Arab label Mrs. Keepa heads to Paris for fashion week

The Dubai-based brand is famous for its use of bold colors. (Supplied)
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Updated 22 September 2021
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Arab label Mrs. Keepa heads to Paris for fashion week

DUBAI: Dubai-based label Mrs. Keepa is set to present its Spring/Summer 2022 womenswear collection on the sidelines of Paris Fashion Week, as part of France’s Féderation de la Haute Couture et de la Mode’s “Welcome to Paris” initiative with the Arab Fashion Council.

The show is slated for Sept. 28 at Paris’s Palais De Tokyo and the label will also take part in Paris Fashion Week’s trade show partner event, TRANOI, which will take place from Sept. 30 to Oct. 3 at the same location.




Mrs. Keepa is known for its strong silhouettes and bold colors, as seen in this look from the label's 2019 show in Dubai. (Getty Images)

Helmed by half-Egyptian half-French designer Mariam Yeya, the label is inspired by a patchwork of evolving identities and her own dual heritage, which she explores through fashion.  

Launched in 2016, the label is a regular on the Fashion Forward Dubai circuit — an annual showcase of regional talent — and is known for its celebration of the female form, with a focus on defining silhouettes, voluminous details, striking patterns and kaleidoscopic colors. 




The label is helmed by Egyptian-French designer Mariam Yeya. (Getty Images)

For the Spring/Summer 2022 collection, titled “Harmonious Chaos,” the designer plays with organic shapes and opulent colors. Think cut outs and strappy maxi skirts, wide-leg camouflage cargo pants and larger-than-life sleeves.

 The collection will also feature pieces that traverse the boundary between recognizable separates — kimonos that work as skirts, dresses that can be worn as shirts and scarves that can be styled as waist-synching belts.




The show is slated for Sept. 28 at Paris’s Palais De Tokyo. Pictured is a 2019 show by the label. (Getty Images)

It is not the first time Arab designers have found a platform at Paris Fashion Week. To ensure that regional designers get the recognition they deserve, the Fédération de la Haute Couture et de la Mode first teamed up with the Arab Fashion Council in September 2020 to host an exclusive showroom and presentation on the official Paris Fashion Week calendar that shines a light on Middle Eastern designers.

“The project is in line with the Arab Fashion Council’s vision to build an Arab economy based on creativity and to promote the Arab talents on a global scale,” said Mohammed Aqra, chief strategy officer of The Arab Fashion Council, in a statement at the time. “This is the first strategic alliance project with our French counterparts,” he added.


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”