Experts slam Lebanese media’s misogynistic portrayal of Ukrainian women

A Ukrainian woman fleeing Russian invasion hugs a child at a temporary camp in Przemysl, Poland. (Reuters)
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Updated 24 March 2022
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Experts slam Lebanese media’s misogynistic portrayal of Ukrainian women

  • A Lebanese media outlet was slammed last week for its misogynistic coverage of the Ukrainian-Russian war
  • Often referred to as a progressive country, Lebanon in reality suffers from a deep case of racism and misogyny

LONDON: In Lebanon, people have often resorted to humor and social jokes to get through the various hardships they have endured in recent years. However, in many instances, this humor crossed moral and ethical lines. 

A Lebanese media outlet, Al-Sharq newspaper, was slammed last week for its misogynistic coverage of the Ukrainian-Russian war, which objectified Ukrainian women in false attempts to evoke sympathy. 




Lebanon's Al-Sharq newspaper featured a half-clothes Russian model who the newspaper claimed is a Ukrainian woman. (Twitter)

Misogynistic images were also circulated on Lebanese WhatsApp groups objectifying Russian and Ukrainian women under the guise of humor. 




Images objectifying Ukrainain women were circulated on Lebanese WhatsApp groups with the caption: "Ukrainian refugees." (Twitter)

“These are not innocent jokes; they are misogyny and sexism concealed in humor. They are instruments of propaganda and control that propagate and maintain the misogynist discourse in society,” Lina Zhaim, a media, communications and development expert, told Arab News.

On its eighth page in the variety segment, Al-Sharq published a photo of a half-clothed blonde curvy woman, who the newspaper claimed is a Ukrainian woman.  

The image was accompanied with a photoshopped superimposed logo of the UN High Commissioner for Refugees and a caption in Spanish that read “Adopta una Ucraniana,” (adopt a Ukrainian). 

Underneath the logo, the newspaper included a deeply insulting Arabic caption, likely intended to be humorous, which read: “Humanitarian deed, adopt a Ukrainian woman to protect her from the Russian occupation.”




Images objectifying Russian and Ukrainain women were circulated on Lebanese WhatsApp groups with the caption: "God knows who we should side with, Russia or Ukraine." (Twitter)

“These types of jokes stereotype women and normalize the sexual objectification of women under the disguise of humor. The image as well as the language of the joke are offensive to women everywhere; they devalue women and reduce them to sexual objects for the gaze of men and reinforce the sexual stereotyping of women,” Zhaim added.

The fact that the editor-in-chief of Al-Sharq, Awni Kaaki, is also the head of the Lebanese Press Syndicate makes matters even worse. 

“The media is not becoming sexist; it was always like this. It is reflective of the institutionalized misogyny, toxic masculinity and condescending attitudes towards women,” Zhaim explained.

“The Lebanese media are still dominated by misogynist and sexist cultures and ideologies, and are still managed by misogynist men like Kaaki who control the narrative of the women’s agency in our culture: they have created and continue to cement the image of women as nothing more than sexual objects to be shown off, exploited and oppressed.” 




Images objectifying Russian and Ukrainain women were circulated on Lebanese WhatsApp groups with the caption: "For the love of God Putin, don't you dare harm them." (Twitter)

Journalists and media experts in Lebanon slammed Al-Sharq and Kaaki for the level of misogyny seemingly disguised as humor. 

Veteran journalist Magda Abu Fadil detailed in a blog post Kaaki’s response to the accusations. After receiving heavy backlash, Kaaki claimed that newspaper editors don’t always micromanage a publication. 

“First of all, she’s a beautiful girl; this is on social media and the guys at my paper published it,” Kaaki said in response to the publication.  

“This is Al-Sharq newspaper, the paper of the Press Syndicate’s president Awni Kaaki, president of the misogynistic press, accused in Kuwait of human trafficking prostitutes,” tweeted Zhaim. 

“This is Awni Kaaki who accuses independent women journalists of faking being journalists because they refused to recognize him and the male chauvinist union over which he presides like a rooster.”

 

 

“Al-Sharq newspaper is hardly representative of the Lebanese press and population,” Mohanad Hage Ali, director of communications and fellow at Malcolm H. Kerr Carnegie Middle East Center, told Arab News. 

Ali added that “the newspaper is notorious for their light reporting, often publishing WhatsApp jokes without the slightest fact check.”

However, regardless of whether the feature was designed to be taken seriously, this kind of content is familiar territory in Lebanon. Indeed, racism is one form of discrimination that is rampant and mainstream in the country’s politics and media and targets numerous nationalities, including those from Syria, the Phillippines, Bangladesh, Sri Lanka and many others. 

Migrant workers, particularly those from southeast Asian and African countries, have been suffering for decades in Lebanon under the Kafala system where they are treated with abuse, exploitation and a denial of basic human rights.  

Following Lebanon’s devastating economic crisis, many were kicked out of homes where they had worked for years and left on the streets to fend for themselves. 

 

 

In 2015, thousands of people in Lebanon were subjected to an advert which read: “For Mother’s Day indulge Ur Mom and offer her a housekeeper. Special offers on Kenyan and Ethiopian nationalities for a period of 10 days.” 




Text message was sent to thousands of Lebanese numbers. (Twitter)

More recently, Sporting Beach club in Beirut sparked controversy online after its racist policy form made headlines. 

It all started when a regular at the beach club uploaded a Facebook post showcasing a new policy form — targeting migrant domestic workers — that management handed out to their customers. 

The form, which clients were asked to sign, is titled “Helper Dress Policy,” and features an image depicting what a domestic worker should be wearing to be allowed into the beach club.

The form added that those who breach the dress code will be asked to leave the premises without a refund. 




Visitors were provided this form to fill upon entering the beach club. (Step Feed) 

The incident coincided with heavy criticism against the club when the management refused entry to an Indian woman and her daughter. The woman in question was a lecturer attending the club with fellow academics. 

This is not the first time the club has been slammed for racist policies. Indeed, an undercover video taken at its lavish premises exposed a cashier repeatedly refusing to grant entry to an African woman from Madagascar went viral online in 2010.

 

 

 

More recently, a Sudanese TV anchor received heaps of misogynist and racist tweets following a report on her show that criticized the Lebanese government. 

The hate-filled comments targeting Dalia Ahmad, an anchor on Lebanon’s Al-Jadeed news channel, ranged from calling her a “female dog” to tweets suggesting she should be “offered for sale in the slave market, along with her ilk, by ISIS,” another term for terror group Daesh.  

Another tweet said: “By God, by God, whoever wants to attack the Al-Sayyed (Nasrallah), I want to wipe the ground with them and curse those who gave birth to them,” alongside an image of Ahmad with the face of a dog photoshopped over hers. 

Often referred to as a progressive country, Lebanon in reality suffers from a deep case of racism and misogyny. Targeting domestic migrant workers and those with darker skin colors does not seem to be the only form of discrimination. 

Following the Syrian conflict, a similar scourge of racist treatment was felt by Syrian refugees who had fled the atrocities of the civil war into neighboring Lebanon.

Lebanese politicians have been actively scapegoating Syrian refugees and blaming them for economic, social and security failures in the country. In some villages in Lebanon, local authorities have even imposed curfews on Syrian refugees. 

Syrian refugees were often accused of “stealing jobs,” and many were referred to as construction workers or janitors. 

 

 

Mainstream Lebanese media has not been an innocent bystander in this xenophobic targeting. A video went viral on social media in 2016 after Lebanese university students were asked whether they would date a Syrian. Almost all responders said no. 

Explaining their position, the Lebanese interviewed said: “No, because he’s from a different culture,” or “no because he doesn’t speak the language.”

 

 

 


A look back at how Arab News marked its 50th anniversary

Updated 31 December 2025
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A look back at how Arab News marked its 50th anniversary

  • In a year crowded with news, the paper still managed to innovate and leverage AI to become available in 50 languages
  • Golden Jubilee Gala, held at the Diplomatic Quarter in Riyadh, now available to watch on YouTube

RIYADH: In 2025, the global news agenda was crowded with headlines concerning wars, elections and rapid technological change.

Inside the newsroom of Arab News, the year carried additional weight: Saudi Arabia’s first English-language daily marked its 50th anniversary.

And with an industry going through turmoil worldwide, the challenge inside the newsroom was how to turn a midlife crisis into a midlife opportunity. 

For the newspaper’s team members, the milestone was less about nostalgia than about ensuring the publication could thrive in a rapidly changing and evolving media landscape.

“We did not want just to celebrate our past,” said Faisal J. Abbas, editor-in-chief of Arab News. “But more importantly, we were constantly thinking of how we can keep Arab News relevant for the next five decades.”

Faisal J. Abbas, editor-in-chief of Arab News. (Supplied)

The solution, he added, came down to two words: “Artificial intelligence.”

For the Arab News newsroom, AI was not a replacement for journalism but as a tool to extend it.

“It was like having three eyes at once: one on the past, one on the present, and one on the future,” said Noor Nugali, the newspaper’s deputy editor-in-chief.

Noor Nugali, deputy editor-in-chief of Arab News. (Supplied)

One of the first initiatives was the 50th anniversary commemorative edition, designed as a compact historical record of the region told through Arab News’ own reporting.

“It was meant to be like a mini history book, telling the history of the region using Arab News’ archive with a story from each year,” said Siraj Wahab, acting executive editor of the newspaper.

The issue, he added, traced events ranging from the outbreak of the Lebanese civil war in 1975 to the swearing-in of Donald Trump, while also paying homage to former editors-in-chief who shaped the newspaper’s direction over five decades.

The anniversary edition, however, was only one part of a broader strategy to signal Arab News’ focus on the future.

To that end, the paper partnered with Google to launch the region’s first AI-produced podcast using NotebookLM, an experimental tool that synthesizes reporting and archival material into audio storytelling.

The project marked a regional first in newsroom-led AI audio production.

The podcast was unveiled during a special 50th anniversary ceremony in mid-November, held on the sidelines of the Arab Media Forum, hosted by the Dubai Future Foundation. The event in the UAE’s commercial hub drew regional media leaders and officials.

Remarks at the event highlighted the project as an example of innovation in legacy media, positioning Arab News as a case study in digital reinvention rather than preservation alone.

“This is a great initiative, and I’m happy that it came from Arab News as a leading media platform, and I hope to see more such initiatives in the Arab world especially,” said Mona Al-Marri, director-general of the Government of Dubai Media Office, on the sidelines of the event.

“AI is the future, and no one should deny this. It will take over so many sectors. We have to be ready for it and be part of it and be ahead of anyone else in this interesting field.”

Behind the scenes, another long-form project was taking shape: a documentary chronicling Arab News’ origins and its transformation into a global, digital-first newsroom.

“While all this was happening, we were also working in-house on a documentary telling the origin story of Arab News and how it transformed under the current editor into a more global, more digital operation,” said Nugali.

The result was “Rewriting Arab News,” a documentary examining the paper’s digital transformation and its navigation of Saudi Arabia’s reforms between 2016 and 2018. The film charted editorial shifts, newsroom restructuring and the challenges of reporting during a period of rapid national change.

The documentary was screened at the Frontline Club in London, the European Union Embassy, Westminster University, and the World Media Congress in Bahrain. It later became available on the streaming platform Shahid and onboard Saudi Arabian Airlines.

The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter. (AN photo)

It was also nominated for an Association for International Broadcasting award.

In early July, a special screening of the documentary took place at the EU Embassy in Riyadh. During the event, EU Ambassador to Saudi Arabia Christophe Farnaud described the film as an “embodiment” of the “incredible changes” that the Kingdom is undergoing.

“I particularly appreciate … the historical dimension, when (Arab News) was created in 1975 — that was also a project corresponding to the new role of the Kingdom,” Farnaud said. “Now the Kingdom has entered a new phase, a spectacular phase of transformation.”

Part of the documentary is narrated by Prince Turki Al-Faisal, the former Saudi ambassador to the US, who in the film delves into the paper’s origins.

Prince Turki Al-Faisal, the former Saudi ambassador to the US. (AN photo)

The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter.

Hosted by the Dean of Diplomatic Corps in Saudi Arabia and Ambassador of Djibouti to Riyadh Dya-Eddine Said Bamakhrama, the evening featured a keynote address by Prince Turki, who spoke about Arab News’ founding under his father, the late King Faisal, and its original mission to present the Kingdom to the English-speaking world.

The Dean of Diplomatic Corps in Saudi Arabia and Ambassador of Djibouti to Riyadh Dya-Eddine Said Bamakhrama (far left). (AN photo)

Arab News was established in Jeddah in 1975 by brothers Hisham and Mohammed Ali Hafiz under the slogan to give Arabs a voice in English while documenting the major transformations taking place across the Middle East.

The two founders were honored with a special trophy presented by Prince Turki, Assistant Media Minister Abdullah Maghlouth, Editor-in-Chief Abbas, and family member and renowned columnist Talat Hafiz on behalf of the founders. 

During the gala, Abbas announced Arab News’ most ambitious expansion yet: the launch of the publication in 50 languages, unveiled later at the World Media Congress in Madrid in cooperation with Camb.AI.

The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter. (AN photo)

The Madrid launch in October underscored Arab News’ aim to reposition itself not simply as a regional paper, but as a global platform for Saudi and Middle Eastern perspectives.

The event was attended by Princess Haifa bint Abdulaziz Al-Mogrin, the Saudi ambassador to Spain; Arab and Spanish diplomats; and senior editors and executives.

As the anniversary year concluded, Arab News released the full video of the Golden Jubilee Gala to the public for the first time, making the event accessible beyond the room in which it was held.

For a newspaper founded in an era of typewriters and wire copy, the message of its 50th year was clear: longevity alone is not enough. Relevance, the newsroom concluded, now depends on how well journalism adapts without losing sight of its past.