LONDON: Caroline Flack, a British television presenter who hosted the controversial reality TV show “Love Island,” has died at age 40, her family said Saturday.
“We can confirm that our Caroline passed away today, the 15th of February,” the family said in a statement. A family lawyer said Flack had killed herself and was found in her London apartment.
Flack hosted “Love Island” from its launch in 2015, but stepped down last year after being charged with assaulting her boyfriend, Lewis Burton. She denied the charge and was scheduled to stand trial starting next month.
British commercial network ITV, which broadcasts the show, said in a statement that “everybody at ‘Love Island’ and ITV is shocked and saddened by this desperately sad news.”
“Caroline was a much-loved member of the ‘Love Island’ team, and our sincere thoughts and condolences are with her family and friends,” the network statement said.
The sixth season of the show is currently airing. A “Love Island” highlights episode titled “Unseen Bits” that was set to air Saturday evening on ITV2 was pulled from the schedule after Flack’s death was announced.
The next new “Love Island” episode is scheduled for broadcast on Sunday. The network did not indicate if it will air it.
“Love Island” deposits young and attractive contestants in a tropical paradise, where they must pair up or risk being exiled. Critics claim the program puts vulnerable young people under intense scrutiny and pressure, increased by blanket tabloid newspaper coverage of the show.
Two former “Love Island” contestants, Sophie Gradon and Mike Thalassitis, killed themselves in 2018 and 2019.
Their deaths renewed a debate about the ethics of reality TV that has raged in the UK since producers started making British equivalents of sensationalist American programs like “The Jerry Springer Show” two decades ago, putting ordinary people under a microscope on reality shows such as “Big Brother.”
Until her arrest, Flack enjoyed a meteoric career rise after co-hosting Saturday morning children’s television shows. She fronted companion shows to the popular ITV programs “I’m A Celebrity...Get Me Out of Here!” and “The X-Factor.”
Flack’s career blossomed further after she won the BBC show “Strictly Come Dancing” in 2014, the British version of “Dancing With The Stars.” While hosting “Love Island,” Flack made her West End stage debut in 2018, playing Roxie Hart in the musical “Chicago.”
Fellow TV presenters expressed shock over her death Saturday.
Talk show most Piers Morgan tweeted that Flack “was a fun, bright & sparky person whose whole world collapsed recently, both professionally & personally. She told me it had been the worst time of her life, and was clearly struggling to cope with losing everything she held dear. This is such sad, awful news.”
Another well-known host, Eamonn Holmes, tweeted: “Caroline Flack .... Dear God. Shocked beyond belief. May she have found peace . #Rip Has to be repercussions for Love Island now surely?“
Ex-‘Love Island’ host Caroline Flack found dead in London
https://arab.news/vkpcg
Ex-‘Love Island’ host Caroline Flack found dead in London
- Two former Love Island contestants, Sophie Gradon and Mike Thalassitis, killed themselves in 2018 and 2019
- Flack hosted “Love Island” from its launch in 2015, but stepped down last year after being charged with assaulting her boyfriend
A look back at how Arab News marked its 50th anniversary
- In a year crowded with news, the paper still managed to innovate and leverage AI to become available in 50 languages
- Golden Jubilee Gala, held at the Diplomatic Quarter in Riyadh, now available to watch on YouTube
RIYADH: In 2025, the global news agenda was crowded with headlines concerning wars, elections and rapid technological change.
Inside the newsroom of Arab News, the year carried additional weight: Saudi Arabia’s first English-language daily marked its 50th anniversary.
And with an industry going through turmoil worldwide, the challenge inside the newsroom was how to turn a midlife crisis into a midlife opportunity.
For the newspaper’s team members, the milestone was less about nostalgia than about ensuring the publication could thrive in a rapidly changing and evolving media landscape.
“We did not want just to celebrate our past,” said Faisal J. Abbas, editor-in-chief of Arab News. “But more importantly, we were constantly thinking of how we can keep Arab News relevant for the next five decades.”
The solution, he added, came down to two words: “Artificial intelligence.”
For the Arab News newsroom, AI was not a replacement for journalism but as a tool to extend it.
“It was like having three eyes at once: one on the past, one on the present, and one on the future,” said Noor Nugali, the newspaper’s deputy editor-in-chief.
One of the first initiatives was the 50th anniversary commemorative edition, designed as a compact historical record of the region told through Arab News’ own reporting.
“It was meant to be like a mini history book, telling the history of the region using Arab News’ archive with a story from each year,” said Siraj Wahab, acting executive editor of the newspaper.
The issue, he added, traced events ranging from the outbreak of the Lebanese civil war in 1975 to the swearing-in of Donald Trump, while also paying homage to former editors-in-chief who shaped the newspaper’s direction over five decades.
The anniversary edition, however, was only one part of a broader strategy to signal Arab News’ focus on the future.
To that end, the paper partnered with Google to launch the region’s first AI-produced podcast using NotebookLM, an experimental tool that synthesizes reporting and archival material into audio storytelling.
The project marked a regional first in newsroom-led AI audio production.
The podcast was unveiled during a special 50th anniversary ceremony in mid-November, held on the sidelines of the Arab Media Forum, hosted by the Dubai Future Foundation. The event in the UAE’s commercial hub drew regional media leaders and officials.
Remarks at the event highlighted the project as an example of innovation in legacy media, positioning Arab News as a case study in digital reinvention rather than preservation alone.
“This is a great initiative, and I’m happy that it came from Arab News as a leading media platform, and I hope to see more such initiatives in the Arab world especially,” said Mona Al-Marri, director-general of the Government of Dubai Media Office, on the sidelines of the event.
“AI is the future, and no one should deny this. It will take over so many sectors. We have to be ready for it and be part of it and be ahead of anyone else in this interesting field.”
Behind the scenes, another long-form project was taking shape: a documentary chronicling Arab News’ origins and its transformation into a global, digital-first newsroom.
“While all this was happening, we were also working in-house on a documentary telling the origin story of Arab News and how it transformed under the current editor into a more global, more digital operation,” said Nugali.
The result was “Rewriting Arab News,” a documentary examining the paper’s digital transformation and its navigation of Saudi Arabia’s reforms between 2016 and 2018. The film charted editorial shifts, newsroom restructuring and the challenges of reporting during a period of rapid national change.
The documentary was screened at the Frontline Club in London, the European Union Embassy, Westminster University, and the World Media Congress in Bahrain. It later became available on the streaming platform Shahid and onboard Saudi Arabian Airlines.
It was also nominated for an Association for International Broadcasting award.
In early July, a special screening of the documentary took place at the EU Embassy in Riyadh. During the event, EU Ambassador to Saudi Arabia Christophe Farnaud described the film as an “embodiment” of the “incredible changes” that the Kingdom is undergoing.
“I particularly appreciate … the historical dimension, when (Arab News) was created in 1975 — that was also a project corresponding to the new role of the Kingdom,” Farnaud said. “Now the Kingdom has entered a new phase, a spectacular phase of transformation.”
Part of the documentary is narrated by Prince Turki Al-Faisal, the former Saudi ambassador to the US, who in the film delves into the paper’s origins.
The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter.
Hosted by the Dean of Diplomatic Corps in Saudi Arabia and Ambassador of Djibouti to Riyadh Dya-Eddine Said Bamakhrama, the evening featured a keynote address by Prince Turki, who spoke about Arab News’ founding under his father, the late King Faisal, and its original mission to present the Kingdom to the English-speaking world.
Arab News was established in Jeddah in 1975 by brothers Hisham and Mohammed Ali Hafiz under the slogan to give Arabs a voice in English while documenting the major transformations taking place across the Middle East.
The two founders were honored with a special trophy presented by Prince Turki, Assistant Media Minister Abdullah Maghlouth, Editor-in-Chief Abbas, and family member and renowned columnist Talat Hafiz on behalf of the founders.
During the gala, Abbas announced Arab News’ most ambitious expansion yet: the launch of the publication in 50 languages, unveiled later at the World Media Congress in Madrid in cooperation with Camb.AI.
The Madrid launch in October underscored Arab News’ aim to reposition itself not simply as a regional paper, but as a global platform for Saudi and Middle Eastern perspectives.
The event was attended by Princess Haifa bint Abdulaziz Al-Mogrin, the Saudi ambassador to Spain; Arab and Spanish diplomats; and senior editors and executives.
As the anniversary year concluded, Arab News released the full video of the Golden Jubilee Gala to the public for the first time, making the event accessible beyond the room in which it was held.
For a newspaper founded in an era of typewriters and wire copy, the message of its 50th year was clear: longevity alone is not enough. Relevance, the newsroom concluded, now depends on how well journalism adapts without losing sight of its past.
