Celebrated calligraphy artist eL Seed releases coloring book amid pandemic

The coloring book will feature illustrations of the artist’s most iconic work. (Supplied)
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Updated 18 May 2020
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Celebrated calligraphy artist eL Seed releases coloring book amid pandemic

DUBAI: Coloring books have gained popularity among adults – and children alike – in recent years for their ability to entertain while acting as a low-tech antidote to the stress of our increasingly digital lives. Now, as people stay home amid the coronavirus pandemic, many are looking for ways to practice mindfulness and release stress and there are few ways better to achieve a clear mind than by coloring.

Perhaps this is why celebrated Tunisian calligrapher eL Seed has decided to release a coloring book featuring illustrations of some of his most iconic works. The book, which is available to print for free on his website, includes seven images of some of his most renowned murals, such as the vivid pink calligraphy in a Brazilian favela and the colorful mural in Cape Town bearing a Nelson Mandela quote.

“I am happy to share with you a coloring book with some of the murals I painted around the world,” wrote the artist on Instagram. “You just have to print it. I hope you enjoy it and please share with me how you interpret my calligraphy.”

It’s not the first time the calligrapher has used art to bring people together amid the pandemic. In April, he brought together 49 participants from around the world to create a virtual collage on social chatting app Zoom.


Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

Updated 27 February 2026
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Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

DUBAI: Here are three highlights from Saher Nassar’s ‘Chronicles from the Storm,’ which runs until March 18 at Zawyeh Gallery in Dubai.

‘Chronicles No. 1’

In his latest solo exhibition, the Palestinian artist “reimagines events that push past emotional capacity toward moral exhaustion, questioning the ethical certainty of the human spirit when faced with immense suffering,” according to the show catalogue, with works that “contemplate the devaluation of hope as a fundamental factor of human survival, sometimes revealed as currency for escape, sometimes seen in people resorting to their primal instincts to endure.”

‘Chronicles No. 8’

“Drawing from both personal and collective experiences, the exhibition unfolds as a layered reflection on how repeated trauma reshapes perception, belief, and the instinct to survive,” a press release for the show states. “Nasser translates lived realities into visual studies that move beyond immediate reaction. Rather than seeking resolution or catharsis, the works dwell in a state of moral exhaustion.”

‘Chronicles No. 3’

In “Chronicles from the Storm,” the UAE-based multidisciplinary artist is not attempting to offer answers, the press release suggests; rather, he is “bearing witness” and “inviting viewers to sit with unresolved questions and the uneasy persistence of the human spirit in the aftermath of the storm.” The works on show “carry a restrained intensity, resisting spectacle in favor of contemplation,” the release continues.