What We Are Reading Today: Forging Global Fordism by Stefan J. Link

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Updated 30 September 2020
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What We Are Reading Today: Forging Global Fordism by Stefan J. Link

As the US rose to ascendancy in the first decades of the 20th century, observers abroad associated American economic power most directly with its burgeoning automobile industry. In the 1930s, in a bid to emulate and challenge America, engineers from across the world flocked to Detroit. Chief among them were Nazi and Soviet specialists who sought to study, copy, and sometimes steal the techniques of American automotive mass production, or Fordism. Forging Global Fordism traces how Germany and the Soviet Union embraced Fordism amid widespread economic crisis and ideological turmoil. 

This incisive book recovers the crucial role of activist states in global industrial transformations and reconceives the global thirties as an era of intense competitive development, providing a new genealogy of the postwar industrial order.

Stefan Link uncovers the forgotten origins of Fordism in Midwestern populism, and shows how Henry Ford’s antiliberal vision of society appealed to both the Soviet and Nazi regimes.

He explores how they positioned themselves as America’s antagonists in reaction to growing American hegemony and seismic shifts in the global economy during the interwar years, and shows how Detroit visitors like William Werner, Ferdinand Porsche, and Stepan Dybets helped spread versions of Fordism abroad and mobilize them in total war.

Forging Global Fordism challenges the notion that global mass production was a product of post–World War II liberal internationalism, demonstrating how it first began in the global thirties, and how the spread of Fordism had a distinctly illiberal trajectory.


What We Are Reading Today: Making Waste by Sophie Gee

Updated 02 March 2026
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What We Are Reading Today: Making Waste by Sophie Gee

Why was 18th-century English culture so fascinated with the things its society discarded? Why did Restoration and Augustan writers such as Milton, Dryden, Swift, and Pope describe, catalog, and memorialize the waste matter that their social and political worlds wanted to get rid of—from the theological dregs in “Paradise Lost” to the excrements in “The Lady’s Dressing Room” and the corpses of “A Journal of the Plague Year?” In “Making Waste,” the first book about refuse and its place in Enlightenment literature and culture, Sophie Gee examines the meaning of waste at the moment when the early modern world was turning modern.

Gee explains how English writers used contemporary theological and philosophical texts about unwanted and leftover matter to explore secular, literary relationships between waste and value. She finds that, in the 18th century, waste was as culturally valuable as it was practically worthless—and that waste paradoxically revealed the things that the culture cherished most.