Coronavirus rules ‘difficult’ to follow as Pakistani TV shows resume filming

Actors sit at a dining table on the set of "Dil Tanha Tanha" in Karachi on November 18, 2020. (AN photo)
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Updated 29 November 2020
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Coronavirus rules ‘difficult’ to follow as Pakistani TV shows resume filming

  • Actors say that keeping distance is not easy, especially if dramas revolve around family affairs
  • TV cameras in Pakistan slowly started rolling again in July when the country’s virus caseload eased 

KARACHI: At a residential house in Karachi’s upscale seaside locality of Clifton, dozens of crew members in face masks are shooting a scene for a new drama, “Dil Tanha Tanha,” one of the few productions to be filming as Pakistan has been hit by a second coronavirus wave.
Many popular television shows and series had to suspend production when Pakistan imposed coronavirus lockdowns in March. TV cameras slowly started rolling again in July when the country’s virus caseload eased. While the country has recently entered the second viral wave, with a continuing rise in infection cases, some projects keep filming because it is too costly just to stop.
While extensive coronavirus testing, daily symptom checks and other safeguards were supposed to be in place to allow actors and crew members to safely return to work, the reality on the ground does not always make it possible.
“It’s really very difficult,” Ali Masood, the director of “Dil Tanha Tanha” who started shooting in November told Arab News on the set last week. “I have ordered everyone to wear a mask, regularly sanitize their hands and try to keep their distance as much as they can.”




"Dil Tanha Tanha" director Ali Masood on set in Karachi on November 18, 2020. (AN photo)

While the director himself, sound engineers and cinematographers were wearing three-layer masks, actors could not do so.
“Obviously, after the scene they use masks,” Masood said. He also tried to design the set to keep them sitting in some reasonable distance.
On the set, three actors were at a dining table. Although everything was shot quickly, with no retakes, lead actor Mohsin Abbas Haider said keeping distance was not easy, especially as the drama revolving around family affairs included scenes in which a character would have to hug their parents.
“It is indeed very difficult time for everyone and especially the drama industry,” he said.
“We are trying our best to create a safe and healthy environment. When we come on shoot there is a guy at the gate holding a sanitizer and thermometer ... If we observe someone is coughing, sneezing or showing any symptoms of COVID, we give him or her a leave.”




"Dil Tanha Tanha" crew members prepare for shooting on set in Karachi on November 18, 2020. (AN photo) 

Makeup artist Astel said he knew that much more responsibility has now been placed on him as his tasks require him to be physically close to the artists.
“It is my duty to get myself sanitized properly at the start of the work every day. I also keep separate utensils and kits for every artist and strictly wear masks when doing makeup and try to maintain reasonable distance.”
He is aware that these precautions may not be enough, but the show must go on if those working on the set want to survive.
“These days are very dangerous,” he said. “(But) we have to work. We can’t survive without going to work.”
On the set of another drama, “Raqse Bismi” which is going to be aired by early next year, crew members are also struggling with health protocols. They complain of being unable to breath in face masks, especially in the heat of camera lights, producer Shazia Wajahat told Arab News.
“Luckily, we have not found any (coronavirus) case on our set, but whenever I heard someone coughing or sneezing or having a fever I sent them home and asked them to come after completing their quarantine,” she said, adding that most of the actors, however, have already had the infection before shooting resumed and are now “corona free.”
But they still try to remain cautious, the producer said. “There is a daily spray of sanitizers and bleach on sets. After every hour, I make sure that they have sprayed washrooms with sanitizers properly specially taps and handles.”
“We are already doing it at a very slow pace and shoot only five to six scenes maximum daily.”
Director Wajahat Rauf said they have been trying to keep actors at a reasonable distance but if characters need to get closer, then they take “this calculated risk.”
The lead actor, Imran Ashraf, admitted that of all crew members actors are highest risk.
“But we take this risk if we want to work,” he said, adding that keeps a bottle of sanitizer with him, which he sprays on himself and others.
Concerned about safety, he decided to shoot one drama at a time and may wait before he accepts another role.
“After ‘Raqse Bismil’ I would think about doing any other project,” he said. “It might be next year.”


Pakistan’s Mahnoor Omer named among TIME’s ‘Women of the Year’ for 2026

Updated 01 March 2026
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Pakistan’s Mahnoor Omer named among TIME’s ‘Women of the Year’ for 2026

  • Omer moved a Pakistani court against the so-called ‘period tax’ in Sept. 2025 which has since sparked a national debate
  • Taxes on sanitary pads in Pakistan can add up to 40 percent to retail price, UNICEF says only around 12 percent women use such products

ISLAMABAD: Pakistani women’s rights activist Mahnoor Omer, who fought against taxes on menstrual products, has been named among the TIME magazine’s ‘Women of the Year’ for 2026.

Omer’s efforts have been recognized alongside 16 activists, artists, athletes and businesswomen in the TIME’s Women of the Year 2026 list, including Olympic gold medalist Sydney McLaughlin-Levrone and Oscar-nominated filmmaker Chloe Zhao.

Dissatisfied with the efforts to educate Pakistani girls about sexual violence, Omer founded the Noor Foundation at the age of 14 and held her own workshops with village girls about everything from climate change to menstruation, according to the TIME magazine.

Two years later, a conversation with a domestic worker about the price of pads made her realize that not everyone could afford these essentials. She moved a court against the so-called “period tax” in Sept. 2025 and the case has sparked a national debate on the subject, considered a taboo by many in Pakistan, since its first hearing late last year.

“A decade and one law degree after her interest in activism was sparked, Omer, now 25, is putting her passion and expertise to work in the name of gender equity,” TIME wrote about Omer on its website.

Taxes imposed on sanitary products in Pakistan can add up to 40 percent to the retail price. UNICEF estimates just 12 percent of women in the country use commercially produced pads or tampons. The alternative, using cloth, risks health impacts including rashes and infections, and can make it impossible for girls to attend school while menstruating.

Omer’s suit, which awaits the government response, has sparked a national discussion. She says she spoke about menstruation to her father and male cousins, who thanked her for standing up for their daughters.
The 25-year-old, who is currently enrolled in a master’s degree in gender, peace, and security at the London School of Economics, sees this case as just the first of many.

“I’m not free until every woman is free,” she was quoted as saying by TIME. “I want to leave no stones unturned in terms of what I can do with the next few decades, as a lawyer for the women in my country and gender minorities in general.”