Justin Timberlake apologizes to Britney Spears after backlash

Timberlake also issued an apology to Janet Jackson. File/AFP
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Updated 13 February 2021
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Justin Timberlake apologizes to Britney Spears after backlash

DUBAI: In a statement on Instagram on Friday, Justin Timberlake said he was “deeply sorry” and “wants to take accountability” for how he treated Britney Spears in the past after a new documentary led to backlash online. 

The former *NSYNC star faced criticism for the way he treated Spears during and after their high-profile relationship, which was highlighted in “Framing Britney Spears,” a new documentary released on Hulu. 

Timberlake and Spears dated between 1999 and 2002. After their split, he indirectly accused her of cheating on him when he hired a lookalike actress to appear in the video for his single “Cry Me A River.”

He also apologized to Janet Jackson, after failing to support her over their controversial Super Bowl performance in 2004.

“I’ve seen the messages, tags, comments and concerns and I want to respond. I am deeply sorry for the times in my life where my actions contributed to the problem, where I spoke out of turn, or did not speak up for what was right. I understand that I fell short in these moments and in many others and benefited from a system that condones misogyny and racism,” said Timberlake in the statement. 

“I specifically want to apologize to Britney Spears and Janet Jackson both individually, because I care for and respect these women and I know I failed. I also feel compelled to respond, in part, because everyone involved deserves better and most importantly, because this is a larger conversation that I wholeheartedly want to be part of and grow from,” he added.




Timberlake and Spears dated between 1999 and 2002. File/AFP

The singer went on to state that the “industry is flawed,” favoring white men – something he did not recognize when he was younger but is trying to address now.

“It sets men, especially white men, up for success,” he wrote. “It’s designed this way. As a man in a privileged position, I have to be vocal about this. 

“Because of my ignorance, I didn’t recognize it for all that it was while it was happening in my own life but I do not want to ever benefit from others being pulled down again.”

“Framing Britney Spears” was created by The New York Times and examines the popstar’s humble beginnings, rise to fame and the misogyny she faced during her career.

The 75-minute documentary also goes into detail about the singer’s conservatorship, a legal arrangement that has given her father Jamie Spears control over her career and finances since 2008, and which she is currently fighting in court.


Amr Diab and Sherine top Spotify list of 2025 MENA artists

Updated 17 December 2025
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Amr Diab and Sherine top Spotify list of 2025 MENA artists

  • Egyptian stars and icon Fairuz continue to resonate in region
  • Artists shaping rap, mahraganat, hybrid sounds feature

DUBAI: Spotify has released its list of the Top Middle East and North Africa artists and songs globally, shaped by streams from listeners both inside and outside the region, offering a snapshot of how MENA music travelled in 2025.

Topping the global MENA artists list is Amr Diab, a mainstay of Arab pop. He also led Egypt’s Wrapped this year, while his catalogue — spanning both older hits and newer releases — continued to draw sustained global engagement.

The return of “Tamally Maak” to the global Top Tracks list underlines the lasting appeal of his music across generations.

Sherine is one of the year’s most emotionally resonant voices with four tracks in the global Top 10. Her classics “Kalam Eineh,” “El Watar El Hassas” and “3la Bali,” alongside her newer release “Btmanna Ansak,” reached listeners from Egypt to Germany and the UK.

Spotify data shows her catalogue maintaining a strong, personal connection with audiences throughout 2025.

Regional classics also featured prominently. Nancy Ajram’s early-2000s hit “Ya Tabtab Wa Dallaa” found renewed popularity in markets including Indonesia and Turkiye, while Khaled’s “C’est la vie” continued to cross borders, resonating with listeners from France to India.

Fairuz remained a fixture in daily listening habits, anchoring morning and coffee playlists across the Arab world and the diaspora.

Beyond pop, artists shaping rap, mahraganat and hybrid sounds maintained strong global visibility.

ElGrandeToto, Morocco’s Top Artist on Spotify from 2020 to 2025, continued to spotlight the evolution of Moroccan hip-hop, which in 2025 blended rai, chaabi and local rhythms with trap influences.

His collaboration with Spanish-Moroccan rapper Morad, “Ojos Sin Ver,” featured on the global MENA Top Tracks list, highlighting the genre’s cross-regional and European appeal.

Egyptian rapper Marwan Pablo also remained a prominent global presence, recognized for his introspective approach within the country’s hip-hop scene.

Mahraganat artists Essam Sasa and Eslam Kabonga appeared in the global rankings as well, underscoring the genre’s expanding reach beyond its local roots.

The global MENA Top Tracks list included “KALAMANTINA,” a collaboration between Saint Levant and Marwan Moussa that blends hip-hop and pop within a hybrid electro-shaabi sound.