Calligraphic classics go under the hammer at Sotheby’s

Sotheby’s ‘Arts of the Islamic World & India’ sale was held March 31. (Supplied)
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Updated 03 April 2021
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Calligraphic classics go under the hammer at Sotheby’s

  • Highlights from Sotheby’s ‘Arts of the Islamic World & India’ sale, held March 31

Illuminated Qur’an copied by Ahmad Al-Rumi, dated 1447 CE

This manuscript, Sotheby’s said, “represents an outstanding calligraphic feat by one of the foremost practitioners in the history of the Islamic Arts of the Book, Ahmad Al-Rumi. He is known as a master of the six pens and was held in great esteem at the Timurid Court. … A small number of works by the scribe are known, including only one other Qur’an, rendering the manuscript to hand both extremely important and rare.” In this manuscript, Al-Rumi displayed his mastery of the art, using four different scripts — “a strong and angular Muhaqqaq interspersed with a fine and balanced Naskh for the main text, an elegant Thuluth for the surah headings, with the addition of Tawqi on the final page” — with extraordinary skill. “The colophon page is extraordinary, as not only do we see the text in four scripts, but also the use of the musalsal method, in which a pen isn’t lifted from the page, resulting in a seamless ‘chain’ of calligraphy,” Sotheby’s added in the catalogue notes. Sold for £378,000.

Illuminated Qur’an made for the chief justice of Jerusalem and Nablus, dated 1514 CE 

This remarkable complete copy of the Qur’an was scribed by master calligrapher Abu Al-Fadi Muhammad Ibn Abd Al-Wahhab Al-Shafi Al-Sunbati Al-Araj — a royal scribe to a Mamluk sultan and a student of Yasin Al-Jalali — and is dated 1514 CE. The piece was commissioned by a former chief justice of Jerusalem and Nablus, Jalal Al-Din Abu Al-Waffa Mohammad Ibn Junis Al-Hanafi, and was later owned by Hajj Uthman Kanoo Isma’il, who was mayor of Yanbu Al-Bahr, in Hijaz. The verses are written in the Naskh script, with surah headings in larger gold Thuluth script outlined in black. “The generous use of gold and silver in the illumination and text illustrates the wealth and prestige of the patron of this Qur’an,” the catalogue notes said. It also sold for £378,000 at the auction.

A compendium of works relating to the Hajj, from the 18th century

This manuscript contains two works — the first is an essay on Makkah, the Hajj, and the measurements of the Great Mosque; the second is a copy of the “Futuh Al-Haramayn,” a famous guidebook to the cities of Makkah and Madinah, originally written in the early 16th century, which included instructions for pilgrims on the rituals of the Hajj and the religious sites they could visit. This book, written in Nasta’liq script with important words written in red ink, also contains 19 illustrations of Makkah and Madinah. Sold for £50,400 at auction.

10th-century Qur’an leaf in gold Kufic script (12-18k sterling)

A real rarity — this folio containing five lines to the page of gold-colored script is part of one of just a handful of Qur’ans in which gold Kufic script was used. It would, the auction house explained, “have been a lengthy and expensive process, indicating a commission at the highest level of patronage.” It is believed to have originated from the Near East, and sold for £37,800 at auction.

Bifolium from the ‘Five Surahs,’ circa 1370

Pages taken from a manuscript of selected Qur’anic chapters (1, 5, 18, 34, and 35) that all begin with the phrase ‘Al-hamdulillah.’ The pages have been traced back to a manuscript that gives the name of the scribe as Abdul Qayyum Ibn Muhammad Ibn Karamshah-I Tabrizi. Sotheby’s cited calligraphy expert David James as describing Tabrizi’s work here in the Muhaqqaq script as, “Faultless perfection … equaled only by Suhrawardi in the Qur’an produced in Baghdad in the early years of the 14th century.” Sold for £37,800.

Illuminated Mamluk Qur’an from Egypt or Syria in the 14th century

“This lavishly illuminated section comes from what must have been an impressive Qur’an in several volumes,” said Sotheby’s of this manuscript — in which the verses are written in Muhaqqaq script and separated by gold florets, while the titles are written in white Kufiq script on blue backgrounds with gold embellishments. The 42 leaves of the manuscript are bound in leather. “Its decoration and illumination recall both Ilkhanid court production (and) early Mamluk manuscripts, rendering it testament to these cross influences at the beginning of the 14th century,” the catalogue notes continue. Sold for £50,400.

Mid-14th-century Qur’an leaf attributed to Arghun Al-Kamili

Pages from a Qur’an that is believed to have been scribed by Al-Kamili, one of the most prolific calligraphers working in Baghdad in the middle of the 14th century CE — a time when the Iraqi capital was the center of the calligraphic arts. Al-Kamili was one of the six famous pupils of Yaqut Al-Mustasimi — the secretary of the last Abbasid caliph, and was, Sotheby’s said, “renowned to a point that illuminators of his manuscripts signed their work in a wish to stress their association with him.” This leaf is written in Rayhani script and its verses are separated by blue and gold rosettes. It was expected to fetch around $20-25,000 at auction.

Illuminated Qur’an copied by Abdullah Al-Qadir Al-Husayni in the 16th century

“This magnificent and well-preserved Qur’an has all the hallmarks of the most refined manuscripts of the Safavid period,” the catalogue notes said. Copies of the Qur’an were traded between the Ottoman and Safavid empires despite the animosity between them, and Qur’ans such as this were often offered as gifts to the Ottoman court by Safavid envoys. This particular manuscript is written in Naskh script and contains some fine examples of full-page illumination.


What We Are Reading Today: ‘A Tear and A Smile’ by Khalil Gibran

Updated 09 May 2024
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What We Are Reading Today: ‘A Tear and A Smile’ by Khalil Gibran

Khalil Gibran’s “A Tear and A Smile” is a collection of poems and reflections first published in 1914. The book explores the contrasting aspects of life, such as joy and sorrow, pleasure and pain, as well as the complexities of human emotions.

Gibran’s compelling lyrical and philosophical style shines as he contemplates the beauty and challenges of life including love, loss and longing.

He invites readers to reflect on the intricacies of their own emotions and experiences.

The collection is divided into two sections, “A Tear” and “A Smile,” symbolizing the duality of human existence.

In “A Tear,” Gibran delves into the sorrows and struggles of life, exploring pain, loss, and the transient nature of human existence. Through his poignant and evocative language, he captures the universal experience of human suffering.

In contrast, “A Smile” focuses on the brighter aspects of life. Gibran celebrates joy, love, and the beauty found in everyday moments.

He emphasizes the importance of gratitude, kindness, and embracing life’s blessings. The poems in this section inspire hope and encourage the reader to find solace and happiness in the simple pleasures of life.

“I would not exchange the sorrows of my heart for the joys of the multitude. And I would not have the tears that sadness makes to flow from my every part turn into laughter. I would that my life remain a tear and a smile,” he writes.
 


Israel in spotlight at Eurovision semifinal as pro-Palestinian protests loom

Updated 09 May 2024
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Israel in spotlight at Eurovision semifinal as pro-Palestinian protests loom

  • The 68th version of the song contest takes place amid protests and boycotts over the Israeli military campaign in Gaza, triggered by Hamas’ Oct. 7 attack on Israel

MALMO, Sweden: The second semifinal of this year’s Eurovision Song Contest will take place in Sweden on Thursday, with Israel’s performance expected to draw attention due to large pro-Palestinian protests planned in host city Malmo.
Some 100,000 visitors have gathered in Malmo in southern Sweden for the annual kitsch-fest, which is watched by some 200 million people worldwide.
Thursday’s semifinal will feature two of the favorites to win, Switzerland’s Nemo with the song “The Code” and Joost Klein of the Netherlands with the song “Europapa,” as well as outsider Eden Golan of Israel with her song “Hurricane.”
The 68th version of the song contest takes place amid protests and boycotts over the Israeli military campaign in Gaza, triggered by Hamas’ Oct. 7 attack on Israel.
The European Broadcasting Union (EBU), which organizes the event, has resisted calls for Israel to be excluded but asked Israel to modify the lyrics of its original song “October Rain,” which appeared to reference the Hamas attack.
Tens of thousands are expected at a pro-Palestinian demonstration in central Malmo at 1300 GMT on Thursday. A smaller nearby pro-Israel demonstration is scheduled for 1600 GMT.
Gaza-born Swedish student and Palestinian activist Bachar Garar, 23, will protest what he calls double standards, pointing to EBU’s decision to ban Russia after it invaded Ukraine in 2022.
“After everything that happened, how they’ve treated Russia after what happened in Ukraine, they just choose to turn a blind eye to what’s happening in Gaza. So that’s hypocrisy for us and we’re trying to put an end to it,” he said.
Israeli contestant Golan, 20, says she hopes her performance will help unite people.
“It’s a super important moment for us, especially this year,” she told Reuters in an interview this week. “I feel honored to have the opportunity to be the voice of my country.”
At the first semifinal on Tuesday, thousands of fans in quirky and glittery outfits, many dressed up as their favorite contestant or in their national colors, saw 10 performers, including favorites Croatia and Ukraine, qualify for Saturday’s final.
Swedish authorities have heightened security and are bracing for possible unrest during Eurovision week.
“There are sometimes more police than people in sequins, but overall great fun, we’re having a great time,” said United Kingdom supporter Francesca Gaffey, wearing colorful rhine stones on her forehead, a flower headband and a t-shirt with the Eurovision slogan ‘United by Music’.
Thursday’s semifinal is due to begin at 1900 GMT and will also feature contestants from Malta, Albania, Greece, the Czech Republic, Austria, Denmark, Armenia, Latvia, San Marino, Georgia, Belgium, Estonia, and Norway.
Bookmakers have Croatia, Switzerland, Italy and Ukraine as the favorites to win, while streaming data from Spotify suggests a strong chance for the Netherlands or host nation Sweden.


Shanina Shaik takes part in Australian Mother’s Day campaign

Updated 08 May 2024
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Shanina Shaik takes part in Australian Mother’s Day campaign

DUBAI: Part-Arab model Shanina Shaik took part in her first-ever Mother’s Day campaign with fashion platform Witchery to mark the Australian iteration of the globally celebrated occasion, which lands on May 12.

The Australia-born model — who is of Saudi, Pakistani and Lithuanian descent — shares a son with her partner, Matthew Adesuyan.

Born in September 2022, their toddler Zai Adesuyan Matthew is also part of the campaign video and he can be seen laughing on his mother’s lap in a studio setting.

“Motherhood has changed me in so many ways… it’s definitely created more patience,” Shaik joked in the video campaign that she shared with her 3.4 million followers on Instagram.

“Now that I’m a mother, I would like to say to my mother, ‘I understand.’ I understand the worry, the concern, because you just want to protect your child every day at all costs,” she added.

The 33-year-old model also said: “If I could describe motherhood in one word, it would be ‘powerful,’” before concluding “the purest form of love is the bond between a mother and a child.”

Shaik announced the birth of her first child in September 2022 by sharing a picture of the couple’s bundle of joy on Instagram. “Welcome to the world baby Zai Adesuyan Matthew. @bausmatthew and I are so in love,” she captioned the post.

“I have taken this time to adjust to my baby’s schedule and to understand the role of being a mother. Bringing life into this world is a beautiful challenge. I would be happy to share my experience soon,” she wrote at the time.

Zai was born on Sept. 16 in Los Angeles, according to Shaik’s mother, Kim Shaik.

The grandmother wrote on Facebook: “My gorgeous grandson was born last night at 12:50 on the 16th September 2022.”

The catwalk star announced her pregnancy in May 2022 with a letter to her then-unborn child.

“To the new love of my life, thank you for choosing me to be your mum. I have always wanted you for as long as I can remember, and at times my patience was tested. The timing had to be right, and I can say with confidence that I am ready to be your guide, your protector and your best friend,” the former Victoria’s Secret model wrote.

“As each month goes by during this precious journey of pregnancy, I am learning what the role of being a mother entails. I worry a lot, especially about your wellbeing and development. It’s a feeling that I’ve never experienced before, not even about myself. I would do anything for you, be anything for you and sacrifice anything for you,” she continued.

She then praised her own mother, mentioning that she was raised by an “amazing woman” who taught her a lot about motherhood. “She has set the bar high and I don’t want to disappoint you. I want to raise you as she raised me.”

 


Qatar highlights Arab, South Asian and African films at the Venice Biennale

Updated 08 May 2024
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Qatar highlights Arab, South Asian and African films at the Venice Biennale

  • Highlights include Ali Cherri’s “The Dam” (2022), charting the story of a Darfuri seasonal worker from Sudan

VENICE: For its second showing during the Venice Biennale, Qatar is staging the exhibition “Your Ghosts Are Mine: Expanded Cinemas, Amplified Voices” that takes a profound, in-depth look at the last decade of film and video art by Arab, South Asian and African filmmakers.

While Qatar has yet to have its own national pavilion, its exhibition occupies the 459-year-old Palazzo Cavalli-Franchetti on the Grand Canal. The works on show are drawn from the collections of Mathaf: Arab Museum of Contemporary Art, the Doha Film Institute and the forthcoming Art Mill Museum (scheduled to open in 2030). It is divided into ten galleries, each comprising films and video art according to a specific theme such as ruins, women’s voices, borders, exile and deserts and is curated by Paris-based Matthieu Orlean, a film and video expert. The exhibition will run until November 2024.

“Film is very relevant to our institutions and is an important part of our collections,” Zeina Arida, Director of Mathaf: Arab Museum of Modern Arab Art in Doha, told Arab News.

“It is a great way to document our contemporary times,” she added. “Film is also a great way of to share who we are and what we are going through, what we as societies from these less represented countries are living and the issues we are facing.”

In-depth storytelling can be found in the films on view by Shirin Neshat and Shoja Azari, Larissa Sansour, Fares Fayyad, Ali Cherri, Shaima Al-Tamimi, Ramata-Toulaye Sy, Hassan Khan and Sophia Al-Maria, among others.

In a documentary and largely journalistic style, many of the works shed light on current events and issues not often covered in mainstream media, including the now one-year old conflict in Sudan or migrants seeking new homes such as those captured in the film by Yemeni East African filmmaker Shaima Al-Tamini who charted the journey of her family from Kenya and Zanibar to the UAE.

“I was looking at movies that were different from the rest — that take a risk of telling their own story in a specific way,” curator Orlean told Arab News. “The filmmakers of these films are foreigners in their own environment because they are capturing events, whether personal or collective, that many people don’t see even in the news. Many deal with the themes of migration, social differences and exile.”

The works on view showcase both long and short films. A few highlights include Ali Cherri’s “The Dam” (2022), charting the story of a Darfuri seasonal worker from Sudan who works during the night to create a mud-brick monument. The film is a political fable that tells of the power of imagination against the backdrop of the Sudanese revolution. There is also Qatari artist Sophia Al-Maria’s well-known work “Black Friday” (2016) and British-born Egyptian multimedia artist Hassan Khan’s “Jewel” (2010) featuring a luminescent fish in dark waters followed by two men dancing to Arabic music.

“‘Jewel’ was triggered by a moment witnessed on the street in Cairo in 2006 — two men dancing around a speaker with raw, brutal and beautiful music blaring out,” Khan told Arab News. “It took four years before I could finally produce the work for Mathaf's opening exhibition in 2010 and by then so much was bubbling around us that it seemed to channel something real. Imagine a one second flickering daydream slowed down and stretched into six intense minutes. It is about our deepest sources — history, culture, emotion — and how we communicate the alien that lives inside all of us.”


The Eurovision Song Contest kicked off with pop and protests as the war in Gaza casts a shadow

Updated 08 May 2024
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The Eurovision Song Contest kicked off with pop and protests as the war in Gaza casts a shadow

  • Israel is a Eurovision participant, and demonstrations are planned on Thursday and Saturday

MALMO, Sweden: Competition in the 68th Eurovision Song Contest kicked off Tuesday in Sweden, with the war in Gaza casting a shadow over the sequin-spangled pop extravaganza.
Performers representing countries across Europe and beyond took the stage in the first of two semifinals in the Swedish city of Malmo. It and a second semifinal on Thursday will winnow a field of 37 nations to 26 who will compete in Saturday’s final against a backdrop of both parties and protests.
Ten of the 15 acts performing Tuesday were voted through to the final by viewers. They include Croatian singer-songwriter Baby Lasagna, whose infectious electro number “Rim Tim Tagi Dim” is the current favorite to win, and Ukrainian duo alyona alyona and Jerry Heil, flying the flag for their war-battered nation with the anthemic “Teresa & Maria.”
Also making the cut were goth-style Irish singer Bambie Thug, 1990s-loving Finnish prankster Windows95man and Portuguese crooner Iolanda. Iceland, Azerbaijan, Poland, Moldova and Australia were eliminated.
Other bookmakers’ favorites who will perform Thursday include Swiss singer Nemo, Italian TikTok star Angelina Mango and the Netherlands’ Joost Klein with his playful pop-rap song “Europapa.”
Security is tight in the Swedish city, which expects an influx of some 100,000 Eurovision fans, along with tens of thousands of pro-Palestinian protesters. Israel is a Eurovision participant, and demonstrations are planned on Thursday and Saturday against the Israel-Hamas war, which has left almost 35,000 Palestinians dead.
Israel’s government warned its citizens of a “tangible concern” Israelis could be targeted for attack in Malmo during the contest.
Organizers told Israel to change the lyrics of its entry, originally titled “October Rain” in apparent reference to Hamas’ cross-border Oct. 7 attack that killed some 1,200 Israelis and triggered the war. The song was renamed “Hurricane” and Israeli singer Eden Golan was allowed to remain in the contest.
Jean Philip De Tender, deputy director-general of Eurovision organizer the European Broadcasting Union, told Sky News that banning Israel “would have been a political decision, and as such (one) which we cannot take.”
Police from across Sweden have been drafted in for Eurovision week, along with reinforcements from neighboring Denmark and Norway.
Sweden’s official terrorism threat level remains “high,” the second-highest rung on a five-point scale, after a string of public desecrations of the Qur’an last year sparked angry demonstrations across Muslim countries and threats from militant groups. The desecrations were not related to the music event.
Eurovision’s motto is “United by Music,” but national rifts and political divisions often cloud the contest despite organizers’ efforts to keep politics out.
Flags and signs are banned, apart from participants’ national flags and the rainbow pride flag. That means Palestinian flags will be barred inside the Malmo Arena contest venue.

Eric Saade, a former Swedish Eurovision contestant, had a keffiyeh, a headscarf associated with the Palestinian cause, tied around his wrist. (AFP)

Some musicians seem determined to make a point. Eric Saade, a former Swedish Eurovision contestant who performed as part of Tuesday’s show, had a keffiyeh, a headscarf associated with the Palestinian cause, tied around his wrist as he sang.
Afterwards, organizers said in a statement that “we regret that Eric Saade chose to compromise the non-political nature of the event.”
Performers are feeling political pressure, with some saying they have been inundated with messages on social media urging them to boycott the event.
“I am being accused, if I don’t boycott Eurovision, of being an accomplice to genocide in Gaza,” Germany’s contestant, Isaak, said in an interview published by broadcaster ZDF. He said he did not agree.
“We are meeting up to make music, and when we start shutting people out categorically, there will be fewer and fewer of us,” he said. “At some point there won’t be an event anymore.”
One person who knows how Eurovision unity can collide with bitter reality is singer Manizha Sangin, who represented Russia at the contest in 2021. The country was expelled the following year over its invasion of Ukraine.
Manizha, who performs under her first name, spoke out against the war. As a result, her performances were canceled in Russia and her music banned from public spaces. The singer remains in Russia but has found it all but impossible to work.
“People are afraid to work with me here because they’re afraid to have consequences after, problems after that,” she said.
Despite the difficulties, Manizha has recorded a single, “Candlelight,” which she is releasing on Wednesday as “a message of hope.”
“Music cannot stop war,” she said. But “what music can do is inspire people.”
Manizha thinks Russia will one day return to the Eurovision fold – but not soon.
“Maybe next generation,” she said. “But for now, relationships are too complicated. And then that makes me sad, you know, because that’s why people are not hearing each other. Because we are separated from each other. And the thing, is music should unite.”