E-commerce, online video set to fuel global ad spend recovery

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Updated 27 July 2021
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E-commerce, online video set to fuel global ad spend recovery

  • Digital channels will contribute to ad industry’s recovery: Zenith forecast

DUBAI: Global spending on advertising was expected to grow by 11.2 percent this year to $669 billion, according to new industry figures.

The expenditure boom was being driven by demand for performance-led e-commerce advertising and brand advertising on online video, said Zenith in its latest advertising expenditure forecasts report.

If the predictions ring true, the total spend this year will be $40 billion more than before the start of the coronavirus disease (COVID-19) pandemic in 2019. And growth was likely to remain robust in the medium term, at an anticipated 6.9 percent next year, and 5.6 percent in 2023.

“After a very tough year last year, the ad market is enjoying rapid and broad-based recovery, and will end this year well above the level it achieved in 2019,” said Jonathan Barnard, head of forecasting at Zenith, which is part of Publicis Groupe.

A rise in ad spending was expected globally this year with the Middle East and North Africa region, currently recovering from the steepest decline, forecast to see expenditure increase by 15 percent.

According to data, the strongest growth since 2019 was taking place in North America where spending was up 13 percent this year after shrinking by only 1 percent last year.

Effect of e-commerce on advertising market

The COVID-19 pandemic accelerated the shift from physical sales to e-commerce, driving more consumers than ever before to research and complete purchases online. Brands responded to the change in customer behavior by forming partnerships with retailers and creating new direct-to-consumer operations, using performance-driven advertising – primarily in social media and paid search – to lead consumers down the path to buy.

The Zenith report noted that the patterns would expand social media advertising by 25 percent this year to reach $137 billion, overtaking in scale for the first time paid search that was expected to grow by 19 percent to $135 billion.

FASTFACTS

Ad spend will exceed the pre-pandemic peak by 6% this year.

Digital advertising will command 58% share of market in 2021, up from 48% in 2019.

Online video advertising will be fastest-growing digital channel in 2021, rising 26% to reach $63bn.

The average cost of television advertising is up 5% this year.

Middle East, North Africa region will see growth of 15% in ad spend this year.

A significant part of the new money being pumped into advertising was coming from small businesses that had to pivot to e-commerce due to COVID-19 lockdowns, and from brands that reallocated money from securing physical shelf space with retailers to display and search ads on retailers’ websites.

As lockdowns ease around the world, the growth of e-commerce will slow down but not return to pre-pandemic levels, the report revealed, adding that e-commerce would continue to pull in incremental revenues to the ad market, driving growth next year of 13 percent in social media and 12 percent in search.

Growth of online video

Audiences continued to migrate online where video viewing was growing rapidly, the report found, and despite traditional television ratings experiencing a surge when lockdowns began last year, they were shrinking again.

Advertisers valued online video as a means of maintaining reach while TV declined, but it was also an effective form of brand communication in its own right. Zenith predicted that online video advertising would be the fastest-growing digital channel this year, rising by 26 percent to reach $63 billion.

Benoit Cacheux, global chief digital officer at Zenith, said: “The online video landscape continues to transform, fueled by the growth of streaming services and connected TVs.

“Its continued evolution requires a radical rethink of how to build the optimal screen-neutral reach model. The ingestion of new data sources into TV planning also creates further opportunities to further sync TV and video planning.”

Traditional media will continue to trail behind digital

Overall, Zenith expected digital advertising to grow by 19 percent this year and increase its share of total ad spend to 58 percent, up from 48 percent in 2019, and 54 percent last year.

Most other media channels were enjoying growth this year, as spending rebounded from the 16 percent drop in traditional media ad spend in 2020. Cinema and out-of-home were the most affected by COVID-19-related restrictions, shrinking by 72 percent and 28 percent, respectively, but were expected to witness the fastest recovery this year with respective growth rates of 116 percent and 16 percent.

Radio advertising, which shrank by 22 percent last year, was forecast to grow by 4 percent this year, while television fell 8 percent in 2020 and was predicted to grow 1 percent in 2021.

Print would continue its long decline, now in its 14th consecutive year, with an 8 percent drop in ad spend in 2021, the report said.

Although cinema and out-of-home would have made up almost all lost ground by 2023, ad spend across traditional channels would still be below 2019 levels.

Cost of advertising

This year’s rapid recovery, coupled with the continued migration of audiences from traditional to digital channels, was fueling substantial increases in media prices, particularly in television.

The cost of television advertising was up 5 percent this year on average, though the variance between markets and audiences was wide. Television spend has increased by 1 percent, so the volume of audiences reached globally has shrunk.

In contrast, digital media growth was mainly driven by rising audiences and more extensive monetization with online video inflation averaging 7 percent, and social media roughly flat, compared to their 26 percent and 25 percent respective ad spend growth rates.

“Digital advertising is becoming a more effective tool for brand growth as media and commerce continue to move online, attracting greater investment from large brands and small businesses alike,” added Barnard.


Like Digital & Partners opens new office in Saudi Arabia

Updated 02 May 2024
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Like Digital & Partners opens new office in Saudi Arabia

  • Digital transformation agency expands with Riyadh premises

DUBAI: Like Digital & Partners, an independent digital transformation agency with offices in Dubai and London, has announced the opening of premises in Riyadh to mark its expansion into the Kingdom.

The move comes a month after the agency partnered with business expansion platform AstroLabs to extend its footprint in the region.

The new office in Riyadh will underscore its commitment to the region, it said in a statement.

Like Digital & Partners aims to create new jobs primarily in the fields of project management and user interface design. It plans to employ 10 to 15 staff members at its Riyadh office by the end of 2025.

Specializing in the hospitality industry, the agency has worked with resorts such as Atlantis and One&Only One Za’abeel. It aims to leverage this expertise and experience in the Kingdom, which is seeing an influx of new hotels and resorts, the agency said.

Karl Escritt, CEO of Like Digital & Partners, said: “As we continue our rapid expansion into the GCC (Gulf Cooperation Council) market and beyond, we are delighted to lay down roots in Riyadh, Saudi Arabia.

“Having dedicated years to nurturing our business in the Kingdom and developing our knowledge and expertise of the market, we are looking forward to further strengthening our ties and servicing new clients.”


Publicis Sapient appoints new managing director for Saudi Arabia

Updated 01 May 2024
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Publicis Sapient appoints new managing director for Saudi Arabia

  • Ashwaq Al-Shathri will be based in Riyadh, oversee company’s business growth in the Kingdom

DUBAI: Publicis Sapient, a digital business transformation company, has announced the appointment of Ashwaq Al-Shathri as country managing director for Saudi Arabia.

The appointment reflects the importance of the Kingdom and the Middle East for Publicis Sapient, the company said.

Based in the company’s Riyadh office, Al-Shathri will be responsible for accelerating business growth in Saudi Arabia and building the operational business and community.

She will lead the teams responsible for digital business transformation in the region, leveraging the company’s strategy, product, experience, engineering and data, and artificial intelligence capabilities.

Nigel Vaz, CEO of Publicis Sapient, said: “We’re committed to supporting KSA’s technology-driven transformation and realization of Vision 2030, while also, ultimately, helping position KSA as a leader in digital innovation on the global stage.”

Al-Shathri’s appointment “will directly contribute to our continued business growth as we scale our expertise in the Middle East to better serve our clients and their customers and help them transform digitally,” said Srinivas Devulapalli, managing director of Publicis Sapient MENA (Middle East and North Africa).

Publicis Sapient is the digital business transformation hub of Publicis Groupe with 20,000 people and over 53 offices worldwide. Its global clients include Marriott, Goldman Sachs, McDonald’s, and Walmart, while regional clients include Omantel, Diriyah Gate, and Miral.


London mayoral candidate under scrutiny for joining Islamophobic Facebook group

Updated 01 May 2024
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London mayoral candidate under scrutiny for joining Islamophobic Facebook group

  • Conservative candidate Susan Hall has refused to leave groups containing Islamophobic content, instead joining a new one
  • Campaigner criticizes move as ‘last-ditch attempt’ to win votes as London prepares to choose new mayor

LONDON: The London mayoral candidate for the Conservative Party has come under scrutiny for her involvement in Facebook groups known for hosting Islamophobic content.

A joint investigation by Greenpeace-funded outlet Unearthed and The Guardian revealed that Susan Hall was a member of at least six private Facebook groups containing Islamophobic hate speech and abusive remarks directed at her opponent, Sadiq Khan.

The exposé revealed that the groups, presented as local grassroots campaigns against London’s clean air policies, are run by Conservative Party operatives including staff and activists.

Despite public exposure, Hall has declined to exit any of these Facebook groups and instead joined another one on Tuesday, according to Unearthed.

Khan told The Guardian these revelations could have an impact on the safety of his family and staff and has urged police to take action.

Reporters who infiltrated the 36-group network uncovered numerous Islamophobic and racist posts, including derogatory remarks about Khan, labeling him a “terrorist sympathizer” and a “khaki punt.” Some commenters even expressed willingness to pay for harm to be inflicted on him.

Alongside posts inciting vandalism, the investigation identified at least one YouTube video alleging that “Islamists” were “taking over Britain.”

While Conservative staff or politicians did not appear to directly engage with these racist posts, a party spokesperson unequivocally condemned posts in the groups.

However, Ami McCarthy, a political campaigner at Greenpeace UK, criticized Hall’s decision to join another group as a “last-ditch attempt to boost her ratings,” arguing that a “respectable politician would have issued an apology and left the Facebook groups” after the exposure of racism, Islamophobia, and posts inciting criminal damage.

Londoners will cast their votes for the new mayor on Thursday, with current mayor Khan leading in the polls, according to YouGov.

Hall has previously faced similar controversies related to Islamophobia. In February, she was called upon to apologize by Khan’s Labour party after suggesting that Jewish Londoners were “frightened” of Khan and retweeting a post from a far-right figure calling Khan the “mayor of Londonistan.”

Last November, Secretary-General of the Muslim Council of Britain Zara Mohammed denounced Hall’s candidacy as “unacceptable,” highlighting the persistent nature of Islamophobia within the Conservative Party and its divisive impact on communities.


Iran files charges over BBC report on teen girl allegedly killed by security forces in 2022 protests

Updated 01 May 2024
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Iran files charges over BBC report on teen girl allegedly killed by security forces in 2022 protests

  • Nika Shakarami’s death also sparked widespread outrage at the time
  • Amini died after being detained by police over allegedly not wearing her mandatory hijab, or headscarf, to their liking

JERUSALEM: Iranian prosecutors filed criminal charges on Wednesday targeting activists and journalists following a BBC report that alleged security forces had “sexually assaulted and killed” a 16-year-old girl during protests over the death of Mahsa Amini in 2022.
Nika Shakarami’s death also sparked widespread outrage at the time.
Amini died after being detained by police over allegedly not wearing her mandatory hijab, or headscarf, to their liking. UN investigators have said Iran is responsible for the “physical violence” that led to Amini’s death.
In Shakarami’s case, authorities said she died after falling from a tall building, something immediately disputed by her mother, who said her daughter had been beaten.
The BBC report published on Monday — relying on what it described as a report written for Iran’s paramilitary Revolutionary Guard — said Shakarami was detained by undercover security forces who molested her, then killed her with batons and electronic stun guns after she struggled against the assault.
Iran’s Mizan news agency, run by the country’s judiciary, said on Wednesday that the BBC story was “a fake, incorrect and full-of-mistakes report,” without addressing any of the alleged errors it contained.
It was the government’s first acknowledgment of the BBC report and it said “journalists and activists” have been summoned over the issue.
“The Tehran Prosecutor’s Office filed a criminal case against these people,” Mizan said, with charges including “spreading lies” and “propaganda against the system.” The first charge can carry up at a year and a half in prison and dozens of lashes, while the second can involve up to a year’s imprisonment.
Mizan did not identify those charges and it was unclear whether prosecutors had charged three BBC journalists who bylined the report. Those associated with the BBC’s Persian service have been targeted for years by Tehran and barred from working in the country since its disputed 2009 presidential election and Green Movement protests.
The BBC did not immediately respond to a request for comment. The broadcaster noted that in recent years, there have been faked documents floating around during widespread protests, purporting to be from the Iranian government.
However, it said it had “confidence that it is genuine,” despite an inconsistency in the report using an old acronym for the police.
Iranian Interior Minister Ahmad Vahidi on Wednesday tried to dismiss the BBC report as an effort to “divert attention” from ongoing protests at American universities over the Israel-Hamas war — despite the events dominating US television networks.
“The enemy and their media have resorted to false and far-fetched reports to conduct psychological operations,” Vahidi said, according to the state-run IRNA news agency.


Company on track ‘to build future of social media’: Million CEO

Updated 01 May 2024
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Company on track ‘to build future of social media’: Million CEO

  • Julien Hawari says app allows more pay, engagement, control
  • App was launched in Mideast, North Africa region in February

LONDON: Julien Hawari, CEO of the emerging social media platform Million, is promising to build “the future” of the sector.

Interviewed recently during the World Economic Forum’s special meeting in Riyadh, Hawari said: “Today, if you look at legacy social media (Instagram, TikTok, X), content creators are not really making money on social media. To make money, they need a third-party relation, which is the sponsor, the advertiser.

“The problem with this model is that the moment you open the door to someone to pay you, you allow this person to impose their narrative. So you’re not doing your narrative, you’re doing the narrative of the brand.”

Hawari, who promises to build “the future of social media,” said Million’s subscription model enables creators to monetize various forms of content, including pay-per-view, live streaming and e-commerce, all within the platform itself.

Million, a UAE-based startup launched in February across the Middle East and North Africa region, aims to empower content creators by giving them greater control and facilitate direct engagement with their audiences.

Hawari said he is developing a platform where users do not “lose their authenticity with their fans and audience base” and where creators can earn a larger portion of the revenue generated.

“We have an engagement-to-earn model. The more time they (creators) spend on the platform, the more money they will get. Seventy percent of advertisement revenue that comes to the platform is redistributed to the users,” Hawari said.

He added that creators can also charge their audiences a monthly subscription fee, similar to existing exclusive content platforms like Patreon.

Million is currently open to all types of content creators, including those in food, fashion and sports. However, creators must apply and undergo a review process before being invited onto the platform.

Platform regulation, including creator vetting and content monitoring, is a significant aspect of Million.

“We’re extremely sensitive to our culture, our situation in this part of the world. So we use technology … to ensure that content is within the norm of the region,” Hawari explained.

He said Million seeks to capitalize on an industry projected to grow significantly over the next few years, with the content-creator economy estimated to surge from $100 billion in 2023 to $480 billion by 2027.

“(Million) is really the first (app) of its kind. And the growth and the potential that this app has is way beyond only this part of the world,” Hawari said.

“Every day we get more and more creators that are more and more starting to learn and understand how they’re going to use this platform to make a living because at the end of the day, it’s their image, it’s their business, it’s their rules. So they decide what they want to sell (and) at what price they want to sell it.”