate with audiences due to Lina’s relationship with her late mother pushing the narrative forward. 

For cinema lovers, there are call-backs that make the movie a delight to watch — scenes of the Trevi Fountain will remind you of Federico Fellini's 1960 classic “La Dolce Vita,” with Marcello Mastroianni and Anita Ekberg taking a midnight dip in the historic site. Meanwhile, seeing Lorenzo and Lina zip along on a scooter will remind ardent cinema fans of Gregory Peck and Audrey Hepburn in the unforgettable “Roman Holiday.” “Love & Gelato” may not be a great work on the level of those masterpieces, but it is sweet —as sweet as maritozzi!


Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

Updated 19 January 2026
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Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

DUBAI: At a time when the sprawling saga of “Game of Thrones” and its prequel “House of the Dragon” have come to define modern fantasy television, “A Knight of the Seven Kingdoms” emerges as an unexpected offering.

Based on George R.R. Martin’s “Tales of Dunk and Egg” novellas, the six-episode HBO series — created and spearheaded by showrunner Ira Parker alongside Martin — gives viewers a story that is not about dragons or imperial politics, but about two unlikely companions navigating a treacherous and unforgiving world from its humbler margins.

From the opening moments of the premiere, where the familiar “Game of Thrones” theme music is undercut in a moment of shocking levity, the show makes clear that we are far away from the grand halls of Casterly Rock, the Red Keep or even Winterfell. Grounded and whimsical, this is Westeros viewed from muddy inns, dusty roads and makeshift jousting camps.

Peter Claffey as Ser Duncan “Dunk” the Tall is the beating heart of the series. Claffey imbues Dunk with an endearing earnestness — a towering, awkward figure, constantly walking into doors, whose moral compass is as unwavering as his endless appetite.

His chemistry with Dexter Sol Ansell’s young squire, Egg, who has deep secrets of his own, is warm and organic, creating a duo that is as compelling as any knight and squire of fantasy lore. Their dynamic gives the story a cozy, almost heartfelt buddy-adventure quality.

What makes “A Knight of the Seven Kingdoms” so captivating isn’t its lack of spectacle. It has plenty of Westerosi trappings and there’s a sizeable helping of Targaryens and Baratheons and who have you. But its choice to focus on everyday courage, loyalty and the messy, funny, sometimes mundane reality of being a hedge knight truly makes this a worthy addition to the “Game of Thrones” screen universe. We hope there’s more where that came from.