Bill Gates’ daughter Jennifer weds Egyptian equestrian Nayel Nasser

Nassar proposed to Gates last January. Instagram
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Updated 19 October 2021
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Bill Gates’ daughter Jennifer weds Egyptian equestrian Nayel Nasser

DUBAI: Jennifer Gates, the daughter of Microsoft co-founder Bill Gates, has married Egyptian equestrian Nayel Nasser, it has been reported.

The two tied the knot at her farm in North Salem, New York.

The 25-year-old wore a custom Vera Wang gown, as per reports. Media outlets also reported that the newlyweds held a private Muslim ceremony the night before Saturday’s 300-guest celebration.

Nassar, 29, proposed to Gates, who has a degree in human biology, in January during a ski trip.

In September, Gates posted a picture on her Instagram of the two in a sweet embrace.

Nayel commented on the post, “Can't wait for forever with you.”

She also shared another photo in May from what appears to be their engagement photo shoot, writing, “I can hardly wait to marry you!”

The two have been together since January 2017, bonding over their passion for equestrian sports, with Gates also being an equestrian athlete who competes frequently, but not on a professional level like Nassar. Both belong to the Paris Panthers, a riding club which competes in different forms of equestrian sporting events.

In an interview with equestrian-focused publication Sidelines Magazine, the 25-year-old Stanford graduate said: “Nayel always reminds me to believe in myself, which is so important. I’m so lucky to have him as a partner.”

He’s incredibly supportive, humble and loyal, and someone that I look forward to building a life with.”

Nassar was born to millionaire parents in Chicago in the US, but was raised in Kuwait.

His parents run an architecture and design firm which relocated to the US in 2009.

Nassar, who graduated from Stanford University with a degree in economics, began riding when he was five, and was jumping by the age of 10. He first qualified in 2013 for the FEI World Cup Finals, an annual international competition which includes the most skilled and talented show jumping horses and riders.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.