Rare books, manuscripts on Arabian Peninsula showcased at Saudi literary fair

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Sample pages of the “Horseman with the Bedouins,” a manuscript prepared by Polish Orientalist Prince Watslaw Jywoski 200 years ago. (Supplied)
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The “Les Liliacees, a book by Belgian painter and botanist Pierre-Joseph Redoute. (Supplied)
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Updated 09 October 2021
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Rare books, manuscripts on Arabian Peninsula showcased at Saudi literary fair

  • International publishing houses participating in this year's book fair have brought with them literature never before seen in Saudi Arabia

RIYADH: Some of the world’s top publishing houses have been showcasing historical books and manuscripts on the Arabian Peninsula at the Riyadh International Book Fair.

Journeys by Orientalists, travelers, and writers who visited the Levant are featured among exhibits at the annual event with a number of the books dating back hundreds of years and worth more than $500,000.

“Horseman with the Bedouins,” a manuscript by Polish Orientalist Prince Watslaw Jywoski and valued at $12,000, was put on display by a Polish publishing house specializing in ancient texts.

The book recounts his trip to the Arab Peninsula more than 200 years ago after he was sent there by Queen Catherine of Wurttemberg on a mission to improve European breeding programs for military horses.

Jywoski describes how he fell in love with the desert, horses, and the Bedouins and his writings have provided an important historical observation of the region at the time where he counted 178 branches of a tribe and studied horses and Arab methods of raising and treating them.




This book printed by Assouline publishing house weighs 70 kilograms, more than 10 kg heavier than a regular window-type air conditioner. (Supplied)

Christie’s publishing house has been showcasing eight volumes of Belgian painter and botanist Pierre-Joseph Redoute’s “Les Liliacees,” a first edition estimated to be worth $625,000.

The book, with its fascinating drawings and bright colors, was published in 1816, and is wrapped with goatskin and its sides are gilded.

Also on show at the fair is the $12,000, 70-kilogram “AlUla” book printed by Assouline publishing house. It took two years to prepare and includes dazzling photos of the ancient city and its landmarks in the heart of the Saudi western desert.

This year’s book fair has attracted publishing houses from France, Italy, India, Australia, and the US, bringing with them literature never before seen in the Kingdom.

Writers, publishers, cultural figures, and leaders from around the world are expected to attend the 10-day event, which opened Thursday, and visitors have already been flocking to the fair to purchase international books on subjects including humanities, economics, science, and children’s literature.


Book Review: ‘Keep the Memories, Lose the Stuff’

Updated 01 January 2026
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Book Review: ‘Keep the Memories, Lose the Stuff’

If you are someone who adopts a new year, new me mindset every Dec. 31, then Matt Paxton’s 2022 book “Keep the Memories, Lose the Stuff: Declutter, Downsize, and Move Forward with Your Life,” written with Jordan Michael Smith, is worth picking up.

In the process of reading it, I found myself filling four bags with items to donate.

Paxton’s approach is notably different from Marie Kondo’s once-ubiquitous Japanese tidying method, which asks readers to pile all their possessions into one part of the room, hold each item up and ask whether it sparks joy.

While Kondo’s philosophy sounds appealing on paper — thanking objects and dedicating an entire weekend to the process — it is not realistic for everyday life. Paxton’s method feels more practical and gentler.

Paxton knows the emotional terrain of clutter well. For more than 20 years he has helped people declutter and downsize. He was a featured cleaner on the reality show “Hoarders” and later hosted the Emmy-nominated “Legacy List with Matt Paxton” on PBS.

Through this work, Paxton gained insight into why people hold on to things and what makes letting go difficult even of what seemingly looks useless.

What works especially well is how personal the book feels from the outset.

He opens by explaining his anxiety-inducing decision to move to a different US state with his three children, and all of their stuff, to live with his new wife and all of her stuff.

Together, they would be raising seven children — very Brady Bunch style — but with slightly more practical life considerations.

He also talks about how he got into this line of work. When he was in his 20s, his father died and he had to help clear out his belongings. He found that process to be cathartic and special. And he was good at it.

Soon after, short on cash, he accepted a job from someone in his small, close-knit community to help organize her home — likely hired out of pity more than anything else.

That slow process of sifting through items and learning the stories behind each one — directly from the owner of those objects — sparked plenty of joy. He was hooked.

Throughout the book, Paxton makes the case for consistency. His advice is manageable. He encourages readers to dedicate just 10 minutes a day to decluttering to form a habit. We all can spare that.

Paxton also stresses the importance of communication.

Talk to your loved ones about what you want done with your belongings when you are no longer around, and just as importantly, listen to what they want done with theirs, he urges. He offers practical guidance on having these conversations with parents, partners and children.

One critique of this book is that Paxton dedicates a large portion to physical photographs. While this is relevant for many older readers, it may feel less urgent going forward, particularly for Gen Z and younger, whose clutter is more likely to be solely digital.

Ultimately, “Keep the Memories, Lose the Stuff” is less about getting rid of things than about making space; by speaking about objects, sharing their stories and allowing them — and each of us — to move on.