Film review: ‘The Tashkent Files’ rakes up a long-dead issue at last

Updated 14 April 2019
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Film review: ‘The Tashkent Files’ rakes up a long-dead issue at last

CHENNAI: Much like the deaths of US President John F. Kennedy and actress and socialite Marilyn Monroe, the sudden demise of India’s second prime minister, Lal Bahadur Shastri, in Tashkent on Jan. 11, 1966, remains shrouded in mystery. While it was officially declared that he died as a result of a massive heart attack, just hours after signing a peace treaty with Pakistan in the aftermath of a war between the two neighbors, doubts remain. One theory is that he was murdered by the Soviet secret service, the KGB, for refusing to be drawn into closer ties with the communist superpower. Vivek Agnihotri’s latest outing, “The Tashkent Files,” digs into this disturbing question, but still leaves viewers none the wiser. 

At the center of the plot is a young journalist, Raagini Phule (played by Shweta Basu Prasad), desperate for a scoop after her editor lambasts her for posting “fake news.” A character akin to the anonymous source from the Watergate scandal made famous by the 1976 film “All the President’s Men,” comes to her aid, pushing her into the murky world of Indian politics. Phule’s reports force the government to set up an expert investigative committee, including a historian, a scientist and the chief of India’s Research and Analysis Wing (RAW). The panel is chaired by a politician, Shyam Sundaripathi (Mithun Chakraborty).

Much of the film’s 144 minutes is devoted to the arguments between the panelists, often turning dramatic and hysterical. Though intriguing, Phule’s character sometimes comes across as exaggerated, including a painful moment when a halo is, quite literally, placed around her head, depicting her transformation from fake news spinner to crusading celebrity. Prasad seems ill-at-ease playing the scribe swimming in shark infested waters — the actor who steals the show is Chakraborty, at first unimpressive and limping, but bursting with depth of character. 

“The Tashkent Files” is a far cry from the kind of depiction of an authentic study “All the President’s Men” offered up, or the more recent “Spotlight” about the Boston Globe investigation into the Catholic Church, but Agnihotri has, nonetheless, raked up a long-dead issue ripe for reinvestigation. It is a start.


K-Pop star Jennie creates history while wearing Georges Hobeika

Updated 22 December 2025
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K-Pop star Jennie creates history while wearing Georges Hobeika

  • K-pop superstar wins top honors at Melon Music Awards
  • Hobeika celebrated 30-year anniversary in October 2025

DUBAI: Jennie, the K-pop superstar best known as a member of global sensation Blackpink, delivered a landmark moment at the recent Melon Music Awards in Seoul — both musically and sartorially.

The singer arrived in Guro-gu wearing a dramatic couture creation by Lebanese designer Georges Hobeika, instantly commanding attention on the red carpet. The event, which celebrates South Korea’s top musical talent, drew major stars including G-Dragon, Zico and EXO.

Jennie emerged as the night’s biggest winner, taking home the Record of the Year (Daesang) award — a historic first for a solo artist at the awards. The win caps off a major year for the performer, following the March release of her debut solo album, “Ruby.”

For the occasion, the “Mantra” singer chose a ballgown from Hobeika’s Fall 2025 Couture collection.

The look featured a structured white corset bodice with a lace-up back, embellished with crystal accents along the straps, flowing into an oversized black tulle skirt worn low on the waist. The voluminous silhouette gave the gown a sculptural, almost theatrical presence.

Jennie kept her styling restrained, allowing the couture piece to take centerstage. She accessorized with a single statement ring set with an emerald-green stone, while her hair was pulled into a loose low ponytail, secured with a silver flower pendant.

Beyond her chart-topping success, Jennie has steadily built her fashion credentials. A longtime Chanel ambassador, she has also fronted campaigns for brands including Jean Paul Gaultier and Beats.

Meanwhile, in October this year, Hobeika celebrated 30 years since launching his namesake brand. The couturier and his son, Jad Hobeika, the brand’s creative director, took to Instagram to reflect on their journey.

To mark the occasion, the house released a short documentary in which Jad opens up about working alongside his father and continuing the brand’s legacy.

“Working with Georges, there’s definitely, you know, he created fashion like no one else in the Middle East,” Jad said in the video.

Founded in Beirut in 1995, Maison Georges Hobeika is one of Lebanon’s established fashion houses and a regular participant in the Paris Haute Couture calendar.

The brand is known for its couture and ready-to-wear collections featuring detailed craftsmanship and refined designs.