How young Saudi engineers restored oil production after attack on Abqaiq

Saudi Aramco CEO Amin H. Nasser, right, expressing appreciation to the engineers for their excellent work in restoring production back to its pre-attack levels. (Photo via Twitter)
Updated 01 October 2019
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How young Saudi engineers restored oil production after attack on Abqaiq

  • Aramco has many assets, but the most valuable is its staff

JEDDAH: Attacks last month on Saudi oil facilities were an attack on the heart of the global energy industry, as Crown Prince Mohammad bin Salman has pointed out. The region accounted for about 30 percent of the world’s energy supplies and 4 percent of its GDP, and about 20 percent of global trade passed through the Gulf, the crown prince said in a TV interview broadcast on Sunday night.
“Imagine if all of these three things were to stop. That would mean a total collapse of the global economy, and not just Saudi Arabia or the countries of the Middle East,” he said.
We visited Abqaiq — the heart of the global energy industry to which the crown prince was referring — and we were amazed by the efforts of the young Saudi engineers working there.
Two weeks after the drone and missile strikes on the oil installations, work is continuing and production is back to its pre-attack levels.
The world has praised Saudi Aramco for putting out the fires in record time, and for the remarkable repair operations that followed.
The many Aramco officials we spoke to had only praise for the teams of engineers who carried out this work; their excellence, their innovation and their courage made us all proud, one senior manager said.
Watching a video of the attack, we were impressed with the young Saudi engineer who kept spraying water on the blazing tanks to reduce the heat and avoid further explosions. He reacted quickly, while still implementing all the relevant safety rules. And although he is a relative newcomer — a company employee for only 18 months — he kept his cool even as the attacks were in progress.
While the fires were being extinguished, different teams were working simultaneously to assess the damage, and with the first part of the job done the second important step was on everyone’s mind: To get production back on track.
After the initial assessment, some thought that to have the tanks ready even to be repaired might take three to four weeks if the usual procedures were followed; as one engineer explained, there were residual gases inside the tanks that would usually take weeks to clear.
However, a young Saudi engineer and a veteran Aramco supervisor with 40 years’ experience worked together to come up with an ingenious solution that enabled the tanks to be safely welded without further problems.
Some Aramco staff have grown up with the company, the third generation of their families to work there. Others had never set foot in any Aramco facility before they joined. All, however, share the same pride in being part of this giant, and are happy to call themselves “Aramcons.” They take pride in being problem solvers, not only on the rigs but everywhere they work.
This also applies to former Aramco engineers, expatriates who have never lost their connection with the company. Many were quick to offer their services after the attacks.
Aramco has many assets, but the most valuable is its staff. “Our real wealth lies in the ambition of our people and the potential of our younger generation. They are our nation’s pride and the architects of our future,” the crown prince said.
The achievements at Abqaiq proved his every word, and justified his faith in Saudi youth.

 


A train safari through Pakistan’s majestic Potohar Plateau and its hills, tunnels and bridges

Updated 11 min 36 sec ago
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A train safari through Pakistan’s majestic Potohar Plateau and its hills, tunnels and bridges

  • ‘Safari Tourist Train’ takes passengers every Sunday across plateau in Pakistan’s Punjab province, located between Indus and Jehlum rivers
  • Main attraction is stopover at historic Golra railway station, which was built in 1882 and boasts esteemed Islamabad Railway Museum

RAWALPINDI: As Nimra Shah stepped into the Rawalpindi Railway Station drenched in the golden hues of the early dawn hours, she was greeted by the vibrant thumping of a drum and a performance of traditional Punjabi dance.
This is how the “Safari Tourist Train” starts as it takes passengers on a journey every Sunday across the majestic Potohar, a plateau in Pakistan’s Punjab province, located between the Indus and Jehlum rivers. Pakistan Railways kicked off operations of the safari last month, offering a unique way to explore the region’s scenic landscapes and the 150-year-old history of the national, state-owned railway company of Pakistan.
Last Sunday, against the rhythmic chugging of the engines, the train sped out of the Rawalpindi Railway Station, promising an adventure-filled journey to the more than 350 passengers on board through the mountains, bridges and tunnels of the Potohar region but also through time.
“This is my first experience traveling by train and this is the reason I chose the Safari train as I was impressed by their things [activities planned during the journey],” Shah, who works as a beautician in Islamabad, told Arab News.
“So far so good and let’s see what happens next. I hope it will be good because the videos I have seen about this and the reviews were good.”

In this photograph, taken on March 3, 2024, a man takes the family photo ahead of their journey on “Safari Tourist Train” at the Saddar Railway Station in Rawalpindi. (Photo courtesy: KP Culture and Tourism Authority)

The Safari tourist train was first launched in February 2021 by then railways minister Azam Khan Swati, but its operations were halted in 2022 for undisclosed reasons. The train has now been relaunched by Pakistan Railways in collaboration with the PK-Unicorn private tourism company.
The train travels every Sunday from Rawalpindi to Attock Khurd, a small town located beside the Indus River in the Attock District of Punjab, offering luxurious seating arrangements and newly constructed washrooms to ensure maximum comfort and convenience. There is live music, magic shows and entertainers on board to engage children and adults alike and make the journey more interesting, according to Faiza Syed, a general manager at PK-Unicorn.
“Most of the families have never traveled on trains, so we have started this small journey so that the people can get the flavor of traveling in a train,” she told Arab News, adding that the main objective of the safari was to portray a “positive image” of Pakistan and boost tourism.
The train offers different categories of travel, including a basic economy class, followed by an air-conditioned parlor, and finally, a salon car, in which a group of up to 20 individuals can book a separate coach. The ticket price varies from Rs3,500 ($12.70) for economy class, Rs4,500 ($16.20) for the AC parlor, and Rs6,000 ($21.58) for the special saloon, with breakfast and lunch included in all categories.
Since its re-launch last month, Syed said, the public’s response to the service had been “overwhelmingly positive” and the train had been operating at full capacity.
“COMMENDABLE INITIATIVE”
This Sunday, the safari’s scenic route included iconic landmarks such as the Margalla Hills and the historic Sangjani Tunnel and Chablat and Ghazi Barotha bridges. A main attraction was a stopover at the historic Golra railway station, which was constructed in 1882 and boasts the esteemed Islamabad Railway Museum, a testament to Pakistan’s colonial past and the history of its famed British-built railway system.
Steam locomotives and royal saloons associated with India’s last viceroy, Lord Mountbatten, Pakistan’s founder and first governor general, Mohammad Ali Jinnah, and the Maharaja of Jodhpur are on display at the museum, whose two galleries are chock full of artifacts. These include a kerosene heater belonging to Mountbatten, vintage railway police guns, a punching machine for tickets, signal sticks and lamps, flags, drinking vessels, and a morse code machine.
Other items in the collection include surgical instruments used at the railways hospital, relief bogies as well as bells, kerosene lamps and a Neal’s ball token machine, captured from the Khemkaran station during the India-Pakistan war of 1965. A long pendulum by Gillet & Johnston Croydon, London, 1899, is another treasured item.
The train next passes through more historic tunnels of the Potohar region until the next stop: the scenic Attock Khurd Railway Station by the banks of the Indus River. Here, visitors get a chance to immerse themselves in the beauty of the water as well as go camel riding.

In this photo, taken on March 3, 2024, people take their seats after boarding the “Safari Tourist Train” in Rawalpindi. (Photo courtesy: KP Culture and Tourism Authority)

“We have enjoyed the trip as we came in a group and it was a good journey,” Khawaja Najam-ul-Hassan, a retired employee of the Pakistani state television, told Arab News. “I liked the architecture right from Golra to Attock as it was my first time here.”
Another passenger, Azhar Mubarak, a retired army doctor, described the safari as a “commendable initiative” and said more such trains should be introduced to explore other parts of the country.
“There are many such good places in Pakistan and initiatives like these are needed there as well to promote tourism potential and opportunities for the public,” he told Arab News.
Tahmina Azhar, a doctor, described the journey as “enjoyable” but said the service needed a few improvements, including upgrading the quality of the food served and employing trained guides.
“A bit more cleanliness in the train, [especially] toilets,” she said, “and somebody to guide us.”


Dozens detained at Paris pro-Palestinian university protest

Updated 11 min 59 sec ago
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Dozens detained at Paris pro-Palestinian university protest

  • Prime Minister Gabriel Attal said there would never be a right to disrupt France’s universities with such protests
  • Police acted after about 100 students had been occupying a lecture theater for two hours

Paris: French police detained 86 people following an operation to remove students staging a pro-Palestinian occupation at the Sorbonne university in Paris, prosecutors said Wednesday.
Those arrested in the police operation on Tuesday night were being held for a variety of public order offenses, said the statement.
They include wilful damage, rebellion, violence against a person holding public authority, intrusion into an education establishment and holding a meeting designed to disrupt order. Some are also being held for participation in a group with a view to preparing violence or damage to property.
They can be held for an initial 24 hours, which can then be extended another 24 hours.
The day before police moved in, Prime Minister Gabriel Attal said there would never be a right to disrupt France’s universities with such protests.
Police acted after about 100 students had been occupying a lecture theater for two hours in “solidarity” with the people of Gaza, an AFP journalist on site noted.
Tuesday night’s police operation at the Sorbonne — and at another university on Paris’s Left Bank, Science Po university — followed interventions to end similar protests at the end of April.
Students at universities in several European countries have followed the actions on US campuses where demonstrators have occupied halls and facilities to demand an end to partnerships with Israeli institutions because of Israel’s punishing assault on Gaza.
Police have also intervened to clear campuses in the United States, Netherlands and Switzerland.
Palestinian militant group Hamas on October 7 attacked southern Israel, resulting in the deaths of about 1,170 people, mostly civilians, according to an AFP tally of Israeli official figures.
Israel estimates that 129 hostages seized on October 7, out of the 253 taken, are still being held in Gaza, including 34 the military says are dead.
Israel’s retaliatory offensive has killed at least 34,789 people in Gaza, mostly women and children, according to the health ministry in the Hamas-run besieged Palestinian territory.


Canadian man shot dead in Egypt, says security source

Updated 19 min 31 sec ago
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Canadian man shot dead in Egypt, says security source

  • Security sources made no link between the shooting and the dead man’s ethnic background
  • A statement claiming the killing by a previously unknown group called “Liberation Vanguards” was circulating on social media

CAIRO: A Canadian man “of Jewish Israeli descent” has been shot dead during a robbery in the Egyptian city of Alexandria and authorities are investigating the incident as a criminal case, a security source said late on Tuesday.
The security source told Reuters the man had been killed “with the motive of robbery.” The source made no link between the shooting and the dead man’s ethnic background.
The interior ministry confirmed the shooting and said the man had been a permanent resident of Egypt. Neither the ministry nor the source gave any further details.
A statement claiming the killing by a previously unknown group called “Liberation Vanguards” was circulating on social media, but security sources said they had no information on the existence of such a group or whether it had been involved in the incident.
The shooting happened on Tuesday as Israeli forces seized the main border crossing between Gaza and Egypt in Rafah, where more than one million displaced Palestinians have sought shelter during Israel’s seven-month-old offensive.
One day after the war in Gaza began last October following an attack by Hamas militants on southern Israel, two Israeli tourists and their Egyptian guide were shot dead in Alexandria, in the first such attack on Israelis in Egypt in decades.
A policeman who said he had “lost control” was placed in custody regarding that incident.


Qatar highlights Arab, South Asian and African films at the Venice Biennale

Updated 31 min 56 sec ago
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Qatar highlights Arab, South Asian and African films at the Venice Biennale

  • Highlights include Ali Cherri’s “The Dam” (2022), charting the story of a Darfuri seasonal worker from Sudan

VENICE: For its second showing during the Venice Biennale, Qatar is staging the exhibition “Your Ghosts Are Mine: Expanded Cinemas, Amplified Voices” that takes a profound, in-depth look at the last decade of film and video art by Arab, South Asian and African filmmakers.

While Qatar has yet to have its own national pavilion, its exhibition occupies the 459-year-old Palazzo Cavalli-Franchetti on the Grand Canal. The works on show are drawn from the collections of Mathaf: Arab Museum of Contemporary Art, the Doha Film Institute and the forthcoming Art Mill Museum (scheduled to open in 2030). It is divided into ten galleries, each comprising films and video art according to a specific theme such as ruins, women’s voices, borders, exile and deserts and is curated by Paris-based Matthieu Orlean, a film and video expert. The exhibition will run until November 2024.

“Film is very relevant to our institutions and is an important part of our collections,” Zeina Arida, Director of Mathaf: Arab Museum of Modern Arab Art in Doha, told Arab News.

“It is a great way to document our contemporary times,” she added. “Film is also a great way of to share who we are and what we are going through, what we as societies from these less represented countries are living and the issues we are facing.”

In-depth storytelling can be found in the films on view by Shirin Neshat and Shoja Azari, Larissa Sansour, Fares Fayyad, Ali Cherri, Shaima Al-Tamimi, Ramata-Toulaye Sy, Hassan Khan and Sophia Al-Maria, among others.

In a documentary and largely journalistic style, many of the works shed light on current events and issues not often covered in mainstream media, including the now one-year old conflict in Sudan or migrants seeking new homes such as those captured in the film by Yemeni East African filmmaker Shaima Al-Tamini who charted the journey of her family from Kenya and Zanibar to the UAE.

“I was looking at movies that were different from the rest — that take a risk of telling their own story in a specific way,” curator Orlean told Arab News. “The filmmakers of these films are foreigners in their own environment because they are capturing events, whether personal or collective, that many people don’t see even in the news. Many deal with the themes of migration, social differences and exile.”

The works on view showcase both long and short films. A few highlights include Ali Cherri’s “The Dam” (2022), charting the story of a Darfuri seasonal worker from Sudan who works during the night to create a mud-brick monument. The film is a political fable that tells of the power of imagination against the backdrop of the Sudanese revolution. There is also Qatari artist Sophia Al-Maria’s well-known work “Black Friday” (2016) and British-born Egyptian multimedia artist Hassan Khan’s “Jewel” (2010) featuring a luminescent fish in dark waters followed by two men dancing to Arabic music.

“‘Jewel’ was triggered by a moment witnessed on the street in Cairo in 2006 — two men dancing around a speaker with raw, brutal and beautiful music blaring out,” Khan told Arab News. “It took four years before I could finally produce the work for Mathaf's opening exhibition in 2010 and by then so much was bubbling around us that it seemed to channel something real. Imagine a one second flickering daydream slowed down and stretched into six intense minutes. It is about our deepest sources — history, culture, emotion — and how we communicate the alien that lives inside all of us.”


Blast in northern Afghanistan kills three military personnel, injures five

Updated 35 min 41 sec ago
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Blast in northern Afghanistan kills three military personnel, injures five

KABUL: A blast in northern Afghanistan on Wednesday killed three military personnel and injured five, a Taliban interior ministry spokesperson said.