Saudi Arabia’s MDLBeast to host region’s first music conference event

The three-day XP event in Riyadh is due to start on Dec. 13. (Supplied)
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Updated 10 October 2021
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Saudi Arabia’s MDLBeast to host region’s first music conference event

DUBAI: Saudi Arabia is to host the region’s first music conference event later this year.

Organized by the Kingdom’s music festivals MDLBeast and Soundstorm, the three-day XP event in Riyadh – due to start on Dec. 13 – will feature workshops, panel discussions and roundtables, networking opportunities, and music activations aimed at expanding opportunities for music industry professionals.

The conference is expected to attract leading international and regional artists, creatives, executives, and policy makers and tickets are available online.

Chief executive officer of MDLBeast, Ramadan Al-Haratani, told Arab News: “The music scene in the region is promising and growing. In 2019, when we launched our first festival, we attracted 400,000 people over three days. That just shows the potential that the music industry has.




Ramadan Alharatani is the CEO of MDLBeast. (Supplied)

“This year, we are coming back with the XP three-day music conference in order to support building the infrastructure required for that music scene.”

He said XP would provide the platform to spark conversations allowing professionals “to really leapfrog the music industry in Saudi and develop the right infrastructure for a sustainable music and culture ecosystem.”

Al-Haratani noted that there would be a number of workshops, panel discussions, and masterclasses targeting “talent to support their career development on and off the stage,” adding that performances by local and regional talent would take place as part of the event’s night program.

“The beauty of what we are looking at is the diversity of the music scene. Diversity brings creative collaborations together and inspires new thinking and disruptive ideas, and I think this merge between different genres and different languages is definitely an interesting space for the musicians to explore and use a platform like XP to further develop that creative scene,” he said.

The conference program will focus on talent and development, inspiration and promotion, data, policy and advocacy, and social purpose.


Why this year’s Golden Globes race feels so unpredictable

Updated 09 January 2026
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Why this year’s Golden Globes race feels so unpredictable

  • No dominant frontrunner and openness among voters
  • ‘Hamnet,’ ‘Sinners,’ ‘Sentimental Value’ in contention

LOS ANGELES: With the Golden Globes approaching, this awards season has taken on an unusually fluid shape. Instead of a single dominant frontrunner, the race is being defined by range, taste, and a noticeable openness among voters.

Prestige dramas are sharing space with ambitious studio films, while several contenders have built momentum quietly rather than through aggressive campaigns. The result is a season that feels unpredictable — in the best possible way.

Recently announced presenters include a wide cross section of film, television, and music figures. (Supplied)

That sense of openness is reflected not only in the awards race itself, but also in the broader tone surrounding this year’s ceremony. The 83rd Annual Golden Globes will air live on CBS on Sunday, Jan. 11, 2026, with comedian and actress Nikki Glaser returning as host.

Recently announced presenters include a wide cross section of film, television, and music figures.

Among them are Julia Roberts, George Clooney, Jennifer Garner, Kevin Hart, Miley Cyrus, Snoop Dogg, Amanda Seyfried, Ana de Armas, Ayo Edebiri, Colman Domingo, Dakota Fanning, Kathryn Hahn, Queen Latifah, Zoe Kravitz, and Pamela Anderson.

The 83rd Annual Golden Globes will air live on CBS on Sunday, Jan. 11, 2026, with comedian and actress Nikki Glaser returning as host. (Supplied)

The diversity and generational range of the presenter lineup mirrors the season itself, blending established icons with contemporary voices and signaling a ceremony that leans into variety rather than predictability.

In the drama categories, “Hamnet” has emerged as a serious presence, earning steady respect across critics’ groups and industry conversations. Its restrained approach and emotional weight have resonated with audiences and awards watchers who value craft over spectacle.

At the same time, “Sinners” and “Sentimental Value” remain firmly in contention, particularly if voters gravitate toward character-driven storytelling rather than formal experimentation.

Among them are Julia Roberts, George Clooney, Jennifer Garner, Kevin Hart, Miley Cyrus, Snoop Dogg, Amanda Seyfried, Ana de Armas, Ayo Edebiri, Colman Domingo, Dakota Fanning, Kathryn Hahn, Queen Latifah, Zoe Kravitz, and Pamela Anderson. (Supplied)

On the musical or comedy side, “One Battle After Another” appears especially well-positioned, carried by strong ensemble work and a level of sustained buzz that has followed it throughout the season.

The acting races are no less competitive. Wagner Moura has placed himself near the front of the Best Actor, Drama conversation for his performance in “The Secret Agent,” a role widely praised for its restraint and complexity.

Michael B. Jordan continues to generate strong support for “Sinners,” reinforcing his position as a consistent awards presence.

In the musical or comedy field, Timothee Chalamet has become a frequent prediction for “Marty Supreme,” a performance many see as both charismatic and strategically timed.

The actress races are equally open, with Jessie Buckley and Rose Byrne widely cited as leading figures, while the supporting categories continue to spotlight standout work from Stellan Skarsgard and Inga Ibsdotter Lilleaas.

In directing, momentum appears to favor Paul Thomas Anderson for “One Battle After Another,” reflecting both critical admiration and industry confidence.

Screenplay and score conversations have included “Sinners” and “KPop Demon Hunters,” underscoring a year that balances artistic ambition with broader appeal.

However the night ultimately unfolds, this year’s Golden Globes feels less about safe consensus choices and more about recognizing work that lingered long after the credits rolled.

From the nominees to the presenters taking the stage, the ceremony reflects a film year defined by confidence, creative risk, and a refreshing absence of certainty.