Lebanese creative fashions traditional tableware from Beirut blast’s broken glass

Here, the jugs are photographed with a festive twist. (Supplied)
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Updated 08 December 2020
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Lebanese creative fashions traditional tableware from Beirut blast’s broken glass

 

DUBAI: Although she lives in California, entrepreneur and former educator Silvia Fadel remains closely attached to her native Lebanon. She recalls the good and the bad of spending summer days there in the 1980s during the tumultuous civil war.

“I got to experience the war, and I was even shot in my leg,” Fadel told Arab News. “I was part of that generation who grew to appreciate and love Lebanon so much.”

When the massive explosions erupted at the Port of Beirut on Aug. 4, she decided to do something to make a difference. “Seeing the country go down like that hit me hard,” she said.




Silvia Fadel is an entrepreneur and former educator. (Supplied)

In early September, Fadel launched her online initiative “Lebanese Glass,” transforming tons of broken pieces of glass into an elegant and traditional water jug called ‘ibriq.’ With every purchase made, a single dollar is donated to the eco-friendly start-up Live Love Recycle, which gathers the glass.

The pitchers come in varied designs and have become popular, with around 50 items ordered per day. “It’s not just Lebanese who are buying them. You get people from all over the world with non-Arab names,” she added.  




Fadel launched her online initiative “Lebanese Glass” in September. (Supplied) 

Transparent with a hint of green, the handmade, painted pitchers are a familiar and amusing staple of Levantine culture. “I think a lot of people like them because they symbolize gatherings. When we used to go to Lebanon every summer, when it was really hot, you would always find an ice-cold ibriq in the middle of the table at every family gathering,” explained Fadel. “It is entertaining to watch people drinking from it and doing competitions to see who can raise it higher!”

To produce the pitchers, Fadel collaborates with the Hammoud family of glassblowers in Tripoli. “The blue-collar workers make them individually, blowing the glass, pounding it on the ground and twirling it in the oven,” she explained.

What makes the jugs unique is that no two are alike. They sometimes bear small imperfections — such as discoloration, trapped air bubbles and soil grains — that ultimately add to their charm. It is a detail that adequately fits Lebanese Glass’ motto: Every jug tells a story.


Bella Hadid leaves Paris for Los Angeles launch event

Updated 11 March 2026
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Bella Hadid leaves Paris for Los Angeles launch event

DUBAI: Supermodel Bella Hadid jetted from Paris to Los Angeles this week to launch her latest campaign with US fashion retailer Revolve.

The Palestinian US Dutch model was on hand in France earlier in the week, where she hit the runway at the Saint Laurent show during Paris Fashion Week.

She then flew across to Los Angeles to launch a campaign with Los Angeles-founded retailer Revolve, which was set up in 2003 by Michael Mente and Mike Karanikolas.

Hadid fronts a campaign launching the e-commerce department store’s first-ever in-house brand, Revolve Los Angeles.

“Born from a deep understanding of the modern woman and inspired by the city where it all began, our eponymous fashion house is a new expression of effortless glamor,” the new fashion label posted on Instagram alongside black-and-white images of Hadid in a selection of looks.

Prior to her trip to Los Angeles, the model showed off French label Saint Laurent’s latest collection in Paris.

Creative Director Anthony Vaccarello, marking his own 10th anniversary at the helm, sent out a parade of razor-sharp Smokings — the house term for its iconic women’s tuxedo — with plunging necklines and elongated silhouettes that crackled with the same transgressive energy founder Yves Saint Laurent unleashed in the 1960s, the Associated Press reported.

But Vaccarello didn’t stop at evening wear.

He extended the same sensual, body-skimming tailoring into daytime suits in fluid pinstripe fabrics with almost no interlining, effectively arguing that the tuxedo silhouette belongs in a woman’s life around the clock.

Plenty of brands in Milan showed strong black pantsuits this season, but the Saint Laurent version still occupies its own territory — sleeker, sharper, more loaded with meaning.

The other half of Vaccarello’s equation was lace, stiffened with latex and tailored into structured cardigan-like jackets and straight skirts.

It was lace with backbone — tough, not delicate.

Paired with smoky eyes, chunky gold jewelry and slingback heels, the collection made a case that Saint Laurent’s codes are as potent as ever.