‘Housefull 4’: Bollywood’s Akshay Kumar sinks in a senseless, sexist farce

The film stars Bollywood superstar Akshay Kumar (center). (Supplied)
Updated 16 November 2019
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‘Housefull 4’: Bollywood’s Akshay Kumar sinks in a senseless, sexist farce

CHENNAI: Movie franchises often run out of steam and “Housefull 4,” directed by Farhad Samji and produced by Fox Star Studios, is yet another senseless 145 minutes of bizarre theatrics with over-performing, over-dressed men and women. Not just that, the film goes back to the once beaten-to-death subject in Indian cinema — reincarnation. Imagine a love story, or several love stories, having taken place in the north Indian kingdom of Sitamgarh in the 15th century and all of them ending in one unimaginable tragedy orchestrated by a revenge-seeking rogue. 

“Housefull 4” begins in present-day London. Harry (Akshay Kumar), Roy (Riteish Deshmukh) and Max (Bobby Deol) are getting ready to marry the daughters of a rich businessman. The boys are not in love with the girls, but the dowries they bring in the story that was written by Sajid Nadiadwala and Sara Bodinar. Harry, who has the same dream (or nightmare) every night soon realizes that the woman he is pretending to be in love with, Neha (Kriti Kharbanda), was meant to be his sister-in-law in the life he had centuries ago. The other two men also reincarnated are Roy (Rietesh Deshmukh) and Max (Bobby Deol) and their partners are played by Pooja (Pooja Hegde ) and Kriti (Kriti Sanon). The women look like identical triplets and I do not blame the reincarnated men who seem to have got thoroughly confused.

“Housefull 4” is silly to the core, with bird droppings on Harry (“call it luck,” someone quips) and other juvenile, slapstick jokes. But what is terribly worrisome is the sexist humor. The least that the writers could have done was to clean the script of such tastelessness. To top it all off, the extravagant sets influenced by the likes of “Game of Thrones” (with poor CGI) and the flamboyant costumes pull this Akshay Kumar-starrer into Arthur Conan Doyles’ Grimpen Mire of the famed Baskerville drama. But the point here is, why did Kumar, who has shown his acting caliber in recent times, choose to get into such a mindless venture? It beats me.


Lolo Zouai takes to Berlin’s Colors platform

Updated 03 March 2026
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Lolo Zouai takes to Berlin’s Colors platform

DUBAI: French Algerian singer Lolo Zouai took to the Berlin-based music platform Colors this week, delivering a live performance of her latest single “Desert Rose PT.II.”

The appearance comes as the track climbed to No. 1 on Algeria’s R&B chart within 24 hours of its release. A sequel to “Desert Rose” from her 2019 debut album “High Highs to Low Lows,” the new single features lyrics in Arabic, French and English, reflecting the cross-cultural influences that shape her sound.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Lolo Zouaï (@lolozouai)

Zouai marked the achievement on Instagram, sharing a series of posts including a photo of herself wearing an Algeria football jersey, alongside the single’s cover art and a screenshot showing its chart ranking. 

“Grateful for the love on this one. Can’t wait for you to hear the studio version and the rest of ‘Reverie’,” she wrote.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by COLORS (@colorsxstudios)

She also reposted a collage of fan reactions, including a TikTok video that read: “It’s 2026 and we still haven’t had another song like ‘Desert Rose’ out.” Others said: “Can’t wait for Desert Rose pt. 2” and “wdym desert rose pt. 2?!?!?!”

The single forms part of her upcoming third studio album, “Reveries,” due for release on April 24. She announced the date last month alongside the music video for “Holding On,” another track from the project.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by COLORS (@colorsxstudios)

Blending R&B with dance-pop elements, “Holding On” delves into themes of grief and memory. The video is dedicated to Zouai’s close friend, Hanna Rosa Hotchkiss, who died in 2021.

In a statement on Instagram, Zouai described the album as the product of a transformative period in her life: “This record was made through three years of grief, growth, and reflection. I had to lose myself to find myself again. I couldn’t have done it without my angel, Hanna. Thank you to my collaborators, my friends, and my Lo-riders who held me down through it all. I hope it heals you the way it healed me.”

Known for her blend of R&B, club-pop and hip-hop, Zouai has gained an international fan base for her dynamic stage presence and genre-blending music.

Zouai’s last release was in November, when she dropped a new single titled “3AM in San Francisco.”