NEW DELHI: Lata Mangeshkar, whose distinctive voice placed her in the first rank of Indian singers for more than seven decades, died on Sunday at a hospital in Mumbai. She was 92.
The cause of death was COVID-19 complications. She was admitted to the intensive care unit of a hospital in Mumbai on Jan. 11.
“She died because of multi-organ failure after more than 28 days of hospitalization,” Dr. Pratit Samdani of Breach Candy Hospital told reporters.
The Indian government declared a two-day national mourning period, with Prime Minister Narendra Modi saying that he was “anguished beyond words” by Mangeshkar’s passing.
“The kind and caring Lata Didi has left us. She leaves a void in our nation that cannot be filled. The coming generations will remember her as a stalwart of Indian culture, whose melodious voice had an unparalleled ability to mesmerize people,” Modi said on Twitter.
Born in Indore, Mangeshkar began her career in 1942, singing the vocals for Bollywood heroines in a soprano that extended over three octaves, gaining her the titles of “Nightingale of India” and “Queen of Melody.
“The voice of a million centuries has left us,” Bollywood superstar Amitabh Bachchan said in a tribute to Mangeshkar. “Her voice resounds now in the Heavens!”
The eldest of five siblings, she was trained by her father, Deenanath Mangeshkar, a renowned Marathi theater actor. She was also tutored by maestros such as vocalist and composer Aman Ali Khan, and classical and ghazal singer Amanat Ali Khan.
She started singing at the age of 13 to support the family after her father died.
Her first hit was “Uthaye Ja Unke Sitam” in Mehboob Khan’s 1949 romantic drama “Andaz,” which featured legendary Bollywood film stars Dilip Kumar, Nargis and Raj Kapoor.
After “Andaz,” she voiced the musical parts of leading woman characters in the industry’s major productions, recording songs for more than 2,000 films in over a dozen Indian languages.
Notable among her live performances was a rendition of the patriotic song “Aye Mere Watan Ke Logo” (”O’ people of my country”), which moved then-prime minister Jawaharlal Nehru to tears. The song commemorated soldiers who died during the Sino-Indian War in 1962.
Mangeshkar often said that as a singer, one must “bring the soul to the song.”
She was awarded the Bharat Ratna, India’s highest civilian award, in 2001.
Composer Lalit Pandit, who worked with Mangeshkar for many years, said: “Such an artist has not been there in the past, and would not be there in future.
“She gave playback for the heroines of all age and she would tune her voice in such a way that it would appear that the actresses are singing the song,” he told the media after the announcement of Mangeshkar’s death.
“She will be with us all the time despite her death. She was a jewel not only for India, but for the whole world.”
India mourns ‘Queen of Melody’ Lata Mangeshkar
https://arab.news/z6zgg
India mourns ‘Queen of Melody’ Lata Mangeshkar
- Govt declares 2-day national mourning period
- ‘Lata Didi’ recorded songs for more than 2,000 films in over a dozen languages
Aloula partners with Saudi Music Hub to amplify young voices
- 2-month vocal program places children in spotlight
- Program culminates in performance of Saudi national anthem
JEDDAH: A new choral initiative launched by Aloula, in partnership with the Saudi Music Hub, has brought youngsters aged 9-18 into a structured vocal training program that will culminate in a performance of the Saudi national anthem.
The two-month initiative, which was launched in November, is one of the first children’s choral programs led by a nonprofit organization in Saudi Arabia.
In the rehearsal room, 75 children are learning how to sing the Saudi national anthem “Aash Al-Maleek,” and “Watani Al Habib” in a full choral arrangement.
Participants attend vocal training sessions three times a week, from Monday to Wednesday, focusing on technique, listening skills, and ensemble performance.
Speaking to Arab News, Abir Abusulayman, the CEO of Aloula, said the project was designed to include children more directly in the Kingdom’s cultural transformation.
She said: “The Kingdom is living a beautiful cultural moment right now, and we didn’t want our children to watch it from the sidelines; we wanted them to be part of it.
HIGHLIGHTS
• The two-month initiative, launched by Aloula in partnership with the Saudi Music Hub, is one of the first children’s choral programs in Saudi Arabia.
• Abeer Ibrahim, a vocal and singing instructor at the Saudi Music Hub, is among the educators working closely with the group.
“It felt like the perfect way to bring them together, build their confidence, and let them experience something joyful and memorable.”
Founded in 1962, Aloula works with children and families through early-intervention programs to strengthen academic, creative, and social skills. The initiative reflects the organization’s broader focus on confidence-building and participation through creative experience.
Abusulayman said music offered lessons that extended beyond performance, and added: “Music opens something special inside a child. It teaches them to listen, to express themselves, to work as a team, and to trust their own voice. These creative experiences help children feel seen and give them skills that stay with them far beyond the classroom.”
Abusulayman said the benefits of the venture extended well beyond the final performance.
She said: “Academically, music helps with focus and memory. Socially, it teaches them to work together and support one another. And on a personal level, it gives them a moment in their lives where they feel proud, capable, and celebrated. Many of these children have never been on a stage before; this can be the spark that pushes them to dream bigger.”
Abeer Ibrahim, a vocal and singing instructor at the Saudi Music Hub, is among the educators working closely with the group. A graduate of the Egyptian Conservatory, Ibrahim specializes in vocal training and music theory for young singers.
“This experience gave me very beautiful feelings and emotions while working with children,” Ibrahim told Arab News.
“From the very beginning they showed clear enthusiasm and joy, and I discovered wonderful talents and voices despite their young age. That small voice gave me a very powerful feeling, and I am extremely happy with it. We will present even better work in the future.”
Ibrahim also noted the significance of working with the national anthem, and she said: “Performing the Saudi national anthem instills in children a deep sense of belonging and pride in their country and culture,” adding that it helped young participants understand their role within the larger community.
Among the singers is 14-year-old Nawaf Al-Qahtani, who said the experience had helped him grow as a performer.
He described the experience as transformative, and said: “What I liked most was the interaction with the instructor, and we learned many things that will benefit us in the future.”
He added: “I learned how to control my vocal range, how to sing properly, how to face an audience, and I learned about the vocal ranges of the national anthem.”
Ibrahim described Al-Qahtani as one of the program’s strongest voices, noting that the anthem’s arrangement was adapted to suit his vocal range.
The initiative is part of Aloula’s wider portfolio of educational and creative programs. These include a robotics program, in which children design interactive projects, as well as community exploration activities that introduce participants to major cultural and sporting events in Jeddah.
The Saudi Music Hub, an education and training institution affiliated with the Music Commission under the Ministry of Culture, was established in 2022.
With headquarters in Riyadh and branches in Jeddah and Alkhobar, the hub provides musical instrument instruction, choir training, and performance workshops, with a focus on developing local talent.
For Abusulayman, the partnership reflects the value of collaboration between cultural and social organizations.
“When we combine our strengths, we create opportunities that our children may not otherwise have,” she said. “I truly believe this kind of collaboration can open new doors for the whole nonprofit sector.”
