At Cannes, Syrian docu filmmaker highlights Assad regime’s continuing attacks on hospitals 

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Waad Al-Kateab and her colleagues stage a poster protest against the Syrian regime's excesses on the sidelines of the Cannes Film Festival in Cannes, France, on Wednesday. (Ammar Abd Rabboo/Arab News)
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Waad Al-Kateab and her colleagues stage a poster protest against the Syrian regime's excesses on the sidelines of the Cannes Film Festival in Cannes, France, on Wednesday. (Ammar Abd Rabboo/Arab News)
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Waad Al-Kateab and her colleagues stage a poster protest against the Syrian regime's excesses on the sidelines of the Cannes Film Festival in Cannes, France, on Wednesday. (Ammar Abd Rabboo/Arab News)
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Waad Al-Kateab and her colleagues stage a poster protest against the Syrian regime's excesses on the sidelines of the Cannes Film Festival in Cannes, France, on Wednesday. (Ammar Abd Rabboo/Arab News)
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Waad Al-Kateab and her colleagues stage a poster protest against the Syrian regime's excesses on the sidelines of the Cannes Film Festival in Cannes, France, on Wednesday. (Ammar Abd Rabboo/Arab News)
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Waad Al-Kateab and her colleagues stage a poster protest against the Syrian regime's excesses on the sidelines of the Cannes Film Festival in Cannes, France, on Wednesday. (Ammar Abd Rabboo/Arab News)
Updated 16 May 2019
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At Cannes, Syrian docu filmmaker highlights Assad regime’s continuing attacks on hospitals 

  • Syrian docu film maker highlights systematic destruction of hospitals by Assad regime at Cannes
  • Waad Al-Kateab documentary film "For Sama" is considered among the "rising stars" to watch for at the annual film festival

JEDDAH: Arab documentary maker Waad Al-Kateab led a protest on the sidelines of the Cannes Film Festival Wednesday to highlight the Assad regime's continuing attacks on hospitals in Syria.
The film director and her colleagues posed with protest posters on the red carpet calling on the Syrian regime to stop its systematic destruction of medical facilities in opposition-held areas.
"Stop bombing hospitals," the posters screamed.
Al-Kateab is in Cannes where her documentary film "For Sama" is considered among the "rising stars" to watch for at the annual film festival.
“For Sama” records five years of Al-Kateab’s own life as an aspiring journalist in her besieged hometown of Aleppo, marrying one of the last doctors in the city and giving birth to her daughter, to whom the film is dedicated.
The documentary is a kind of letter to the little girl, explaining how she was born into the conflict and what happened to her home.
Al-Kateab, who now lives in London, won an Emmy award in 2017 for her films from inside Aleppo for Britain’s Channel 4 News, which are believed to be the most watched of any reports from the war.
Her shocking footage of the struggle to save babies and children in the city’s final hospital — in which she ended up living — brought home the horror inflicted on civilians.
The Syrian government had been accused of attacking hospitals starting in 2012 as the "Arab Spring" style peaceful protests, which began in 2011, degenerated into a civil war after dictator Bashir Al-Assad opted to fight it to cling to power.
Amnesty International documented "more than 300 attacks on medical facilities by Syrian and Russian forces" in 2015 alone.
In 2016, the Syrian American Medical Society recorded 252 attacks on Syrian health care centers, among them a facility run by the Medicins Sans Frontieres (Doctors Without Borders), which was hit in an airstrike in the morning of February 15, leaving 25 people dead, including nine health care workers and five children.
An article on Wikipedia compiled numerous incidents of attacks on Syrian hospitals, citing various news reports, and put the blame of Syrian and Russian forces. Moscow and Damascus officials have repeatedly denied deliberately targeting medical facilities.

The war in Syria has killed more than 370,000 people and displaced millions since it started with the brutal repression of anti-government protests in 2011.
 

(With AFP)

 


Review: ‘Roofman’ Movie

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Updated 23 December 2025
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Review: ‘Roofman’ Movie

  • The film follows Jeff, a man on the run, living out of sight inside a Toys “R” Us store, and constantly improvising his survival

I went into “Roofman” with no expectations, and that turned out to be the best possible way to experience the 2025 comedy-drama based on a true story.

Gripping and unexpectedly moving, it is one of those rare character-driven stories that stays with you long after the credits roll.

Channing Tatum delivers what may well be the strongest performance of his career. Stripped of the bravado he is often known for, Tatum plays Jeffrey Manchester — a former US army veteran and struggling dad who turns to a life of crime — with a raw vulnerability that feels lived-in rather than performed.

His portrayal balances charm, desperation and weariness in a way that makes the character both flawed and sympathetic. It is the kind of performance that reminds you how effective he can be when handed a script that trusts stillness as much as spectacle.

The film follows Jeff, a man on the run, living out of sight inside a Toys “R” Us store, and constantly improvising his survival. Without giving anything away, “Roofman” unfolds as a tense cat-and-mouse story, but one that resists becoming purely a thriller.

The pacing is deliberate and assured, allowing moments of humor, warmth and connection to surface naturally amid the suspense.

What “Roofman” does exceptionally well is maintain an undercurrent of unease. Even in its lighter, more playful moments, there is a persistent sense of claustrophobia and impending doom.

The script understands that tension does not always rise from action; sometimes it is born simply from the fear of being seen. “Game of Thrones” actor Peter Dinklage’s flawless portrayal of the store’s stern and authoritarian manager sharpens that anxiety.

Kirsten Dunst brings a grounded, affecting presence to the story, offering moments of tenderness and emotional clarity that deepen its human core. Her character anchors Jeff’s world with something real to reach for.

Despite its thrills, “Roofman” is ultimately a reflective film that asks, without judgment, how people arrive at the decisions that shape their lives, and why some feel trapped into making the wrong ones.

Underrated and surprisingly heartfelt, “Roofman” is a reminder that some of the most compelling stories are about the resilience of hope even when the odds are stacked against you.