‘Our queen is gone,’ Pakistani celebrities, politicians, philanthropists remember Bilquis Edhi

In this file photo, Bilquis Bano Edhi, widow of Abdul Sattar Edhi, speaks to Arab News in Karachi, Pakistan, on March 5, 2022. (AN Photo)
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Updated 16 April 2022
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‘Our queen is gone,’ Pakistani celebrities, politicians, philanthropists remember Bilquis Edhi

  • Bilquis, wife of renowned humanitarian Abdul Sattar Edhi, passed away on Friday, aged 74
  • Sindh government announces a day of mourning on Saturday to pay homage to philanthropist

KARACHI: Celebrities, politicians and philanthropists on Saturday paid glowing tribute to Bilquis Edhi, calling her a “queen” whose selfless work for humanity had made a role model for generations to come.

Bilquis, the wife of renowned humanitarian Abdul Sattar Edhi and co-chair of the Edhi Foundation charitable organization, passed away on Friday after a month-long illness. She was aged 74.

Her funeral prayers were offered at Memon Mosque, which were attended by Sindh Chief Minister Murad Ali Shah, members of his cabinet, city administrator and other political and social figures.

She was laid to rest by the side of her mother in Mevashah graveyard, Karachi.




Funeral prayers of Pakistani Philanthropist Bilquis Edhi are being offered at offered at Memon Mosque, Karachi on April 16, 2022. (Chief Minister House Sindh)

At 19, Edhi, almost two decades her senior, proposed to Bilquis and the two were married in Karachi, kicking off a partnership of life and humanitarian work that lasted half a century.

Her husband passed away in 2016 after both worked closely for nearly six decades. Today, their charity operates nursing homes, orphanages, soup kitchens and family planning centers — all free of charge — as well as Pakistan’s largest ambulance service.

Prime Minister Shehbaz Sharif expressed grief over the passing of Bilquis Edhi and described it as a “huge loss” for the nation.

Former Prime Minister Imran Khan said, her quiet, selfless work for the poor, the homeless, especially the orphans and the abandoned children, made her a role model and a symbol of hope.

The Sindh government has declared Saturday, March 16 as a day of mourning over her demise.  

“Bilquis Edhi was an icon and the void created with her demise can never be filed. She stood by Edhi Saab, the greatest philanthropist, through thick and thin. She accompanied her husband to scenes of turf wars, collecting bodies and going on long, lethargic road trips,” Sindh Chief Minister Murad Ali Shah told Arab News.

He said her role for women and children could not be matched by anyone.

“She raised hundreds of parentless and orphan children and took care of them like one takes care of their own children,” Shah said. "Though she is no more, her strong character will always serve as a guiding path for all, especially girls and women."

Saad Edhi said his grandmother not only served women and children for most of her life, but she also offered them lessons through her strong character as how to take up the leadership role successfully.

“The demise of Dadi Ma [grandma] has broken us. But she has also left hundreds of thousands inconsolable because she was the mother of the nation,” Saad told Arab News. “She devoted her whole life to the service of humanity.”

Famous musician and singer Hadiqa Kiani posted a photo on Instagram of herself and Bilquis holding her adopted son, Naaday Ali.

“She trusted me with being a mother and I, like so many others touched by Mrs. Edhi’s grace, will forever be grateful,” Kiani wrote in her post.

Speaking to Arab News, Kiani said Bilquis was "the mother of our nation." 

“She was a simple woman, committed to the plea of others alongside her husband, Abdul Sattar Edhi. The only time I saw her outside of her high spirits was when Edhi sahab passed away, she told me 'my king is gone',” she said.

"Now, our queen is gone too, I pray for her peace, I pray we’re able to carry on her legacy."

Fashion designer Huma Adnan, who supports underprivileged women through handicrafts, said Bilquis had worked selflessly to save thousands of newborn children and made sure no one was abandoned in this country.

“Her relentless work towards humanity is immeasurable and will always be remembered and followed for times to come,” she told Arab News.

Film and TV actor Zeba Bakhtiar said Bilquis was "a new inspiration" each time she met her. “Truly a great lady and role model,” Bakhtiar told Arab News.

Paying homage to the philanthropist, TV actor Aijaz Aslam said Bilquis and Edhi sahab both lived a very simple life and lived for others.

“This is a big loss for us,” Aslam said.

“Bilquis Edhi's contributions to Edhi Foundation are a lasting legacy and testament to her never-ending quest to give back and support philanthropic activities started by her late husband,” said Javed Afridi, chairman of the Zalmi Foundation.

“Bilquis Edhi sahiba is an inspiration for us, especially for young girls.”

Sarim Burney, another philanthropist, said both Bilquis and Abdul Sattar Edhi were an inspiration for all humanitarians.

“Selfless people like Bilquis Edhi are inspiration for those who want to serve humanity,” Burney told Arab News. "She is a role model, and her life will inspire more women to join her cause."

In a wide-ranging interview to Arab News last month, Bilquis said she never got scared when she and her husband would remove the remains of abandoned babies, mostly born out of wedlock, from the trash and pick up corpses left behind on scenes of accidents and gang violence on the teeming alleyways of Karachi.

Former Sindh governor Muhammad Zubair said she had contributed in a manner that would be remembered for a long period of time.

“The work of Bilquis Edhi was spread over several decades of serving the humanity in a manner that I don’t think any woman in Pakistan can match,” Zubair told Arab News.

Bilquis, along with her husband, placed cradles for abandoned children and faced criticism for it.

Senator Faisal Subzwari said Mrs Edhi was a "guardian angel."

“She was the mother of thousands, who were rejected by their families and society,” Subzwari told Arab News. "She was the guardian angel of Karachi."

In 2015, a deaf-mute Indian girl stranded in Pakistan for 13 years after wandering over one of the world’s most militarised borders was reunited with her family in India by the Edhis who had cared for her during her time in Pakistan.

“Geeta strayed into Pakistan. It was Edhi family which took care of her. She was treated as a Hindu girl and photos and status of Hindu gods and goddesses were given to her,” said Jatin Desai, an Indian journalist and rights activist.

Bilquis worked for the common people of Pakistan and across, he told Arab News.


In Peshawar, 76-year-old artist struggles to keep near-extinct Mughal wax art alive

Updated 51 min 10 sec ago
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In Peshawar, 76-year-old artist struggles to keep near-extinct Mughal wax art alive

  • Craft involves intricate process using heated wax, oil, pigments, limestone to create textured, miniature artworks
  • Riaz Ahmad, who has trained his son in wax art, says he hopes to train more people to preserve traditional craft 

PESHAWAR: Riaz Ahmad, 76, stirs wax in a small plastic can with a long chopstick, takes it out on the palm of his left hand and adds natural color before drawing designs on a piece of cloth.

Surrounded by several such pieces of black cloth with unique art, Ahmad strives every passing day to keep the 500-year-old, Mughal-era wax art alive at his home near the Lahori Gate in the northwestern Pakistani city of Peshawar.

Ahmad comes from a well-known family of wax artists who were based in Shillong and Darjeeling in present-day India and had migrated to Peshawar during the 1947 partition of the sub-continent.

His work remains rooted in tradition, faithfully repeating patterns passed down through generations and winning Ahmad several awards both at home and abroad in recognition of his dedication.

“I have been making the same Mughal era designs that my forefathers used to make,” he told Arab News last week.

Art pieces of Mughal wax art made by artist Riaz Ahmad in Peshawar on February 8, 2026. (Photo by AN)

“I went to India in 2004, where I received the UNESCO Seal of Excellence [for Handicrafts] award... On 23 March, 2012, the Government of Pakistan awarded me the Tamgha-i-Imtiaz.”

The near-extinct traditional craft, which is believed to have originated in Central Asia and refined under the Mughal patronage, particularly in Peshawar, involves an intricate process using heated wax, linseed oil, powdered pigments, and limestone to create detailed, textured and often colorful miniature artworks by hand.

Ahmad learnt wax art from his father, Miran Bakhsh, nearly six decades ago.

“My parents used to do this work in Shillong and Darjeeling [in present-day India]. They had a shop there, and after the Partition, they migrated to Peshawar, Pakistan,” he said. “When they came here, they started doing the same work.”

A basic piece of his work costs around Rs3,000 ($10.7). A larger piece made on order can fetch between Rs5,000 and Rs15,000 ($17-$53), but such orders are rare.

“Wax and colors have become expensive. When I sell a piece for Rs3,000, around Rs1,000 goes into expenses, and Rs2,000 is my daily wage,” Ahmad said.

But the 76-year-old worries more about the future of the art form, which he insists cannot be learned quickly and requires “love and dedication.”

“Some people say they want to come, some from Karachi and some from Lahore, but it becomes difficult for me to go there or for them to come here,” he said.

Riaz Ahmad, 76, prepares wax by stirring it in a small plastic can before adding natural color and drawing designs on cloth in Peshawar, on February 6, 2026. (Photo by AN)

Most wax artists in Peshawar have abandoned the art due to a lack of institutional support, according to Ahmad, who relies primarily on exhibitions to earn a living.

“The reason [for the decline of this art form] is that the government does not pay attention. They are caught in their own conflicts, and the culture is suffering,” Ahmad said.

“Other artists have left this art. Some are selling rice and some are driving rickshaws,” he added. “I have been doing this work inside my house. If there is any event, we go there and sell our art.”

A 76-year-old artist practices the near-extinct Mughal wax art in Peshawar, on February 6, 2026. (AN Photo)

Saad Bin Awais, a spokesperson for the Khyber Pakhtunkhwa Culture and Tourism Authority (KPCTA), said the government has engaged artisans in several projects. He said some of these projects have come to an end while others are ongoing.

“Riaz Ahmad is the only wax artist in Khyber Pakhtunkhwa and the authority is serious about facilitating him,” he said, adding that the KPCTA facilitates Ahmad’s participation in exhibitions across the country to showcase his art.

“We have also been collecting data of artists in Khyber Pakhtunkhwa for an upcoming project to facilitate them in any way possible.”

Ahmad has trained his son, Fayyaz, in wax art who now practices it in Islamabad. The septuagenarian says he wishes to train more people to preserve the dying art form.

“I cannot leave this work,” he said. “I will continue this art even though my hands shake.”