Think local: Meet the young creative pushing Saudi culture into the mainstream

Rayan Nawawi is the co-founder and creative director of Jeddah’s Nawawi Studio.. (Supplied)
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Updated 25 August 2021
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Think local: Meet the young creative pushing Saudi culture into the mainstream

  • Rayan Nawawi explains how ‘everything has changed’ for artists in the Kingdom

DUBAI: Not only are young Saudis increasingly expressing their talent within their own country, they are now beginning to export it abroad. Take Rayan Nawawi, the 32-year-old Saudi photographer, and founder and creative director of Jeddah’s Nawawi Studio.

His passion for photography was inherited from his father. After graduating from high school in Jeddah, Nawawi studied finance at the University of Business and Technology (UBT) in his hometown. But his love of art, and the lack of opportunities in the field in the Kingdom at the time, led him to move to the United States.

“I always liked experimenting with colors — matching shapes, colors and designs together,” Nawawi told Arab News. “I liked design and how this field was not typical. When you add something creative to a project, it is forever changed.”




His passion for photography was inherited from his father. (Supplied)

So, he followed his heart, which took him all the way to study for a master’s degree at the San Francisco Academy of Art University, focusing on advertising and art direction, with elective classes in photography. “I was doing photography, but I felt I needed to find something that looked interesting,” he explained. “There was a story missing. I wanted to use visuals more, which is why I studied advertising. It’s the art of business.”

As he became more proficient, Nawawi began to focus on integrating various elements of Saudi Arabian culture and design — particularly colors and shapes — into his projects.

Following his studies in the US, he moved back home and began working full-time as an art director in a multinational agency. A year later, the hectic deadlines and a lack of direction led him to quit. “I felt my work was missing a vital cultural aspect,” he noted. So, he set up as a freelance art director and photographer.




Saudi Arabia is providing Nawawi with plenty of inspiration. (Supplied)

After a couple of months, Nawawi and his brother Wail — who had pursued studies in business and marketing — founded Nawawi Studio in Jeddah. Five years on, the enterprise is thriving.

“I started adding more local touches (to my work) to make it more interesting and show it to the world,” Nawawi explained. “Thankfully, we’re now working with international and local clients.”

Slowly but surely, brands began signing up — including a successful project as part of Nike x Vice’s “Summer of White” campaign in 2017, carried out in collaboration with the Lebanese artist Ali Cha’aban, focusing on Nike’s Air Max 97 sneakers. Nawawi was pleasantly surprised at the positive feedback and reactions from his international audience.




As he became more proficient, Nawawi began to focus on integrating various elements of Saudi Arabian culture and design — particularly colors and shapes — into his projects. (Supplied)

“It may look normal to us in Saudi Arabia, but it was different to everyone outside the Arab world because you can see the real culture within it,” he said. “I went back to thinking about life in the 1990s, when they would put laundry on the rooftops to dry, adorned with large satellites. I included these in the visuals.” That project, which Nawawi named “Satellite Culture,” depicted traditional Saudi clothing as well, including the iconic white thobe.

The thobe was also a central part of “The Mythical Practice of Building Domes,” a collaboration between Nawawi, Cha’aban, and Saudi artist Khalid Zahid for the Saudi Art Council’s non-profit initiative 21,39’s “Al Obhour” exhibition.

“The Mythical Practice of Building Domes” had a Renaissance-inspired Hijazi look that included a number of local elements, such as the Hijazi dome. “My role in this project was executing the creative aspect, taking pictures and putting images together while choosing the colors and manipulating them,” Nawawi explained. “It showed the culture of the Hijazi look in terms of clothes and movements. We were inspired by the church ceilings of the Renaissance era, so we combined that style with our culture to give it a Hijazi twist.”




Slowly but surely, brands began signing up — including a successful project as part of Nike x Vice’s “Summer of White” campaign in 2017, carried out in collaboration with the Lebanese artist Ali Cha’aban, focusing on Nike’s Air Max 97 sneakers. (Supplied)

Nawawi believes the Kingdom has come a long way in the field since his youth in Jeddah, thanks in large part to the country’s renewed focus on arts and entertainment and Saudi Vision 2030. “Everything has changed,” he told Arab News. “They started to appreciate the art scene more, from music and theatre, to photography and fashion, and all those aspects that relate to entertainment. I’ve started to see more people, mostly from the younger generation, getting into this field, and they’re excited about it.” Nawawi is confident that Saudi Arabia’s homegrown talent will mature and become recognized across the rest of the world in the next few years.

During his time in the US, Nawawi came across many stereotypes about his country, he said, something which drives his ambition to ensure that all elements of the Kingdom — from its geography to its traditions and culture — are represented internationally. Today, the outside world is beginning to look at the Kingdom and truly appreciate what it has to offer, he believes.




The thobe was also a central part of “The Mythical Practice of Building Domes.” (Supplied)

Certainly, Saudi Arabia is providing Nawawi with plenty of inspiration. He cited a recent three-day trip to Abha, the capital city of Asir Province near the Red Sea, as an example. The mountains of the Asir National Park are home to birds and juniper forests. For Nawawi, this was the perfect location for a campaign he worked on with the international fashion brand Fendi.

“We were shooting just outside Asir,” he said. “The campaign focused on local Saudi creativity, so all of the visuals showcase Asir — and it was featured in Vogue Arabia.”

Nawawi has also worked with Harper’s Bazaar, Gucci and Bulgari, among others.

“I always tell people that if you have a passion, you have to follow it,” he concluded. “My teacher once told me: ‘If you like something and you are passionate about it, keep experimenting with it until magic happens.’”


Irish performer ‘cries’ after Israel reaches Eurovision final as UK venues cancel watch parties

Updated 11 May 2024
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Irish performer ‘cries’ after Israel reaches Eurovision final as UK venues cancel watch parties

Bambie Thug, Ireland’s entry in the Eurovision Song Contest, claims to have cried  after Israel qualified for the final to be held on Saturday. 

“It is a complete overshadow of everything, goes against everything that Eurovision is meant to be,” Bambie Thug told journalists ahead of the event at Malmo Arena in Sweden. “I cried with my team.”

The 31-year-old singer and songwriter wore a keffiyeh and carried Irish flags while urging the European Broadcasting Union to show “conscience” and “humanity.”
 
The artist will perform “Doomsday Blue” in the final.

Israel’s performer, Eden Golan, will present her song “Hurricane” at the competition. The track underwent revisions after the initial version, “October Rain,” was deemed too political by the EBU.

Although the contest’s motto is “united by music,” this year’s event has attracted protests from Palestinians and their supporters, who say Israel should be excluded because of its conduct of the war in Gaza.

Thousands of people are expected to march for a second time this week through Sweden’s third-largest city, which has a large Muslim population, to demand a boycott of Israel and a ceasefire in the seven-month conflict. 

In Finland, a group of about 40 protesters stormed the headquarters of public broadcaster YLE on Saturday, demanding it withdraw from the song contest because of Israel’s participation.

Venues across England are canceling their gigs after Palestine protest groups instructed their followers to pressure pubs showing the contest - leading some venues to close due to staff safety concerns.

The Duke of York cinema in Brighton called off its Eurovision event this week, telling ticket holders it was doing so “due to safety concerns for our staff and customers,” the Guardian reported. The Brighton Palestinian Solidarity Campaign called the decision a “massive win.”


AlUla to have starring role in ‘Motor City’ to be filmed in Saudi Arabia

Updated 11 May 2024
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AlUla to have starring role in ‘Motor City’ to be filmed in Saudi Arabia

DUBAI: Saudi Arabia’s AlUla is expected to have a starring role in director Potsy Ponciroli’s upcoming action thriller “Motor City.”

Production is due to start on July 10 in New Jersey and Saudi Arabia. The film is part of production company Stampede Ventures’ 10-picture slate deal with Film AlUla.

The cast will include Alan Ritchson, Shailene Woodley, Ben Foster and Pablo Schreiber. 

“Motor City” is centered around John Miller (Ritchson), a Detroit auto worker who loses everything, including his girlfriend (Woodley), after being framed by a local gangster (Foster) and sent to prison.

After his release, Miller seeks revenge while trying to win his former girlfriend back.


 


Louvre Abu Dhabi to exhibit Van Gogh artwork

Updated 11 May 2024
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Louvre Abu Dhabi to exhibit Van Gogh artwork

DUBAI: Louvre Abu Dhabi is set to display an artwork by Dutch painter Vincent van Gogh at the “Post-Impressionism: Beyond Appearances” exhibition running from Oct. 16 to Feb. 9 next year.

The work, “Bedroom in Arles,” depicts van Gogh’s bedroom in his yellow house in Arles, where he set up his studio and lived from September 1888.

The exhibition will be curated by Jean-Remi Touzet, conservator for paintings at the Musee d’Orsay, and Jerome Farigoule, chief curator at Louvre Abu Dhabi, with the support of Aisha Alahmadi, curatorial assistant at Louvre Abu Dhabi.

It will delve into the period known as post-impressionism, focusing specifically on the years between 1886 and 1905. “These two decades were a time of immense artistic innovation and experimentation, marking the transition from impressionism to the explosive emergence of the ‘fauves’ at the Salon d’Automne,” a press release said.

Highlights from the Arab world include two masterpieces by French Egyptian artist Georges Hanna Sabbagh: “The artist and his family at La Clarte” (1920) and “The Sabbaghs in Paris” (1921).


Singer Elyanna makes her TV debut on ‘The Late Show’

Updated 11 May 2024
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Singer Elyanna makes her TV debut on ‘The Late Show’

  • Chilean Palestinian star performs hits from debut ‘Woledto’
  • Proudly adorned with Palestinian keffiyeh around her head

DUBAI: Chilean Palestinian singer Elyanna made her television debut this week on “The Late Show with Stephen Colbert.”

The 22-year-old music sensation delivered a medley of hits from her debut album “Woledto,” including “Callin’ U (Tamally Maak)” and “Mama Eh,” the first song performed entirely in Arabic on the show.

Her performance featured an ensemble of oud, tabla, riq and dancers.

“I had so much fun performing on this iconic stage,” she wrote to her 1.2 million followers after her show.

The hitmaker was adorned in a white lace dress featuring two thigh-high slits. She complemented the attire with coin-belt accessories, draping them over her shoulders and fastening them around her calves to add a Middle Eastern touch to her look.

In one of the pictures she shared with her fans, she proudly wore the Palestinian keffiyeh around her head as she posed in front of “The Late Show” desk.

Elyanna dropped her album in April. It features nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”

Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.”

“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”

The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.

Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.

In 2023, Elyanna became the first artist to perform a full set in Arabic at California’s Coachella music festival.

She embarked on a North American Tour this year, gracing stages in Dallas, Houston, Toronto, Montreal, Washington, New York, Chicago, Detroit, San Francisco and Santa Ana.


REVIEW: ‘Kingdom of the Planet of the Apes’ a worthy addition to successful franchise

Updated 11 May 2024
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REVIEW: ‘Kingdom of the Planet of the Apes’ a worthy addition to successful franchise

DUBAI: When soulless, cookie-cutter franchises were but the norm, the “Planet of the Apes” reboot trilogy — starring Andy Serkis’s commanding Ceasar — cut through the noise to offer a textured, resonant story that not only did well with the critics but also broke box office records.

Coming seven years after the final instalment of that trilogy, “Kingdom of the Planet of the Apes” continues the legacy with a visually rich and emotionally layered story. It takes its inspiration from the original 1968 film, “Planet of the Apes,” which was in itself an adaptation of French author Pierre Boulle’s 1963 novel “La Planete des singes.” 

Director Wes Ball (“The Maze Runner” trilogy) continues his run of dystopian features, but this time explores it in a lush, Garden of Eden-adjacent setting.

“Kingdom of the Planet of the Apes” is set generations after Ceasar’s time, when the world has been taken over by intelligent apes. The same virus that evolved them has regressed humans into an echo of their former selves, rendering them primitive and without language.

A coming-of-age story, our protagonist is the young simian Noa (a poignant and scene-stealing Owen Teague). When his clan is murdered by a rival group of bloodthirsty apes, Noa goes on the adventure of his life as he sets out to save those he can from the tyrannical rule of Proximus Caesar (Kevin Durand). On his journey, he teams up with a human girl May (“The Witcher” star Freya Allan) and a wise orangutan named Raka (Peter Macon), who still live by the words of the original Caesar.

While the premise itself lacks the depth of the previous trilogy, Ball compensates through extensive character work. He poses thought-provoking questions about whether humanity deserves a second chance, whether the apes will continue to make the same mistakes humans did, and whether apes and humans can imagine a future of peaceful co-existence.

The action and emotions are supported by groundbreaking visuals that seamlessly blend convincing motion-capture performances with beautifully rendered CGI.

To sum up, “Kingdom of the Planet of the Apes” proves a more than worthy successor to a franchise that refuses to quit — and for good reason.