Hong Kong media reel as security law targets democracy paper’s reporting

Copies of Apple Daily’s July 1, 2020, edition are seen with its front page title of “Draconian law is effective, one country two system is dead” at the newspaper’s printing house in Hong Kong on July 1, 2020. (AP)
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Updated 18 June 2021
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Hong Kong media reel as security law targets democracy paper’s reporting

  • Hong Kong’s historical status as a press freedom bastion has been on shaky ground for years
  • Hong Kong and Chinese officials insisted the arrests were not an attack on the media

HONG KONG: The arrest of five senior executives over content published in Hong Kong’s pro-democracy Apple Daily newspaper is a stark warning to all media outlets on the reach of a new national security law, analysts and industry figures say.
It was the first time articles published in Hong Kong have sparked arrests under the new law that cracks down on dissent in the international business and media hub.
Hong Kong’s historical status as a press freedom bastion has been on shaky ground for years. But Thursday’s police raid against Apple Daily was a watershed moment.
Some 500 officers descended on the paper’s newsroom, bundling computers and notepads into evidence bags.
Five executives, including its editor and publisher, were being arrested for “collusion with foreign forces,” one of the new offenses under a national security law China imposed on Hong Kong last year.
Justifying the arrests, Senior Superintendent Steve Li said the contents of 30 articles calling for international sanctions were evidence of “conspiracy” to undermine China’s national security.
Li warned Hong Kongers not to share the articles even as he refused to say which ones were now deemed illegal.
Some, he confirmed, were published before the security law was enacted in June last year, although it is not supposed to be retroactive.
For reporters and publishers across the city, the message was clear: what one writes or prints could lead to a knock on the door from the national security police.
“It’s very heartbreaking,” said Bao Choy, a local reporter who was recently prosecuted over an investigation into the police’s failure to stop an attack by government loyalists on pro-democracy protesters during political unrest in 2019.
“We are walking into a very dark tunnel, it’s kind of endless at this point. I’m not optimistic about the future of journalism in Hong Kong,” she said.
Hong Kong and Chinese officials insisted the arrests were not an attack on the media.
Security secretary John Lee portrayed Apple Daily as an outlier, a “criminal syndicate” that was different to other media.
“This action has nothing to do with normal journalism work,” he said.
“It is aimed at suspected use of journalism as a tool to commit acts that endanger national security. Normal journalists are different from them. Don’t get involved with them, and keep a distance from them.”
Lee’s comments did little to alleviate already heightened concerns that Hong Kong’s days as a media hub are numbered.
Sharron Fast, a lecturer at the University of Hong Kong’s journalism school, said Lee’s words were both “ominous” and opaque.
“There was no clarity at all provided on what amounts to a conspiracy to collude with foreign forces in the context of reporting on developments concerning sanctions and boycotts,” she said.
The Hong Kong Journalists Association said Lee’s words had “spread fear and panic among journalists.”
It said the security law was now “a weapon to prosecute media executives and journalists for publishing reports and articles that are deemed as a threat to national security.”
The city’s Foreign Correspondents Club said the arrests “will serve to intimidate independent media in Hong Kong and will cast a chill over the free press.”
Multiple international media companies, including AFP, have regional headquarters in Hong Kong, attracted to the business-friendly regulations and free speech provisions written into the city’s mini-constitution.
But many are now questioning whether they have a future there.
The New York Times moved its Asia hub last year to South Korea after the law was enacted, and others have drawn up contingency plans.
The Washington Post also chose Seoul for a new Asia hub.
Visas are taking much longer to obtain while Beijing’s state media and senior officials have penned increasingly angry denunciations of the western media’s coverage.
Hong Kong’s leaders say they remain committed to allowing an independent media although the city has steadily plunged down an annual press freedom ranking by Reporters Without Borders, from 18th place in 2002 to 80th this year.
Mainland China languishes 177th out of 180, above only Turkmenistan, North Korea and Eritrea.
It is not clear how long Apple Daily can survive with its owner Jimmy Lai in jail, five executives arrested and most of the company’s assets now frozen.
“The writing is on the wall for Apple Daily,” Steve Tsang, director of the China Institute at London’s School of Oriental and African Studies, said.
“Whatever formal justification may be put for the raid on Apple premises and for the arrests, I think the real objective is to make it impossible for Apple to continue to publish in Hong Kong,” he added.


Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

Updated 15 January 2026
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Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

  • The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
  • Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences

DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”

That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.

Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.

Hatem Alakeel is a Saudi fashion designer. (Supplied)

“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.

Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.

The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”

Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”

The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.

Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.

What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.

“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.

“So, it’s an evolution and it’s another home for all our content and our community.”

Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”

Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.

What began as a personal design mission would soon expand into a broader platform to champion Saudi talent. 

“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.

“Art is such a great way of learning about a culture and a country,” he said. 

On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.

Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.

He envisions the platform growing into a long-term cultural record.

“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.