Model Imaan Hammam sends ‘kiss for a cause’ on Valentine’s Day

Model Imaan Hammam works collaborates with Double Dutch initiative. AFP
Short Url
Updated 15 February 2022
Follow

Model Imaan Hammam sends ‘kiss for a cause’ on Valentine’s Day

DUBAI: Forget the predictable box of chocolates and flowers on Valentine’s Day — renowned fashion photographer duo Inez and Vinoodh unveiled a virtual kissing booth  for Feb. 14, and all in a good cause.

The legendary image-makers launched the campaign as part of their Double Dutch initiative, which promotes sustainable and charitable gifting.

After learning that some $16 billion worth of holiday gifts are thrown out in a year in the US alone, the pair launched a charitable platform in collaboration with savings platform Kidfund at the end of 2020 to create digital “cards” that people can exchange instead of physical gifts.

In celebration of Valentine’s Day, the photographers called on a number of supermodels and stars, including Moroccan-Egyptian-Dutch beauty Imaan Hammam, to kiss a piece of paper that was turned into a digital kiss that people could gift to their loved ones, along with a charity of their choice.

Hammam supports She’s the First, a grassroots organization that helps empower young women through education around the world, and which the catwalk star is an ambassador for.

“Another kiss by a fierce woman to send to another fierce woman!! Proud to have this beautiful @imaanhammam #valentinesdaycard now on @doubledutchcash so you can send her kiss to your loves! Use it wisely: we suggest to do this with a donation to @shesthefirst! Kisses iv,” wrote the photographers on Instagram.

This is just one of the many charitable organizations that customers can choose to support.

After selecting their digital card and artwork, customers can select an amount to give to one of the site’s other listed charities, which currently include the Honnold Foundation, Wildlife Conservation Network, Parley for the Oceans and the WHO COVID-19 Solidarity Response Fund.

The 25-year-old has been joined by model and writer Emily Ratajkowski, “Squid Games” actress HoYeon Jung and Brazilian supermodel Gisele Bundchen.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 19 sec ago
Follow

At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Centerpiece of display, Jazan: A Nation and a Prince, places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.