STOCKHOLM: Marie Fredriksson, the female half of the Swedish pop duo Roxette, has died at age 61, her management agency said Tuesday.
Fredriksson formed Roxette with Per Gessle in 1986. The two released their first album the same year and went on to achieve international success in the late 1980s and 1990s with hits including “The Look” and “It Must Have Been Love.”
The Dimberg Jernberg agency said Fredriksson died Monday “of the consequences of a long illness.”
It “is with great sorrow that we must inform you that one of greatest and most-loved artists is gone,” the firm said.
On his Facebook profile, Gessle wrote: “You were an outstanding musician, a master of the voice, an amazing performer.”
“I’m proud, honored and happy to have been able to share so much of your time, talent, warmth, generosity and your sense of humor,” he wrote in English, adding “Things will never be the same.”
Fredriksson was diagnosed with a brain tumor in 2002. She underwent aggressive treatment that took its toll but ultimately was successful, her management agency said. However, she was left blind in one eye, with limited hearing and mobility, and was unable to read or write. She was also unable to speak for a considerable period of time after her treatment. Over the years she was able to make a gradual return to the world stage
Fredriksson was born in southern Sweden on May 30, 1958, and had her artistic breakthrough in 1984 in Sweden. Two years later, she formed the duo Roxette with Gessle, and in 1989, the pair had their international breakthrough with “The Look.”
They achieved international success with their albums “Look Sharp!” in 1988 and “Joyride” in 1991, and had six top two hits on the Billboard Hot 100. The pair sold 80 million records worldwide and embarked on world tours.
They were Sweden’s best-known band since ABBA in the 1970s and 1980s, and in 2003, Sweden’s Carl Gustaf XVI awarded the duo a royal award. Fredriksson made her first public appearance after her brain tumor operation to receive the honor with Gessle.
Fredriksson is survived by her husband, Mikael Bolyos, and their two children, Josefin and Oscar.
Marie Fredriksson of Swedish pop duo Roxette dies at 61
Marie Fredriksson of Swedish pop duo Roxette dies at 61
- Per Gessle: You were an outstanding musician, a master of the voice, an amazing performer
- Fredriksson formed Roxette with Per Gessle in 1986, and in 1989, the pair had their international breakthrough with The Look
Art Cairo part of a ‘long-term cultural project,’ founder says
CAIRO: As Art Cairo 2026 draws to a close, its founder Mohammed Younis is keen to set the fair apart from its regional counterparts — and also asserts that the annual event is part of a “long-term cultural project.”
The fair, which took place at the Grand Egyptian Museum and wrapped up on Jan. 26, boasted a distinctly Arab flavor, in terms of galleries, artists and the themes of the artworks on show.
Younis says that is all part of a conscious curatorial effort.
“Art Cairo stands apart from other art fairs in the region as the only platform dedicated exclusively and intentionally to Arab art … While many regional fairs present a broad, globalized perspective, Art Cairo emerges from a different vision — one rooted in presenting Arab art from within,” Younis told Arab News.
Across the fair, depictions of golden age icons such as 1950s superstar Mohamed Mohamed Fawzy by painter Adel El-Siwi jostled for attention alongside ancient iconography and pop culture references from the Arab world.
Abu Dhabi’s Salwa Zeidan Gallery, for example, exhibited work by up-and-coming Egyptian artist Passant Kirdy.
“My work focuses on Egyptian heritage in general, including pharaonic and Islamic art. These influences are always present in what I create. This symbol you’re looking at is a pharaonic scarab … I’m very attached to this symbol,” she told Arab News.
The Arab focus of the curation is part of an effort to bill Art Cairo as a “long-term cultural project,” Younis noted.
“Ultimately, Art Cairo is not simply an art fair; it is a long-term cultural project. It exists to support Arab artists, contribute to building a sustainable art market, and articulate an authentic Arab narrative within the regional and international art landscape.”
