Actress Susan Kelechi Watson wows in Georges Hobeika at the Golden Globes

Susan Kelechi Watson wearing Georges Hobeika Fall 2021 Couture at the 79th Golden Globe Awards. Instagram
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Updated 01 March 2021
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Actress Susan Kelechi Watson wows in Georges Hobeika at the Golden Globes

DUBAI: The awards season kicked off Sunday night with the 78th Annual Golden Globes, and while it was a completely virtual affair, the show must go on. 

Hosted by Tina Fey and Amy Poehler, the digital ceremony awarded the year’s best and brightest in television and film, as decided by the Hollywood Foreign Press Association, in a digital presentation format.

Meanwhile, the red carpet arrivals that are traditionally captured before the show were a no-go this year, though a handful of stars opted for a physical appearance on the Globes step and repeat, while others nominees made at-home appearances.

Still, despite the absence of a physical red carpet, stars still managed to serve a head-turning fashion experience wearing glamorous designs from international and regional designers. Case in point: “This is Us” actress Susan Kelechi Watson, who presented the award for best TV series, musical or comedy wearing a fringed look from Lebanese couturier Georges Hobeika. 

The shimmering, ocean-blue gown was plucked from the designer’s Fall 2021 couture collection and featured a high neck, long sleeves and silver, swingy fringes on the body, sleeves and hemline that elegantly swayed with each movement. 

Hobeika, who established his namesake label in 1995, presented his Fall 2021 Couture collection from the heart of Lebanon in July. Titled “Madame President,” the offering is a celebration of the Middle Eastern woman, and the strength and power rooted within her.  

Other fashion highlights from the annual awards ceremony include Sarah Paulson, who was nominated for Best Actress in a Drama TV series for “Ratched.” Having recently broken her arm reportedly while filming the new season of “American Crime Story,” the star accessorized her custom, off-the-shoulder, black, embellished Prada gown with a custom, purple Prada cast that had the Italian label’s triangular logo plaque on it. 

“Queen’s Gambit” actress Anya Taylor-Joy appeared virtually in a shimmering emerald green custom gown with a plunging neckline and sweeping coat from Dior Haute Couture, while “Mank” star Amanda Seyfried channeled old Hollywood glamour with a salmon-pink Oscar de la Renta creation.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Law Roach (@luxurylaw)

 Elsewhere, Nicole Kidman called into the awards show from her home in Sydney wearing a custom black, halter-neck Louis Vuitton gown embellished with a metallic link pattern.


Review: ‘Relay’

Updated 21 December 2025
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Review: ‘Relay’

RIYADH: “Relay” is a thriller that knows what its role is in an era of overly explained plots and predictable pacing, making it feel at once refreshing and strangely nostalgic. 

I went into the 2025 film with genuine curiosity after listening to Academy Award-winning British actor Riz Ahmed talk about it on Podcrushed, a podcast by “You” star Penn Badgley. Within the first half hour I was already texting my friends to add it to their watchlists.

There is something confident and restrained about “Relay” that pulls you in, and much of that assurance comes from the film’s lead actors. Ahmed gives a measured, deeply controlled performance as Ash, a man who operates in the shadows with precision and discipline. He excels at disappearing, slipping between identities, and staying one step ahead, yet the story is careful not to mythologize him as untouchable. 

Every pause, glance, and decision carries weight, making Ash feel intelligent and capable. It is one of those roles where presence does most of the work.

Lily James brings a vital counterbalance as Sarah, a woman caught at a moral and emotional crossroads, who is both vulnerable and resilient. The slow-burn connection between her and Ash is shaped by shared isolation and his growing desire to protect her.

The premise is deceptively simple. Ash acts as a middleman for people entangled in corporate crimes, using a relay system to communicate and extract them safely. 

The film’s most inventive choice is its use of the Telecommunications Relay Service — used by people who are deaf and hard of hearing to communicate over the phone — as a central plot device, thoughtfully integrating a vital accessibility tool into the heart of the story. 

As conversations between Ash and Sarah unfold through the relay system, the film builds a unique sense of intimacy and suspense, using its structure to shape tension in a way that feels cleverly crafted.

“Relay” plays like a retro crime thriller, echoing classic spy films in its mood and pacing while grounding itself in contemporary anxieties. 

Beneath the mechanics and thrills of the plot, it is about loneliness, the longing to be seen, and the murky ethics of survival in systems designed to crush individuals. 

If you are a life-long fan of thrillers, “Relay” might still manage to surprise you.