Pakistani truck artist paints George Floyd mural on his home

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Pakistani truck-art artist Haider Ali speaks about the portrait of George Floyd he painted on the wall of his home in Karachi, Pakistan, Friday, June 12, 2020. (AP)
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Pakistani truck-art artist Haider Ali paints the portrait of George Floyd on the wall of his home in Karachi, Pakistan, Friday, June 12, 2020. (AP)
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Pakistani truck-art artist Haider Ali paints the portrait of George Floyd on the wall of his home in Karachi, Pakistan, Friday, June 12, 2020. (AP)
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Updated 12 June 2020
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Pakistani truck artist paints George Floyd mural on his home

  • Ali, who said he was in tears when he watched the video of Floyd’s killing, makes his living as a truck artist in Sindh
  • Truck painting is popular in Pakistan and Ali said he plans to paint more pictures of Floyd on the back of trucks sometime soon

KARACHI: The brutal killing of George Floyd by police in the United States has sent shock waves across the world, even reaching Pakistan’s southern Sindh province where a truck artist has painted a large mural of the slain African American on a wall of his home.
The 40-year-old artist, Haider Ali, depicted Floyd surrounded by a colorful heart-shaped garland of flowers, with slogans such as #Black Lives Matter on one side and #justice and #equality on the other.
“This is a message of peace and love to all,” Ali told The Associated Press on Friday, as he put the finishing touches on the mural. “It’s not from an individual, this message of love is from all of Pakistan.”
The mural stands out as a burst of color on Ali’s porch wall in the southern port city of Karachi. On one side of the portrait, Ali painted candles burning in memory of Floyd and in the upper right-hand corner, an American and Pakistani flag next to one another.
Floyd, a black man, gasped for breath in Minneapolis while being pressed under the knee of a white police officer for several minutes. His death sparked protests in the US and elsewhere, challenging activists from all backgrounds to rise up against abuse of police power, racism and inequality.
Ali, who said he was in tears when he watched the video of Floyd’s killing, makes his living as a truck artist in Sindh and often takes to the road, catching truckers in moments of rest, when they take a break and park their trucks at truck stops and on wide open fields by the roadside.
Truck painting is popular in Pakistan and Ali said he plans to paint more pictures of Floyd on the back of trucks sometime soon. For now, he has been staying at home fearing he could be exposed to the new coronavirus if he mingles too much with the truckers.
Karachi and the entire Sindh province have been badly affected by the virus. The province alone has reported over 46,800 cases of the virus so far, including 776 deaths from COVID-19, the illness caused by the virus. In all of Pakistan, authorities have said there are more than 125,000 cases, and 2,463 deaths.
Ali said he believes that Floyd’s killing is not a reflection of the American society as a whole but of the individuals who committed the horrific slaying. “I did not know that there are still a few people in America who can be involved in this kind of brutality,” he said.
He said he has visited 40 states in the US, making the trip for the first time when he was 21. “I never faced any discrimination because I am a Muslim or a Pakistani,” he said of the trips.
Being dark-skinned himself, Ali said he has been aware all his life of the many prejudices against people with dark skin in his own homeland.
“Racism is more dangerous than coronavirus,” he said.
Still, Ali says he dreams of a better world, which is why he chose to include the words of a popular Indian song that inspired him and write them in his language, Urdu, on Floyd’s mural:
“Hum kaalay hain toh kia hua, dilwale hain (So what if we are dark-skinned. We have got big hearts)” and “Goron ki na kaalon ki, dunya dil walon ki (This world doesn’t belong to white or black people, it belongs to the ones with heart).”
He also has his own take on skin color:
“Black people are like the sky. You will never be able to see the stars and moon if the sky is white,” Ali said. “You see shining stars and the moon only when there is a black sky.”


Hafez Galley’s exhibition pays tribute to two Egyptian artists who shaped a visual era

Both artists emerged in an era when newspapers and magazines played a central role in shaping Egypt’s visual culture. (Supplied)
Updated 17 January 2026
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Hafez Galley’s exhibition pays tribute to two Egyptian artists who shaped a visual era

  • Artworks by Attyat Sayed and El Dessouki Fahmi will be on display until Feb. 28

JEDDAH: Hafez Gallery in Jeddah has opened an exhibition showcasing the works of influential Egyptian artists Attyat Sayed and El Dessouki Fahmi. The exhibition runs until Feb. 28.

Kenza Zouari, international art fairs manager at the gallery, said the exhibition offers important context for Saudi audiences who are becoming increasingly engaged with Arab art histories.

Artworks by Attyat Sayed and El Dessouki Fahmi will be on display at Hafez Gallery until Feb. 28. (Supplied)

“Attyat Sayed and El Dessouki Fahmi’s decades-long practice in Cairo established foundational models for how artists across the region approach archives, press, and ultimately collective memory,” Zouari told Arab News. 

Both artists emerged in an era when newspapers and magazines played a central role in shaping Egypt’s visual culture. Their early work in press illustration “demanded speed, clarity, the ability to distill complex realities into a single, charged image,” the gallery’s website states.

Seeing the works of both artists side-by-side is breathtaking. It’s fascinating to witness how press illustration shaped such profound and lasting artistic voices.

Lina Al-Mutairi, Local art enthusias

Heba El-Moaz, director of artist liaison at Hafez Gallery, said that this is the second time that the exhibition — a posthumous tribute to the artists —has been shown, following its debut in Cairo.

“By placing their works side by side, it highlights how press illustration, often considered ephemeral, became a formative ground for artistic depth, narrative power, and lasting influence, while revealing two distinct yet deeply interconnected artistic paths within modern Egyptian visual culture,” she told Arab News. 

Artworks by Attyat Sayed and El Dessouki Fahmi will be on display at Hafez Gallery until Feb. 28. (Supplied)

Sayed’s work evolved from black-and-white illustration into “layered, dynamic compositions that translate lived emotion into physical gesture, echoing an ongoing negotiation between the inner world and its outward form,” the website states. Viewed together, the works of Sayed and Fahmi “reveal two distinct yet deeply interconnected artistic paths that contributed significantly to modern Egyptian visual culture.”

The exhibition “invites visitors into a compelling dialogue between instinct and intellect, emotion and structure, spontaneity and reflection; highlighting how artistic rigor, cultural memory, and sustained creative exploration were transformed into enduring visual languages that continue to resonate beyond their time,” the gallery states.

Lina Al-Mutairi, a Jeddah-based art enthusiast, said: “Seeing the works of both artists side-by-side is breathtaking. It’s fascinating to witness how press illustration shaped such profound and lasting artistic voices. The exhibition really brings their vision and influence to life.”