French-Tunisian artist eLseed creates virtual collage on Zoom

The renowned calligraffiti artist depicted the words of French novelist André Malraux. (Instagram)
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Updated 28 April 2020
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French-Tunisian artist eLseed creates virtual collage on Zoom

DUBAI: “Art is a pretext,” wrote French-Tunisian artist eLseed on Instagram, speaking about his first virtual collage that he created on Zoom, the social app, on Monday.

The renowned calligraffiti artist depicted the words of French novelist André Malraux: “Art is the shortest path from one human being to another human being,” on a digital artwork that was divided among 49 participants from around the world.

Each piece was sent to the assigned members, who were told to use it as a virtual background, a function available on Zoom that allows users to change the background against which they appear to an image of their liking, during the call.

To organize the final collage, eLseed allowed people to enter the call according to their position on the artwork.

 
 
 
 
 
 
 
 
 
 
 
 
 

I always say Art is a pretext. Yesterday night, I was more than ever convinced by this statement. Through Art and technology, 49 people from many different countries and backgrounds were united to share a unique moment of humanity. During this difficult time, what I miss the most is the human interactions that I live when I do my art projects. I believe we all have this heightened need for social interaction these days. André Malraux said: ‘Art, is the shortest path from one human being to another human being.’ I depicted the words of the French Novelist in Arabic on an artwork that I divided in 49 pieces. Each piece was sent to a person, all around the world. Then at 1PM EST time, on April 26 2020, everyone logged in with their respective virtual backgrounds. As the conductor, I just had to synchronize the participants, shape the final picture, allowing people to enter the Zoom call according to their position on the artwork. Each person was a single instrument playing a solo. Person by person, I could witness the artwork taking shape. I had to trust everyone to do his or her part so we could create the artwork together. Their part was to be on time, have a good internet connection and a laptop. It was amazing to see each person entering the room and to their surprise, being greeted by people from all over the world whether they knew them or not. There was an undeniable comradery that was genuinely endearing. The best part of it was not the artwork, it was the ambiance, the energy, and the love everyone shared during the call. This wouldn’t have been possible without the talented @aloeblacc who performed throughout the call, and the performance of the amazing Dutch dancers @norah_yarah_rosa . For over an hour we were all at the same level, in unison, sharing the same human condition. I didn’t realize what was happening until the call was over and the participants left one by one just as I had added them. Thanks to all of you who were there yesterday and also @tamir_ali_ for being an amazing artistic director , @hatem.jaziri @malikbettaieb @mehdykhmili and @ouahidb @dima_masoud and @bernardo_arnel for being the best team someone could dream of.

A post shared by eL Seed (@elseed) on

The artist likened the artwork to conducting a symphony. “Each person was a single instrument playing a solo,” eLseed wrote to his 133,000 Instagram followers. “Person by person, I could witness the artwork taking shape.”

“It was amazing to see each person entering the room and to their surprise, being greeted by people from all over the world whether they knew them or not,” he added.

The participants spoke for over an hour as they listened to US musician Aloe Blacc perform throughout the call. 

The Dutch dancers Norah, Yarah and Rosa also performed during the meeting.  

“We were all at the same level, in unison, sharing the same human condition,” eLseed wrote. “The best part of it was not the artwork, it was the ambiance, the energy, and the love everyone shared during the call.”


Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

Updated 27 February 2026
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Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

DUBAI: Here are three highlights from Saher Nassar’s ‘Chronicles from the Storm,’ which runs until March 18 at Zawyeh Gallery in Dubai.

‘Chronicles No. 1’

In his latest solo exhibition, the Palestinian artist “reimagines events that push past emotional capacity toward moral exhaustion, questioning the ethical certainty of the human spirit when faced with immense suffering,” according to the show catalogue, with works that “contemplate the devaluation of hope as a fundamental factor of human survival, sometimes revealed as currency for escape, sometimes seen in people resorting to their primal instincts to endure.”

‘Chronicles No. 8’

“Drawing from both personal and collective experiences, the exhibition unfolds as a layered reflection on how repeated trauma reshapes perception, belief, and the instinct to survive,” a press release for the show states. “Nasser translates lived realities into visual studies that move beyond immediate reaction. Rather than seeking resolution or catharsis, the works dwell in a state of moral exhaustion.”

‘Chronicles No. 3’

In “Chronicles from the Storm,” the UAE-based multidisciplinary artist is not attempting to offer answers, the press release suggests; rather, he is “bearing witness” and “inviting viewers to sit with unresolved questions and the uneasy persistence of the human spirit in the aftermath of the storm.” The works on show “carry a restrained intensity, resisting spectacle in favor of contemplation,” the release continues.