Tunisian director Kaouther Ben Hania directs short film for Miu Miu 

The filmmaker directed the brand’s 22nd short film, “I and the Stupid Boy.” (Supplied)
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Updated 08 September 2021
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Tunisian director Kaouther Ben Hania directs short film for Miu Miu 

DUBAI: Tunisian director Kaouther Ben Hania is the latest Arab creative to work with Italian fashion label Miu Miu. 

The filmmaker directed the brand’s 22nd short film, “I and the Stupid Boy,” which debuted at Venice Film Festival this week. This was shot as part of Miu Miu’s “Women’s Tales” series. 

The 13-minute French-language movie, which premiered on Sept. 4, tells the story of a young girl called Nora who falls in love. As she heads out for a date, Nora takes a shortcut through an abandoned building where she bumps into her ex, Kevin. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Miu Miu (@miumiu)

The film stars French actress Oulaya Amamra as Nora and actor Sandor Funtek as Kevin. 

In an interview with the label, Ben Hania said: “I wanted to create an impossible love story.”

“The girl in my story is very empathetic, whereas the boy sees everything from his own perspective.” 

The director’s film explores the breakdown of communication between these divergent personality types. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Miu Miu (@miumiu)

In “I and the Stupid Boy,” Nora was seen wearing designs by Miu Miu, which the director says is fundamental to the story. 

“Nora … wants to be cool. When she’s stopped by Kevin, her costume doesn’t help her. I love this contradiction,” explained Ben Hania. “Costumes are a very powerful tool in cinema, like scenery and lighting.”

The brand shared a short video on Instagram in which Ben Hania was seen discussing the film. “The first thing that seduced me is the short format because it is very difficult,” she said. 

“I know that I have stories, (they) are short. You cannot stretch them, it’s a pity,” she added. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Miu Miu (@miumiu)

Ben Hania has been making headlines in the film industry after her critically acclaimed movie “The Man Who Sold His Skin” was shortlisted at the Oscar’s Best International Feature Film award in February.

It is not the first time the fashion label has worked with an Arab director. 

The 16th film, “The Wedding Singer’s Daughter,” of the series was directed by Saudi filmmaker Haifaa Al-Mansour. 

Her short movie was set in the 1980s in Riyadh. 

In the film, women shrouded in traditional black abayas making their way into a wedding hall. There, they reveal what’s underneath — dazzling dresses and extravagant hair. When all eyes are on the wedding singer, the electricity suddenly cuts out, setting things in motion.


Amira Al-Zuhair stars in Ramadan campaign for Loro Piana

Updated 04 February 2026
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Amira Al-Zuhair stars in Ramadan campaign for Loro Piana

  • Saudi French model wears a long olive-green dress
  • Begun the year with many high-profile appearances

DUBAI: Saudi French model Amira Al-Zuhair this week fronted a Ramadan campaign for Italian luxury brand Loro Piana.

In images shared on the brand’s Instagram page, Al-Zuhair wears a floor-length olive-green dress featuring a V-neckline, defined waist seam, and fluid cape-style sleeves falling from the shoulders.

According to the brand’s caption, the Ramadan capsule highlights “intricate detailing and the beauty of simplicity,” presenting a wardrobe of comfortable silhouettes.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Loro Piana (@loropiana)

Shot in the warm, diffused light of a pottery artist’s studio, the campaign centers on elongated shapes, clean lines, and a muted palette of sage and sand tones.

Al-Zuhair has begun the year with a series of high-profile appearances. In addition to the Loro Piana campaign, she walked the runway at Jacquemus’ Fall/Winter 2026 “Le Palmier” show in Paris last month.

The event, staged at the Musee National Picasso, brought Simon Porte Jacquemus’ latest co-ed collection to life with playful yet sculptural silhouettes, blending mid-century couture references and 1990s sensibilities.

“Merci infiniment Simon. It was an honor to be part of this iconic show with such an amazing team, congratulations! Thank you for having me,” posted Al-Zuhair.

The model closed a segment of the show in an ensemble that captured the collection’s nod to both elegant simplicity and bold form.

She wore a black midi skirt with a structured blazer top with cutout detail at the back, cinched at the waist with a wide belt. The look was completed with a wide-brimmed hat that added a touch of drama.

The Jacquemus presentation, which also acted as the finale of Paris Men’s Fashion Week, wove together confetti-like motifs, geometric forms and a celebration of joie de vivre, encapsulating Jacquemus’ irreverent yet refined vision ahead of the upcoming couture season.

Al-Zuhair, born in Paris to a French mother and Saudi father, has appeared on the runway for renowned fashion houses.

She has walked for Missoni, Maison Alaia, Brunello Cucinelli, Balmain, Dolce & Gabbana, Giambattista Valli, Giorgio Armani, Elie Saab and more.

In addition to her runway appearances, Al-Zuhair has featured in campaigns for brands including Prada, Chanel and Carolina Herrera.