A front row seat to the Great Migration in Kenya

Kenya’s international borders reopened on August 1. (Shutterstock)
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Updated 24 September 2020
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A front row seat to the Great Migration in Kenya

  • The Maasai Mara is as empty as it has been in decades, meaning great access for the intrepid traveler

 

DUBAI: “It’s all about the spirit of Ubuntu — you take care of me, I take care of you.”

My safari guide Titus and I are perched on the towering Oloololo Escarpment in southernmost Kenya, sweeping the Maasai Mara below us with binoculars.

I’ve just voiced again how surprised I am to see the plains below devoid of people, despite how safe I feel travelling the country during the COVID-19 pandemic.

This, Titus is explaining, boils down to the Swahili concept of Ubuntu —togetherness — a word that now extends to Kenya’s collective fight against the pandemic.




In Kenya, 130 countries are exempt from the country’s 14-day quarantine upon entry — including each of the GCC countries. (Shutterstock)

At the time of writing, Kenya’s confirmed number of COVID-19 cases is 36,205, with 624 deaths, in a population of around 50 million. Many in the country have already declared victory over the virus. But that’s not to say they’re complacent — in Nairobi, it’s rare to find anyone not wearing a mask, and even in the market town of Narok, en route to the Mara, people are wearing masks and sanitizing common areas. 

Kenya’s international borders reopened on August 1, and 130 countries are exempt from the country’s 14-day quarantine upon entry — including each of the GCC countries.

But when I arrive at Angama Mara, the country’s premier safari camp, I am one of only three groups on site, despite the fact that I am here in peak season — during the Great Migration, when millions of wildebeest pour through the Mara in search of more plentiful grazing.




The domestic tourism market has thrived on the back of national park fees being slashed by 50 percent, and hotels cutting their nightly rates. (Shutterstock)

The Mara is one of the most renowned and important wildlife conservation areas in the world, with bountiful populations of lions, African leopards, cheetahs and elephants. The animals have only grown more confident in the past few months, when most game camps closed. Angama had elephants and zebra wandering through the property and during my stay I watched an opportunistic baboon help himself to the open bar in the dining room. 

The spectacular owner-run lodge with sweeping views over the Mara Triangle, is a destination in itself. The 1985 epic “Out of Africa” was filmed on this spot. From your tent perched on the side of the escarpment, you can watch elephants wander the plains below. 

The surrounding bushland provides the perfect backdrop for a run with a Kenyan staff member, or a walking safari with a local Maasai. My walking guide, Daniel, points out local fauna with expertise, taking particular care to show me the ajuga remota, usually consumed as a cure for malaria, but now being taken by the Maasai to ward off COVID-19.




Angama Mara is the country’s premier safari camp. (Shutterstock)

When I ask him about the efficacy of the treatment, he says with a smile: “Well, no Maasai have corona yet.”

The lack of tourism presents a unique experience for the intrepid traveler: a front-row, unimpeded seat to the excitement of migration season.

The famed river crossings — in which the wildebeest attempt to evade crocodiles and the swift currents of the Mara River in their hundreds, are usually crowded with camera-wielding tourists. In previous years, Titus says, there would have been “more cars than wildebeest.” Now, there are just seven jeeps in sight.

Over the next two days I see a pair of lionesses being chased away from chowing down on a water buffalo by a pack of cackling hyenas, two leopards (the most elusive of all big game) in just a few hours, too many lions to count, two servals and one cub, huge numbers of zebra, buffalo, giraffe and hippo. And hardly any people.




Angama had elephants and zebra wandering through the property. (Shutterstock)

When we do see other jeeps, most of my fellow wildlife-observers are Kenyans. 

The domestic tourism market has thrived on the back of national park fees being slashed by 50 percent, and hotels cutting their nightly rates.

Nairobi’s Villa Rosa Kempinksi put its prices down by 40 percent and has experienced a surge in local staycationers. A hotel staff member says the volume of domestic tourists has helped cushion the blow of a lack of foreigners.

But nowhere is the lack of international tourism more obvious than the Mara. 

I ask Titus if he misses the tourists. His answer is carefully considered: it’s nice having the Mara quiet, he says. But tourists allow him to do what he loves — spending days out on the vast, undulating plains.

“This is like medicine to me, it takes me to a different state,” he says. “I love doing what I do. So I really hope tourists come back.”


Repossi taps May Calamawy for latest campaign

Updated 08 February 2026
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Repossi taps May Calamawy for latest campaign

DUBAI: Italian jewelry label Repossi has tapped Egyptian-Palestinian Hollywood star May Calamawy to star in its Ramadan 2026 campaign.

The campaign, which was shot in Sharjah in the UAE, features Calamawy showing off pieces by the Paris-headquartered label that is known for taking inspiration from architecture and modern art.

Shot inside Zaha Hadid Architects’ BEEAH Headquarters in Sharjah, Calamawy can be seen wearing signature pieces from the Blast and Serti Sur Vide collection, as well as other classic collections by the brand.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by May Calamawy (@calamawy)

“Celebrating Repossi Savoir-Faire, Heritage and Architectural Poetry (sic),” the actress captioned the campaign video, which she shared with her 354,000 followers on Instagram.

Calamawy is known for her roles in the US Netflix series “Ramy” and “Moon Knight” (2022), where she plays dual characters Layla El-Faouly and the Scarlet Scarab.

She made headlines in late 2024 when almost all her scenes were cut from Ridley Scott’s “Gladiator II,” with fans taking to social media to complain.

Her casting in the film was first announced in May 2023.

At the time, Deadline reported that Scott had cast Calamawy after a lengthy search, writing: “While many of the leading roles were straight offers, Scott wanted to do a similar search he did for the (Paul) Mescal part for the role that Calamawy ultimately landed.”

In January, the star took to Instagram to promote her latest project, which hits theaters in April.

“The Mummy,” a new feature from award-winning Irish writer and director Lee Cronin, will be released on April 17 and features Calamawy alongside Mexican actress Veronica Falcon, Jack Reynor, and Laia Costa. 

The film is produced by Blumhouse, Atomic Monster, and New Line Cinema.

“The young daughter of a journalist disappears into the desert without a trace. Eight years later, the broken family is shocked when she is returned to them, as what should be a joyful reunion turns into a living nightmare,” the film’s official logline reads.

Calamawy is also known for her activism and regularly takes to social media to support charity initiatives raising money and awareness for Gaza.

In December, she promoted the song “Lullaby,” which the Together for Palestine charity is trying to propel to the Christmas No. 1 spot in the UK chart to raise money for the people of Palestine.