REVIEW: ‘Metal Lords’ — Netflix comedy adds a sweet touch to heavy music

“Metal Lords” is on Netflix. (Supplied)
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Updated 15 April 2022
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REVIEW: ‘Metal Lords’ — Netflix comedy adds a sweet touch to heavy music

  • Peter Sollet’s latest movie has unexpected depths, and a killer soundtrack

LONDON: The first 20 minutes or so of “Metal Lords” — Netflix’s tale of a pair of high-school outcasts desperate to start a metal band — feel like pretty standard (read, generic) music comedy fare. But pretty soon after, this disarmingly likable movie begins to flex its creative muscles in pretty much every department. After all, it’s written by DB Weiss (co-creator of HBO’s “Game of Thrones”), directed by Peter Sollett (“Nick & Norah’s Infinite Playlist”), and has Tom Morello (Rage Against the Machine) and Ramin Djawadi (“Game of Thrones,” “Westworld”) on music duties. It might easily get lost in the depths of Netflix’s menus, but “Metal Lords” is a cut above your average high-school movie.




“Metal Lords” is written by DB Weiss and directed by Peter Sollett. (Supplied)

Hunter (Adrian Greensmith) and Kevin (Jaeden Martell) are a pair of socially awkward teens, who bond over the daily churn of high school and spend their evenings shredding in Hunter’s basement. Their fledgling band is missing something, however. Could it be that fellow outcast, cello player Emily (Isis Hainsworth), could be the person to catapult them to international stardom?

Well, it’s not quite that simple. Because, as with almost every part of this movie, nothing is as predictable as we might assume. Weiss’ script makes his trio of teenage leads far more complicated and nuanced than you would initially suspect. It’s heartening to see high-school characters who don’t neatly fit into tried-and-tested tropes, and captivating to see those same characters played by young actors with ability beyond their years.

This is less a movie about metal, and more one about discovering what you love and then unashamedly embracing it. It’s a feel-good movie with metal as its backdrop — but there’s still plenty here to enjoy for fans of the genre. “Metal Lords” boasts some stellar cameos, and a soundtrack rammed with classics. But even if you’ve never listened to a Slayer album in your life, you’ll find plenty here to love.


Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

Updated 19 January 2026
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Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

DUBAI: At a time when the sprawling saga of “Game of Thrones” and its prequel “House of the Dragon” have come to define modern fantasy television, “A Knight of the Seven Kingdoms” emerges as an unexpected offering.

Based on George R.R. Martin’s “Tales of Dunk and Egg” novellas, the six-episode HBO series — created and spearheaded by showrunner Ira Parker alongside Martin — gives viewers a story that is not about dragons or imperial politics, but about two unlikely companions navigating a treacherous and unforgiving world from its humbler margins.

From the opening moments of the premiere, where the familiar “Game of Thrones” theme music is undercut in a moment of shocking levity, the show makes clear that we are far away from the grand halls of Casterly Rock, the Red Keep or even Winterfell. Grounded and whimsical, this is Westeros viewed from muddy inns, dusty roads and makeshift jousting camps.

Peter Claffey as Ser Duncan “Dunk” the Tall is the beating heart of the series. Claffey imbues Dunk with an endearing earnestness — a towering, awkward figure, constantly walking into doors, whose moral compass is as unwavering as his endless appetite.

His chemistry with Dexter Sol Ansell’s young squire, Egg, who has deep secrets of his own, is warm and organic, creating a duo that is as compelling as any knight and squire of fantasy lore. Their dynamic gives the story a cozy, almost heartfelt buddy-adventure quality.

What makes “A Knight of the Seven Kingdoms” so captivating isn’t its lack of spectacle. It has plenty of Westerosi trappings and there’s a sizeable helping of Targaryens and Baratheons and who have you. But its choice to focus on everyday courage, loyalty and the messy, funny, sometimes mundane reality of being a hedge knight truly makes this a worthy addition to the “Game of Thrones” screen universe. We hope there’s more where that came from.