First Arabic Netflix film tackles taboos, sparks controversy

Characters from the Arabic version of the Italian film ‘Perfect Strangers.’ (AP)
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Updated 30 January 2022
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First Arabic Netflix film tackles taboos, sparks controversy

  • The controversy has reignited debates in the region over artistic freedom versus social and religious sensitivities; censorship; what constitutes a taboo in different societies and portrayal of gay characters

CAIRO: Scenes in the first Arabic Netflix movie have sparked a public drama as intense as the one that plays out onscreen. On social media and TV talk shows and among friends in Egypt and other Middle East countries, a torrent of critics have denounced the film as a threat to family and religious values, encouraging homosexuality and unfit for Arab societies.
Others have rallied to the film’s defense, saying detractors are in denial about what happens behind closed doors in real life. Those who don’t like the movie, they argue, are free to not subscribe to Netflix or simply skip the film.
Titled “Ashab Wala A’azz,” which means “No Dearer Friends,” the movie is an Arabic version of the Italian hit “Perfect Strangers,” which has inspired many other international remakes.
It tells the story of seven friends at a dinner party gone wrong after the hostess suggests that, as a game, they agree to share any calls, text and voice messages. As smartphones buzz, secrets are revealed, infidelities are exposed and relationships are tested.
The controversy has reignited debates in the region over artistic freedom versus social and religious sensitivities; censorship; what constitutes a taboo in different societies and portrayal of gay characters.
To see those themes broached in an Arabic-language movie with Arab actors went too far for some. (The movie has no nudity; it’s largely an hour and a half of people talking around a dinner table.)
“I think if it’s a normal foreign movie, I will be OK. But because it’s an Arabic movie, I didn’t accept it,” said 37-year-old Elham, an Egyptian who asked for her last name to be withheld due to the sensitivity of the topic. “We don’t accept the idea of homosexuality or intimate relations before marriage in our society, so what happened was a cultural shock.”
Homosexuality is a particularly strong taboo in Egypt: A 2013 survey by the Pew Research Center found that 95 percent in the country say it should be rejected by society; in Lebanon, that number stood at 80 percent at the time.
The movie’s cast are mostly prominent Lebanese stars and its events are set in Lebanon. There, it has garnered many positive reviews.
It’s not the first time that an Arabic-language movie has featured gay characters.
Most famously, the 2006 movie “The Yacoubian Building” with a cast of A-list Egyptian actors caused a stir for, among other things, including a gay main character. But the character was ultimately killed by his lover in what many saw as punishment.
In contrast, the gay character in “Ashab Wala A’azz” is not depicted negatively. Another character encourages him to expose his former employers who let him go for his sexual identity.
Fatima Kamal, a 43-year-old Egyptian, said she didn’t find it to be promoting same-sex relationships. She argued that some Egyptian movies in the past were more daring. “The movie touched on issues that the society refuses to confront but they do happen,” she said. “We all have a dark side and hidden stories.”
Kamal, who has a 12-year-old son, also dismissed the idea the film would corrupt Arab youth.
Talking on a popular TV show, Egyptian lawmaker Mostafa Bakry contended Egyptian and Arab family values are being targeted.
“This is neither art nor creativity,” he said. “We must ban Netflix from being in Egypt” even if temporarily.
Film critic Khaled Mahmoud said Egypt “used to produce powerful and daring movies in the 1960s and 1970s.” But much of that adventurousness has been lost with the trend of so-called “clean cinema.”


Amr Diab and Sherine top Spotify list of 2025 MENA artists

Updated 17 December 2025
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Amr Diab and Sherine top Spotify list of 2025 MENA artists

  • Egyptian stars and icon Fairuz continue to resonate in region
  • Artists shaping rap, mahraganat, hybrid sounds feature

DUBAI: Spotify has released its list of the Top Middle East and North Africa artists and songs globally, shaped by streams from listeners both inside and outside the region, offering a snapshot of how MENA music travelled in 2025.

Topping the global MENA artists list is Amr Diab, a mainstay of Arab pop. He also led Egypt’s Wrapped this year, while his catalogue — spanning both older hits and newer releases — continued to draw sustained global engagement.

The return of “Tamally Maak” to the global Top Tracks list underlines the lasting appeal of his music across generations.

Sherine is one of the year’s most emotionally resonant voices with four tracks in the global Top 10. Her classics “Kalam Eineh,” “El Watar El Hassas” and “3la Bali,” alongside her newer release “Btmanna Ansak,” reached listeners from Egypt to Germany and the UK.

Spotify data shows her catalogue maintaining a strong, personal connection with audiences throughout 2025.

Regional classics also featured prominently. Nancy Ajram’s early-2000s hit “Ya Tabtab Wa Dallaa” found renewed popularity in markets including Indonesia and Turkiye, while Khaled’s “C’est la vie” continued to cross borders, resonating with listeners from France to India.

Fairuz remained a fixture in daily listening habits, anchoring morning and coffee playlists across the Arab world and the diaspora.

Beyond pop, artists shaping rap, mahraganat and hybrid sounds maintained strong global visibility.

ElGrandeToto, Morocco’s Top Artist on Spotify from 2020 to 2025, continued to spotlight the evolution of Moroccan hip-hop, which in 2025 blended rai, chaabi and local rhythms with trap influences.

His collaboration with Spanish-Moroccan rapper Morad, “Ojos Sin Ver,” featured on the global MENA Top Tracks list, highlighting the genre’s cross-regional and European appeal.

Egyptian rapper Marwan Pablo also remained a prominent global presence, recognized for his introspective approach within the country’s hip-hop scene.

Mahraganat artists Essam Sasa and Eslam Kabonga appeared in the global rankings as well, underscoring the genre’s expanding reach beyond its local roots.

The global MENA Top Tracks list included “KALAMANTINA,” a collaboration between Saint Levant and Marwan Moussa that blends hip-hop and pop within a hybrid electro-shaabi sound.