A magical first year at the movies as Saudi cinemas herald big screen revival

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John Travolta joins a discussion in Riyadh on the future of cinema in the Kingdom. (AFP)
Updated 20 April 2019
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A magical first year at the movies as Saudi cinemas herald big screen revival

  • Films are no longer ‘coming soon’ — there are now six cinemas in Riyadh and Jeddah, with many more on the way across the Kingdom

The seats have been filled, the popcorn bought and, for the past 12 months, the magic of the movies has been casting a spell over the Kingdom, where the buzz of the big screen had been a dim and distant memory. It has been a year since, as part of the country’s Vision 2030 program of reforms, Saudi Arabia lifted a 35-year ban on cinemas, paving the way for theater chains to unveil ambitious plans to open hundreds of cinemas, with thousands of screens, across the nation in the next decade. And moviegoers just cannot get enough of it, regularly packing out screenings at the first venues to open in Riyadh and Jeddah.

To mark the first anniversary, Arab News asked entertainment chiefs what they have learned from Saudi audiences since that historic first screening of Marvel’s “Black Panther” on April 18, 2018 at the AMC cinema in Riyadh’s King Abdullah Financial District.

Superhero fantasies, comedies and action dramas have proved most popular with audiences, who have flocked to a mix of global box-office hits and regional films.

VOX Cinemas — Saudi Arabia’s biggest movie operator, with plans to invest SR2billion ($533 million) to open 600 screens by 2023 — said it released 114 films across the Kingdom in the past year. The biggest money spinner was Marvel superhero movie “Captain Marvel,” which broke through the billion-dollar global box-office barrier this month — followed by “Cold Pursuit,” an American black-comedy action film starring Liam Neeson, and “Aquaman,” another superhero movie, this time based on a DC Comics character

Rounding out the top 10 list was M. Night Shyamalan’s fantasy-drama sequel “Glass,” Egyptian comedy “Nadi Elregal Elsary,” horror thriller “Us,” science fiction thriller “Alita: Battle Angel,” US superhero film “Shazam!”, Egyptian comedy “El Badla” and Hollywood comedy-drama “The Upside,” according to Cameron Mitchell, CEO of Majid Al-Futtaim Cinemas, of which VOX Cinemas is a subsidiary. “El Badla” had the distinction of being the longest-running film in the country over the past 12 months.

VOX Cinemas was granted its license to operate in the Kingdom in April last year and opened its first multiplex in Riyadh Park in the same month. It has four screens, including an IMAX screen and VOX Kids, the first dedicated children’s theater in the Middle East.

“Since launching Saudi Arabia’s first multiplex in April 2018, the Majid Al-Futtaim group has been delighted by the response from our guests in the Kingdom,” said Mitchell. “In the 12 months since obtaining our license, Majid Al-Futtaim has built five locations with a total of 47 screens, and is planning to open at least another 70 screens this year, on track to reaching our goal of 600 screens in Saudi Arabia by 2023.”

VOX now has three additional locations in Riyadh: a luxury cinema in Kingdom Tower, which opened this week; Al-Qasr Mall; and The Roof in Alyasmin District. This year the chain also opened the first multiplex in Jeddah, at Red Sea Mall.

“Our Saudi Arabian team is proving to be talented and passionate, and is offering a service level and entertainment experience comparable with the highest international standards, with particularly our VOX Kids and IMAX experiences delighting guests in Riyadh and Jeddah,” said Mitchell.

“We are honored to be supporting the 2030 Vision of Saudi Arabia, which noted that ‘culture and entertainment are indispensable to our quality of life,’ and our teams will continue to work tirelessly to meet our vision of creating great moments for everyone every day.”

Films are proving so popular that cinemagoers are having to book well in advance, and Mitchell said 95 percent of the tickets so far sold for Riyadh Park — which screened 82 films in 2018 — were booked online.

“We see this trend continuing with all new openings, as guests want to ensure they are securing seats,” he added.

VOX now has 39 screens and plans to open a further 110 by the end of the year. These will include the first multiplexes in the Eastern Region and Tabuk.

Collectively, VOX and another leading operator in the region, Carnival Cinemas, plan to open nearly 1,000 screens across the Kingdom, according to experts at the Cinema Build KSA Forum in Riyadh this month, which was organized to explore opportunities in the emerging sector.

“Carnival envisions operating about 300-plus screens over the next five years in the Kingdom of Saudi Arabia,” said Sunil Puthan Veettil, the company’s managing director. “Our mission is to take a good-quality movie-watching experience close to the people in the country. For this, we have made a study of all the provinces and identified several locations, subject to approval. Our idea is to move to all these provinces to set up entertainment centers and to make Carnival synonymous with cinema across the country.”

During the forum, Saudi officials estimated that by 2030, the number of cinemas in operation could be as high as 350, with as many as 2,500 screens. 

Cinema operating licenses have also been awarded to: AMC Theaters, an American chain owned and operated by Wanda Group; the Al-Rashed Empire Cinema Consortium, which plans to build 30 theaters in the country over the next three years; and Lux Entertainment, in partnership with Cinepolis, the biggest cineplex chain in Mexico, Al-Hokair Group for Tourism and Development, a Saudi-based hospitality and entertainment group, and Al Tayer Group, one of the leading companies in the field of retail operation in the UAE and the wider GCC. 

Lux announced in October plans for 300 screens in 15 cities across Saudi Arabia by 2030.

Other operators, including Gulf-based Novo Cinemas, which has announced it is in talks to roll out in Saudi Arabia, have also registered an interest.

John Sullivan, director of The Light Cinemas, a British independent chain, said it recently joined forces with new cinema brand Muvi to launch the Kingdom’s “very first all-Saudi Arabian cinema group,” which plans to open 15 locations across the country, including in Riyadh and Dammam.

“I think it is crucial for property owners in particular to understand their responsibility for figuring out what the cinema will deliver to their assets, and how to deliver that, rather than abdicate their responsibilities to others,” he said.

Regarding the investment opportunities that have opened up in the Kingdom, Sullivan added: “The market at the moment is emerging; we don’t know where it will go. I’ve opened cinemas now in 30 countries around the world and every single one of them is entirely different, so you will not know what’s happening in cinemas here for probably one to two years; then we will have a better understanding of the market.”

Gino Haddad, the managing director of Empire Cinemas, said that the potential Saudi market “is estimated to be almost as big as the whole (of the rest of the) Middle East.”

“So when the market opened up for cinemas, all the operators had full eyes on the Saudi market because it means big numbers,” he added. “We are estimating the market at least to be up to 2,000 screens, and we are very much interested in developing this market.

“We also want to focus on the educational side of cinema; we want to help bring up the new generation to understand and to live with cinema and perceive it not only as entertainment, but also as their future careers.”

The General Authority for Entertainment has indicated that SR267 billion is needed to build suitable infrastructure to serve the entertainment sector across the Kingdom, with expected investments in the sector expected to reach SR18 billion annually, according to a 2018 report from Flanders Investment and Trade.

This month, the Saudi government announced that SR131 billion will be invested in building cinemas and theaters, mainly in Riyadh, Jeddah and Dammam.

According to a study by PwC Middle East, a global advisory firm, the Kingdom’s cinema industry — which will serve a population of more than 32 million, the majority of whom are under the age of 30 — is expected to generate $1.5 billion in annual revenue by 2030.

“The world is witnessing Saudi Arabia’s confident steps toward an unprecedented era of social and economic reforms,” said Leila Masinaei, a managing partner at Great Minds Event Management, which staged the Cinema Build KSA Forum.

“The lifting of the cinema ban opens doors to untrodden ground for investments and lucrative revenue streams for the Kingdom.” 


New initiative to train young innovators in nanotechnology

Updated 7 sec ago
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New initiative to train young innovators in nanotechnology

  • Program structured in 3 phases for Saudi graduates and entrepreneurs 

RIYADH: The Nanotechnology Association, supported by the Misk Foundation, is set to launch the Nanohub Program, aimed at inspiring and equipping the next generation for careers in the sector to help support a brighter future and a thriving economy.

Nanohub, a nonprofit initiative, is structured in three phases to train Saudi graduates and entrepreneurs aged between 20 and 26. It provides workshops and sessions to develop personal skills, gain hands-on experience with nanotechnology, and receive guidance from industry experts.

The program partners with leading local and international organizations to ensure participants are prepared for the workforce.

Nanotechnology is expected to transform business and innovation in various sectors. Understanding its economic impact and the potential benefits of partnerships are of crucial importance for young entrepreneurs.

The program aims to equip participants with the skills and knowledge needed to excel in nanotechnology and inspire them to drive innovation in their industries.

The first phase of the program will focus on soft skills and leadership development. It is scheduled for three days, starting on April 28.

The second phase, which starts on May 5, explores applications of nanotechnology. It runs for five days, covering topics like the fundamentals of nanotechnology, its use in medicine, energy, and renewable energy, as well as sustainability.

The third phase, beginning on May 12 and ending on May 16, provides hands-on laboratory experience through a series of sessions called “Shadowing and Lab Tours.” This phase has two key tracks: the Shadowing Track and the Lab Tours Track.

The Lab Tours Track will give participants an in-depth look at cutting-edge nanotechnology research. They will visit world-class laboratories where nanotechnology innovations are being developed.

Participants will observe advanced equipment and complex techniques central to nanotechnology research. They will see live experiments and dynamic processes that reveal the workings of nanotechnology. This track is more than just a tour as it enhances understanding by connecting academic concepts to real-world applications, giving participants a closer look at the research and development process.

The Nanohub Program is “a transformative initiative designed to elevate the skills and competencies of graduates and new hires with STEM (science, technology, engineering and mathematics) backgrounds,” said Dr. Turki Almugaiteeb, chairman of the board of the Nanotechnology Association.

“This unique initiative aims to enrich participants’ soft skills and technical expertise through curated activities.”

Almugaiteeb added that participants would “have the opportunity to delve into the intriguing realms of medicine and energy, witnessing firsthand how nanotechnology is revolutionizing these industries.”

He added: “By immersing themselves in this dynamic program, individuals will not only broaden their knowledge but also cultivate the multidisciplinary skills needed to thrive in today’s competitive and rapidly evolving STEM landscape.”


An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

Updated 8 min 32 sec ago
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An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

  • Tariq Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh
  • Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages

RIYADH: The Arabian horse and hunting falcon are important historical and cultural symbols for the Arab world, both ancient and modern.

Now a Riyadh gallery is highlighting this enduring bond with a series of portrait studies of both creatures by Tariq Dajani, a Jordanian photographer and printmaker.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages.

However, Dajani, an owner of Arabians, chose to reflect his love of these creatures through photography and artworks.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

Over the years he spent many sessions photographing horses in his native Jordan, as well as the UAE and Saudi Arabia. Later, toward the end of the project, he added the hunting falcon, another symbol of cultural heritage and pride among Arabs.

Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh. 

Entitled “Drinkers of the Wind,” the exhibition is the result of 16 years’ work creating portraits of these magnificent creatures.

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

Dajani told Arab News that he is delighted to be able to display his work in Saudi Arabia, “a country that is deeply connected to the horse and the falcon.”

Ahlam Gallery is the perfect place to showcase these artworks, he added.

Dajani’s treatment of his subjects is not in the usual natural or romantic manner. Instead, and this is partly what sets his art apart, he uses a studio portrait approach, where he takes his studio to the stables or falcon sheds, and spends time carefully working on portrait studies of the creatures.

“My aim is to find a connection of sorts with the horse or the birds,” he said. “I am not interested in documenting the creature; I try to go deeper, to express something emotionally if I can.

“I was living in Sweden when I decided to photograph the Arabian horse. So I had to return to the Middle East, and I started with Jordan, my home country.

“The way I approach the work is to present the horse on a backdrop where all my focus — and thus the viewers of the final picture — will be on the animal itself and not on the environment that it is in.”

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

While photographing in Jordan, Dajani met Princess Alia Al-Hussein, eldest daughter of the late King Hussein of Jordan. He presented some of his work to her, and received her enthusiastic approval. 

Princess Alia gave him permission to photograph the horses of the Royal Jordanian Stud, and has continued to support his work over the years, opening his first two exhibitions in Jordan.

“I had access to some of the most beautiful horses in Jordan when I first started my project. My first exhibition solely of Jordanian Arabians was a great success,” Dajani said.

“Encouraged by the reception, and by now totally absorbed in this project, I went to Dubai, then Abu Dhabi, then Saudi Arabia, where I was presented with some of the most magnificent Arabian horses to photograph. Along the way, I introduced portrait studies of the hunting falcon. They, too, are strikingly beautiful and have a special place in Arab culture and heritage.

“I will always remain very grateful to Princess Alia for her initial support, and to many others for encouraging the work and opening doors for me along the way.”

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

One of his most striking photographs shows two mares bringing their heads together in a gentle greeting.

“This incredible and totally unanticipated greeting happened while I was photographing at the King Abdulaziz Arabian Horse Center in Dirab, south of Riyadh. The two mares were led out onto my backdrop studio space from opposite sides, and when they approached each other, they gently and courteously touched their heads as if to say hello,” he said.

“It was so special. No one had ever witnessed this before. We all held our breath as we watched in amazement. I frequently think that it would be nice if these sensitive, clever creatures could teach us humans a little bit of gentleness and respect.”

Dajani’s exhibition features high-quality photographic color prints, and a smaller collection of photogravure prints, produced by manually pulling an inked metal plate, engraved with the photographic image, through a traditional printing press — a slow and difficult process that produces prints with a special feel and texture.
 


Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

Updated 41 min 12 sec ago
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Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

  • The event included films by young Saudis and their peers from around the world, plus seminars and workshops presented by industry insiders

JEDDAH: Effat University’s School of Cinematic Arts in Jeddah welcomed aspiring filmmakers and cinephiles to the 11th Showreel Effat International Student Film Festival this week.

The theme for the three-day event, which concluded on Thursday, was “Behind the Seen,” reflecting the aim of organizers to shed light on the creative process and less-visible aspects of filmmaking. The program included a diverse range of cinematic offerings celebrating the work and talent of student filmmakers, not only those studying at the school but also their peers around the globe.

Mohammed Ghazala, head of the School of Cinema Arts, set the scene with an overview of the works featured during the festival, at the heart of which were films created by students and graduates of the school, which has been a pioneer in film and animation education in the Kingdom.

Alongside the home-grown talent, the festival provided a showcase for an impressive selection of international student films. These were carefully curated from a pool of 2,150 submissions from more than 115 countries, which were whittled down to a final selection of 57 exceptional works from 27 nations: Saudi Arabia, Egypt, Lebanon, Tunisia, Yemen, Morocco, Turkey, France, Belgium, Japan, Italy, Estonia, the Czech Republic, the US, China, New Zealand, Singapore, Canada, Taiwan, Russia, Greece, Spain, Poland, India, Indonesia, Mexico and Pakistan.

The chosen films competed for awards in seven categories, including Best Saudi Feature Film, Best International Animated Film, and the prestigious Audience Award.

In addition to providing a platform for emerging filmmakers to showcase their talent and creativity, organizers said the festival also aims to foster cultural exchanges and celebrate the art of cinema on a global scale.

Integral to this is a commitment to nurturing talent and encouraging dialogue within the industry, which was reflected in a series of seminars and workshops led by industry professionals. Effat University lecturer and festival coordinator Marina Ivanseva gave an overview of the sessions, which offered insights into a wide spectrum of topics key to the craft.

They included sessions on a creative cinematic post-production workshop supported by video-streaming service Netflix, cinematography workshops conducted by film camera manufacturer ARRI, and a visual effects workshop backed by specialist studio VFX Mojo.

They were presented by renowned figures and industry insiders such as Saudi artist Sarah Taibah, Oscar-winning German director Thomas Stelmach, British professor Rut Luxemburg, American visual effects artist Matt Beck, and cinematographer James Niehaus.

There were also lectures on animation and experimental film presented by the Royal College of Arts in London, while Stellmach offered insights into his professional journey that led to the Oscars. Saudi producer Nadia Malaika shared valuable career insights, Egyptian lawyer Khaled Al-Arabi discussed legal rights in filmmaking, and Mohammed Sobeih looked at the creation of animated films using Toon Boom software. The festival concluded with a session focusing on animated cinema presented by Synergy University.

“We were thrilled to welcome numerous local and international guests who shared their cinematic experiences with us … during the 11th Showreel Effat International Student Film Festival,” said Asmaa Ibrahim, the dean of Effat College of Architecture and Design.

“Students from Dar Alhekma, King Abdulaziz, and Princess Noura (universities) in Riyadh joined us in celebration. It was a delight to host guests from prestigious institutions such as the Royal College of Art, Netflix, Maflam, Film Association and VFX Mojo, who conducted exceptional workshops. The interactive discussions were engaging and we appreciate the participation of everyone.”

Karim Sahai, a visual effects professional from France, said: “I’m proud to have been a part of this incredible festival, with such a fantastic audience and remarkable guests from all over.

“The quality of their engagement and the depth of their questions during my workshop surpassed my expectations. I truly believe I’ll return to bask in this energy once more; it’s truly inspiring.”

Beyond artistic appreciation, organizers said another aim of the festival is to help forge academic and strategic partnerships, and Effat University has built alliances with institutions such as the University of Southern California and the Red Sea Film Festival Foundation with the goal of fostering collaboration and exchange of knowledge on a global scale.


Investigation clears coalition on claims of rights violations at Yemen sites

Updated 25 April 2024
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Investigation clears coalition on claims of rights violations at Yemen sites

  • Report details three incidents, including claims that coalition forces targeted two houses in the Sha’aban area, a civilian house in Al-Hudaydah governorate, and Al-Ghail Health Center
  • Investigation concluded that the coalition carried out an air mission on a military target, 4.5 km away from the coordinates of the claimed two houses, using one guided bomb that hit its target

RIYADH: The Joint Incident Assessment Team held a conference in Riyadh on Wednesday to announce the results of investigations into allegations against coalition forces in Yemen. 

The report details three incidents, including claims that coalition forces targeted two houses in the Sha’aban area, a civilian house in Al-Hudaydah governorate, and Al-Ghail Health Center in Al-Ghail. 

Team spokesman Mansour Al-Mansour said that “with regards to what was stated in the ninth periodic report on the works of the National Commission to Investigate Alleged violations to Human Rights in Yemen (NCIAVHR) on Dec 11, 2017, the Coalition Forces targeted G.J house and M.J. house in Sha’aban area in Razih directorate of Sa’ada governorate, the targeting resulted in the destruction of the two houses, killing and injuring number of people, and the destruction of two cars.” 

Al-Mansour, said that the investigation had concluded that the coalition forces carried out an air mission on a military target, 4.5 km away from the coordinates of the claimed two houses, using one guided bomb that hit its target. 

Regarding the allegation that the coalition targeted a civilian house in Al-Jirahi directorate of Al-Hudaydah governorate on Dec. 1, 2021, and that one man and two children were injured in the strike, JIAT found that the coalition did not carry out any air missions in the whole of the governorate. 

JIAT also exonerated the coalition over a report issued by Physicians for Human Rights which stated that on Feb. 24, 2016, coalition forces aircraft dropped three munitions on Al-Ghail Health Center in Al-Ghail directorate of Al-Jawf governorate.

At the time, Houthi militia were occupying the site and using it as a military center. The building was partially destroyed in the attack. 

In response to the allegation, JIAT found that coalition forces carried out an air mission on a military target, consisting of a gathering of fighter elements belonging to the Houthi militia, in a vacant area, 2.9 km away from Al-Ghail Health Center, using one guided bomb that hit its target.


Foreign minister of Yemen’s internationally recognized government received by Saudi counterpart

Saudi FM Prince Faisal bin Farhan receives his Yemeni counterpart Shaya Mohsin Al-Zindani in Riyadh on Thursday. (SPA)
Updated 25 April 2024
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Foreign minister of Yemen’s internationally recognized government received by Saudi counterpart

  • Yemen’s internationally recognized Presidential Leadership Council appointed Al-Zindani as foreign minister in late March

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan received his Yemeni counterpart Shaya Mohsin Al-Zindani in Riyadh on Thursday.

Prince Faisal congratulated Al-Zindani on his recent appointment as foreign minister by Yemen’s internationally recognized Presidential Leadership Council at the end of March, and wished him success in the role. 

During the meeting, the two ministers reviewed aspects of bilateral relations and ways to strengthen and develop them in various fields. They also discussed topics of common interest.