Yayoi Kusama’s ‘Brilliance of the Souls’ comes to Saudi Arabia’s AlUla

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Spheres of multicolored light hang at different heights and intervals from the ceiling, bringing to mind stars, planets and galaxies from afar. (Photo/Huda Bashatah)
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(Photo/Huda Bashatah)
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Spheres of multicolored light hang at different heights and intervals from the ceiling, bringing to mind stars, planets and galaxies from afar. (Supplied)
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Updated 04 February 2020
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Yayoi Kusama’s ‘Brilliance of the Souls’ comes to Saudi Arabia’s AlUla

  • Visitors are instantly immersed in a different, ethereal world once the door closes behind them

ALULA: Japanese artist Yayoi Kusama has made her Saudi Arabian debut with one of her mirrored “infinity rooms” available to visit at AlUla’s Maraya Concert Hall.

The installation at AlUla, titled “Infinity Mirrored Room — Brilliance of the Souls,” is deceptively small at first. A totally reflective space with water surrounding a small platform on the ground for visitors to stand on, observers are instantly immersed in a different, ethereal world once the door closes behind them.
Spheres of multicolored light hang at different heights and intervals from the ceiling, bringing to mind stars, planets and galaxies from afar. The viewer is insulated from the outside world, and the space transforms from a confined room barely big enough for two people to an unending wonder.
The exhibit makes for a perfect place to take an ethereal, otherworldly selfie, as demonstrated by many of its visitors, such as Finnish resident Laura Alho, known online as “blueabaya.” Alho took to Twitter to post photos of her experience, saying she had “never seen anything like it.”
The concert hall itself is also covered in mirrors on the outside, designed with the intention of blending into the surrounding rocky landscape of AlUla without disrupting the natural beauty of the location.
Kusama, a 90-year-old artist from Matsumoto, is widely acknowledged as one of the most important contemporary Japanese creatives. Though she works primarily through sculpture and installation, she also paints, contributes to film and performance art, and dabbles in poetry, fiction, and fashion. She is famous for her conceptual art, which shows attributes of feminism, minimalism, surrealism, art brut, pop art, and abstract expressionism.

HIGHLIGHT

The ‘Infinity Mirrored Room’ is deceptively small at first. It is a totally reflective space with water surrounding a small platform on the ground for visitors to stand on.

At the age of 10, she began to experience vivid hallucinations which consisted of dense fields of dots, which inspired the Infinity Mirrored Rooms that she is most well-known for. As a way of therapy and self-expression, Kusama began creating these spaces with mirrored walls and multiple dots incorporated into the designs.
Kusama’s work is showcased at museums throughout the world, including the Museum of Modern Art in New York, the Stedelijk Museum in Amsterdam, and the National Museum of Modern Art, Tokyo. There are 10 permanent Infinity Mirrored Rooms in museums worldwide, with several temporary showcases leased to various others. People have reportedly lined up for as long as five hours just to be allowed inside one for 30 seconds.
Interested parties can visit the Infinity Mirrored Room as part of the Winter at Tantora festival, taking place in AlUla until March 20. Access to the room is free to concertgoers with a ticket, details of which can be found at experiencealula.com.

 

The rebirth of AlUla
Hegra, ancient city of the Nabataeans in Saudi Arabia’s historic AlUla Valley, is emerging from the mists of time to take its rightful place as one of the wonders of the world

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Crown prince sponsors launch of world-class Arabic calligraphy center in Madinah

Updated 23 December 2025
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Crown prince sponsors launch of world-class Arabic calligraphy center in Madinah

  • The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz

RIYADH: A new center for Arabic calligraphy under the patronage of Crown Prince Mohammed bin Salman officially opened in Madinah on Monday.

The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz, governor of Madinah region.

He was joined by Culture Minister Prince Badr bin Abdullah bin Farhan, touring the new facility’s exhibition spaces and receiving briefings on cultural programming and the center’s achievements.

They also viewed collections highlighting Arabic calligraphy’s artistic and historical importance.

Speaking at the opening, Prince Badr said: “From this land of enlightenment and scholarship, we proudly launch a global platform dedicated to Arabic calligraphy as an invaluable cultural asset.”

He went on to credit the crown prince’s “generous and boundless support” for the cultural sector.

The minister said that the center demonstrated to the world the legacy of Arabic calligraphy while underscoring Saudi Arabia’s commitment to safeguarding its cultural identity and heritage.

According to Prince Badr, the facility represents an ambitious vision to elevate Arabic calligraphy as both a universal communication tool and an integral element of Arab heritage, art, architecture and design.

The center further aims to enhance the Kingdom’s cultural identity and strengthen its international presence, targeting calligraphers, emerging talents, visual artists, Islamic arts researchers, educational and cultural institutions, as well as art and heritage enthusiasts worldwide.

It will deliver specialized programs including research and archival services, calligraphy instruction, academic grants, a permanent museum, touring exhibitions, an international calligraphy association and a business incubator supporting calligraphy enterprises.

Additional offerings feature artist residency programs, expert-led workshops, and standardized curriculum development, complemented by international educational partnerships aimed at heritage conservation and expanding global appreciation for this time-honored art form.

The center’s establishment in Madinah carries particular significance, given the city’s historical role as the cradle of Arabic calligraphy and its association with transcribing the Qur’an and preserving Islamic knowledge.