Have you heard the one about the Muslims making a splash on the UK comedy scene?

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The Super Muslim Comedy Tour, which visited 11 cities across Britain, included three comedians with British-Arab backgrounds. (AN Photo/Sarah Glubb)
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(L-R) British comedian Guz Khan, Yousaf Razaq, Director of Partnerships, Challenges and Events at Penny Appeal, British-Moroccan Comedian Fatiha El-Ghorri and British-Kurdish Comedian Kae Kurd. (AN Photo/Sarah Glubb)
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Mother-of-two, Esther Manito, was born and raised in Essex, east of London, where she said “there were absolutely no ethnic minority groups around, let alone Arab ethnic minority groups.” (AN Photo/Sarah Glubb)
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The Super Muslim Comedy Tour returned in it's fifth year running, leaving audiences across the UK in stitches with a Halal-larious comedy line-up. (AN Photo/Sarah Glubb)
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British-Kurdish Comedian Kae Kurd hosted the show that featured five Muslim comedians, three of whom had Arab backgrounds. (AN Photo/Sarah Glubb)
Updated 19 November 2019
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Have you heard the one about the Muslims making a splash on the UK comedy scene?

  • New breed of comedians use their Arab origins to fuel culture-clash comedy routines and smash stereotypes
  • Super Muslim Comedy Tour visited 11 British cities to raise money to help impoverished children in crisis-hit countries

LONDON: Thanks to stars such as Billy Connolly, Eddie Izzard, Ricky Gervais, Dawn French and Jennifer Saunders, Britain has long been a hotbed of comedy talent.
Lately, a new crop of Arab Muslim stand-up comedians have taken to the stage across the country, representing the UK’s ethnic diversity and offering a fresh alternative on the comedy scene.
Fatiha El-Ghorri, Omar Hamdi and Esther Manito were among seven Muslim comedians that toured 11 British cities as part of the Super Muslim Comedy Tour. This charity event is organized by Penny Appeal, an international humanitarian organization that works to provide poverty relief in crisis-hit countries worldwide.
In their acts, the three performers challenge the stigmas and stereotypes associated with how the British public views Muslims and Arabs, and vice versa, using their own experiences and backgrounds as inspiration for their humor.
British-Moroccan comedian El-Ghorri, for example, uses comedy to break down the barriers that she has come up against as a Muslim and as a woman.
“I think in the West in general we have a perception of Muslim women as being weak and oppressed, especially with Muslim women that wear the hijab,” she said after a performance at Porchester Hall in Bayswater, London. “It’s difficult for women in general but it’s more difficult for a woman that looks so different, as I do, because people don’t want to take a chance on you.”




British-Moroccan comedian Fatiha El-Ghorri is challenging the stigmas that not only come with being a Muslim, but also a Muslim woman. (AN Photo/Sarah Glubb)

The comedy industry has long had a problem with female comics because promoters worry that audiences will not connect with their material, she said. At most of the events she has performed at she was the only woman on the bill, she added, and wearing a hijab makes it even harder to find a platform.
“So I like to challenge that and the perceptions people have of us as Muslims,” she said. “And also, within the Muslim community you have tribes: you have the Pakistani Muslims, the Arab Muslims, and we have traditions and cultures different to each other.”
Stepping onto the stage to the sound of a song by rapper Jay-Z, 38-year-old El-Ghorri kept the audience in stitches from the beginning to the end of her routine, as she merged eastern and western words and trends to come up with hybrid terms such as “Minder” (Muslim Tinder) and Mipster (Muslim hipster).
Despite the challenges and obstacles she has faced, she has no intention to give up her dream career.
“I’m not going to stop,” she said. “This is what I want to do and I’m gonna be here and I’m gonna do it. If one club won’t take me, another club will.”
The Super Muslim Comedy Tour, which is in its fifth year, kicked off in Aberdeen, Scotland, on Nov. 6 before heading south, stopping off in major cities before concluding in London on Nov. 17. Arab News caught up with the performers in the capital on the penultimate night of the tour.
Welsh-Egyptian comedian Omar Hamdi said one of the interesting things about stand up is that it takes him to places he would normally never go.
“This tour started in Aberdeen, which is like the northeast corner of Scotland — it’s practically Norway,” he said, adding that the “vibe there was different” to what he experienced in Bayswater, for example, a posh area in central London. “Even a distance of a few miles makes such a difference in the energy of the audience and what they’re into,” he explained.
This is the third time the 29-year-old has been part of the Super Muslim tour.




This is the third year Welsh-Egyptian comedian Omar Hamdi has joined Penny Appeal’s Super Muslim Comedy Tour. (AN Photo/Sarah Glubb)

“Every year it’s different but it’s always fun,” he said. “I think because it’s been going a few years it’s become a bit of a brand. People come along more excited about the show, they have more expectations and it just gets bigger and better.
“The interesting thing is that wherever you go, people are there to laugh but they’re also there to support an amazing charity.”
Hamdi has also performed at Dubai Opera and the Royal Albert Hall in London. He is a presenter on the British Academy of Film and Television Arts (Bafta) Award-winning BBC Wales consumer-affairs show “X-Ray,” and has a comedy special, “Omar Hamdi: British Dream,” on Amazon Prime in the UK.
During his routine on the Super Muslim tour, Hamdi, who was born in Cardiff, jokes about how his parents ended up living in Wales, which is not the most obvious destination for Egyptian immigrants.
Esther Manito, meanwhile, was born and raised in Essex, east of London.
“There were absolutely no ethnic minority groups around, let alone Arab ethnic minority groups,” she said. With a Lebanese father and a mother from Newcastle, in the northeast of England, her parents’ cultural differences, in particular their very different ways of speaking, provide a rich source of inspiration for her comedy.
“My style of comedy is very much observational,” said Manito. “It’s about family life, family dynamics and identity, and growing up with dual heritage, so all of that comes into play when I’m doing stand-up. My surroundings have given me so much comedy material.”




The Super Muslim Comedy Tour was held at Porchester Hall in Bayswater, London, after touring 10 other cities across the UK. (AN Photo/Sarah Glubb)

Kae Kurd, from south London, is the host of the show. The 29 year-old, who hosts a YouTube show called “Kurd Your Enthusiasm,” was six months old when his parents moved to the UK in 1990. They were part of the resistance that fought against Saddam Hussein’s regime in Iraq.
He said the response from audiences has been very positive throughout the tour, even if it occasionally takes a little time for them to warm up.
“Sometimes, I think people are nervous to laugh because they’ve probably never been to a comedy show before, so they don’t understand that they can laugh out loud,” he said. “But it’s been fun and everybody’s really enjoyed it.”
The proceeds from this year’s tour will help the Forgotten Children campaign, which aims to get young people in places such as Lebanon, Senegal, Pakistan and Bangladesh off the streets and into safer environments.
Sisters Ripa and Nazifa Hannan, from Hackney said it was the first time they attended a Muslim comedy show.
Ripa, 34, particularly liked El-Ghorri set and was able to relate to all her jokes, especially as they are from the same are in London.




British-Moroccan comedian Fatiha El-Ghorri (C) with fans Ripa Hannan (L) and her sister Nazifa (R). (AN Photo/Sarah Glubb)

“You know when women can kind of relate to another woman especially when, we come from Hackney too, so we got every single joke of hers and so it resonates for us,” she said.
Nazifa, 27, said they often attend comedy shows but tend to see acts like Trevor Noah or Russell Howard.
“This is the first Muslim comedy show and it was fantastic, hilarious and the fact they spoke (for a) very good cause,” she added.


First Muslim film festival to launch in London

Updated 27 May 2024
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First Muslim film festival to launch in London

  • Event features narratives from Muslim filmmakers, productions inspired by Muslim culture and faith

LONDON: A new film festival in the UK is on a mission to explore Muslim experiences through film.

The inaugural Muslim International Film Festival will begin on May 30 in London’s Leicester Square.

The four-day event features narratives from international Muslim filmmakers as well as productions inspired by Muslim culture and faith.

“The idea behind the festival is about reclaiming our identity and celebrating it. For the longest time, being Muslim has felt like something we can’t be proud of,” MIFF director Sajid Varda told Arab News.

He added: “We’ve had to hide our identity, and the narrative around our faith and identities has often been controlled by others.

“There’s been a persistent frustration with how to change those perceptions and how to reconnect with wider audiences and communities.

“We want to give them a glimpse into our lives and lived experiences, while also showcasing the cinematic brilliance of our creative community and its contributions to cinema.”

The event will begin with the London premiere of “Hounds” (“Les Meutes”) by Moroccan director Kamal Lazraq. The film follows a father and son in Casablanca’s suburbs who make ends meet by committing petty crimes for a local mob until a kidnapping goes horribly wrong.

Other highlights include critically acclaimed films set in the UK, France, Turkiye, Tunisia, Jordan, Iran and Sudan.

The festival will include Q&A sessions, panels and networking events in partnership with the British Film Commission, Netflix and the BBC.

Organizers have made the festival as accessible as possible to wider audiences, Varda said.

“We wanted to ensure that the films align with our faith and ethos, avoiding gratuitous violence, nudity and overtly sexual themes. This makes the content accessible to all, not just Muslims, but also people of other faiths and beliefs who might be sensitive to these issues.”

He added: “Our ticket costs are much lower compared to other festivals. We’ve also given out many tickets at no cost to various organizations, and offered discounts to students and those facing financial hardship.”


Review: ‘Norah’ makes Cannes history with its delicate handling of a Saudi story

“Norah” had its official screening at the 77th Cannes Film Festival. (AN/ Ammar Abd Rabbo)
Updated 27 May 2024
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Review: ‘Norah’ makes Cannes history with its delicate handling of a Saudi story

CANNES: Director Tawfik Alzaidi's “Norah” made history when it was selected as the first Saudi film to screen on the official calendar at the Cannes Film Festival.

The film premiered at December’s Red Sea International Film Festival in Jeddah before heading to the French Riviera last week, where it ran in the famed festival’s Un Certain Regard section.

“Norah” is the story of a restless young woman (played with wonderful ease by Maria Bahrawi), who dreams of a life beyond her immediate surroundings.

Set in 1990s Saudi Arabia when conservatism ruled and the pursuit of all art, including painting, was frowned upon, a new world opens up for Norah when Nader (Yaqoub Alfarhan), a failed artist and teacher from the city, comes to her village. Despite the rigid rules of society, the pair form a platonic relationship, linked by a passion for the arts. What emerges is a story in which the characters inspire each other, played out against the backdrop of the scenic AlUla region in Saudi Arabia, a location that is becoming a major moviemaking hub.

Norah, brought up by her uncle and aunt after having lost her parents early on, listens to music and pores over magazines. She encourages Nader to follow his passion for drawing, and their affection for each other gradually develops into an unshakable union.

The director strives to walk a tightrope, maintaining an equilibrium between Saudi sensibilities and a daringly emotional outlook. He explores the hesitant heartbeats of Norah and Nader but stops short of entering any overt romantic territory. The love affair, in this case, in one with the arts — both lead characters yearn for the chance to creatively express themselves.

While the narrative carries on at a gentle pace, the tone and tenure seem ruffled and out of place in the finale — with a rather bizarre ending marred by uncertainty. Alzaidi loses his grip over the narration, which until then seemed to have traversed a smooth road.


Sofia Carson shows off Elie Saab gown on the red carpet

Updated 26 May 2024
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Sofia Carson shows off Elie Saab gown on the red carpet

DUBAI: US actress Sofia Carson showed off a gown by Lebanese designer Elie Saab at the closing ceremony of the 77th annual Cannes Film Festival.

The star, who has showed off Lebanese labels on multiple red carpets in the past, opted for an olive-toned ensemble from the designer’s Spring/ Summer 2024 couture collection.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Styled by Erin Walsh, Carson posed for photos on the red carpet in the look that featured a draped skirt and embellishments on the neckline.

The latest red carpet appearance proves Carson is something of a fan of Lebanon’s couturiers — In 2022 the “Purple Hearts” actress was spotted in New York wearing an ensemble by Zuhair Murad. Carson attended the Global Citizen Festival in a coordinating look from Murad’s Resort 2023 collection. The outfit featured an embellished crop top and mini skirt set with matching thigh-high leather boots.

In late 2023, the actress cut an elegant figure in a Zuhair Murad gown at the second annual Cam for a Cause event in memory of her former co-star Cameron Boyce, who died at the age of 20 due to an epileptic seizure.

Fast forward to 2024 and the now-concluded Cannes Film Festival has played host to a number of Arab-created looks.

Saudi designer Eman Al-Ajlan dressed Leomie Anderson. (Getty Images)

Saudi designer Eman Al-Ajlan dressed British model and TV presenter Leomie Anderson in a structured look featuring a mini dress with a net-like skirt fitted underneath at the 2024 amfAR Gala in Cannes.

A few celebrities opted for gowns by Murad at the same event, including German model Toni Garrn, sports commentator Alex Scott and Brazilian model Thayna Soares.

Meanwhile, German model Kim Dammer dazzled on the red carpet in a glamorous halter-neck black gown, intricately embroidered with geometric shapes by Lebanese couturier Rami Kadi. Lebanese designer Nicolas Jebran was championed by Turkish actress Hande Ercel, who wore a black gown adorned with red and blue beads.

Egyptian actress Yasmine Sabri was also in attendance, wearing a sparkling silver dress by Lebanese designer Jean Pierre Khoury. The dress featured thousands of mirrored tube beads hand-sewn onto a corseted silhouette, according to the fashion house.


Saudi animation on pandemic-era worship in Makkah draws praise in Cannes

Soraya Al-Shehri, Nabila Abu Al-Jadayel, Kariman Abuljadayel, and Salwa Abuljadayel. (Supplied)
Updated 27 May 2024
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Saudi animation on pandemic-era worship in Makkah draws praise in Cannes

JEDDAH: Saudi film “Wa Isjod Wa Iqtareb” (“Prostrate and Draw Near”) won the “Animation That Matters” award during the Animaze Animation Day event at Marché du Film, the industry networking section of the Cannes Film Festival.

Directed, produced, and written mother-daughter duo Suraya Al-Shehry and Nabila Abuljadayel, the film was created via production company Suraya Productions and explores the period of time during the COVID-19 pandemic when cleaning staff replaced the usual mix of international worshippers at the Grand Mosque in Makkah.

The film integrates traditional art and 2-D animation, but it is its subject matter that makes it unique, according to Al-Shehry.

“In the history of cinema, there has been a noticeable lack of films focusing on Makkah and the Holy Mosque, particularly in the realm of animation. Collaborating with my daughter … on our short animated film has brought me immense joy and a profound sense of fulfilment,” she said.

She added that the film portrays a significant moment in global and Islamic history by showcasing the Grand Mosque devoid of pilgrims, with the exception of the cleaning and maintenance staff who had the unique opportunity to pray there during the pandemic when no one else could.

Abuljadayel reflected on the nearly two-year project, saying: “For me, the best reward was the chance to collaborate with my mother, an experience that transcends any accolade.”

She emphasized that receiving the award aligned with the film’s core message of celebrating shared humanity.

“I firmly believe that what comes from the heart resonates with others, whether expressed through animation or my artwork, and the greatest testimony of that is the success of this film,” she said.

The creative duo seem to be keen to continue their success, with another project scheduled for completion next year.

 


British-Pakistani opera singer receives royal honor for recording national anthem post-coronation

Updated 25 May 2024
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British-Pakistani opera singer receives royal honor for recording national anthem post-coronation

  • Saira Peter says she is privileged to contribute her voice to British government’s public events, citizenship ceremonies
  • She also recorded ‘God Save the Queen’ in 2018 and received acknowledgement and gratitude of Queen Elizabeth II

ISLAMABAD: A British-Pakistani Sufi Opera singer, Saira Peter, announced in a video message circulated on Saturday she received a letter of appreciation from Buckingham Palace for recording the British national anthem, “God Save the King,” following the coronation of King Charles III.
The British king’s coronation took place last May at Westminster Abbey in London. The event brought leaders and high-profile personalities from around the world and marked his official accession to the throne after the passing of Queen Elizabeth II in September 2022.
Upon receiving the recording, performed in the soprano vocal range, the highest of the female voice types in classical singing, the king sent Peter a letter conveying his good wishes and sincere thanks for her public services.
She also received a signed photo card from him and Queen Camilla.
“I want to share with all my followers how excited I am to receive a letter and card of appreciation and gratitude from His Majesty King Charles the Third,” Peter said in the video, where she mentioned she was Pakistan’s first opera singer. “This arrived in response to my civic service of recording the British national anthem, ‘God Save the King.’”
“Being British-Pakistani, I feel so privileged to contribute my skill and voice to the British government’s public events and citizenship ceremonies,” she added.
Peter informed the British national anthem was recorded at the request of UK Government offices at Hastings Town Hall in East Sussex. The recording is now used across her adopted country for official government events.
Previously, she recorded “God Save the Queen” in 2018, making her the first Asian and the only Pakistani officially invited to undertake the task. Peter also received acknowledgment and gratitude from the late queen.
Born in Karachi, the opera singer told Arab News during her visit to Pakistan last year she used to sing in church choirs and began her Western classical journey, learning from Paul Knight, a disciple of Benjamin Britten, in London in the early 2000s after her family moved there.
Peter’s father, Zafar Francis, pioneered the Noor Jehan Arts Center in London, which was opened by British superstar Sir Cliff Richard in 1998.
She is the director of the performing arts center and teaches both Western and Pakistani classical music there.
She said her work in Britain was projecting “a positive image of Pakistan.”